Hearing The Pulitzers

In this episode, Dave and Andrew discuss a composer from an earlier generation winning a Pulitzer in the twilight of his career. What will they think of Stringmusic?

If you'd like more information about Morton Gould, we recommend:

1. J. Wesley Flinn's article, "Developing Variation in the Late Work of Morton Gould and Why It Matters" Gamut vol. 10. no. 1 (2021)

In this episode, Dave and Andrew discuss one of the composers Dave wishes he had met, Gunther Schuller. But does Schuller's winning work Of Reminiscences and Reflections live up to his high expectations?

If you'd like more information about Gunther Schuller, we recommend:

1. Schuller's autobiography, A Life in Pursuit of Music and Beauty

In this episode, Dave and Andrew consider one of the few concertos to win the Pulitzer Prize, this time for an instrument whose sound some critics claimed grew "tiresome." Will they agree? And what famous composer's music is quoted in the piece?

If you'd like more information about Christopher Rouse, we recommend:

1. This interview with Joe Alessi mentioned in the episode.

In this episode, Dave and Andrew address one of the most controversial awards in Pulitzer history. What happened in 1992 and was Wayne Peterson's music worthy of the ruckus that grew around it? 

If you'd like more information about Wayne Peterson, we recommend:

1. Joshua Kosman's Obituary of the composer in the New York Times.

In this episode, Dave and Andrew are joined by Howard Pollack, John and Rebecca Moores Professor of Music at the University of Houston. Dr. Pollack is the author of acclaimed biographies of several Pulitzer Prize winners from the early years, including a recent biography of two-time winner Samuel Barber.

About Howard Pollack

In this episode, Dave and Andrew explore the second Pulitzer Prize in music won by a female composer, Shulamit Ran for her Symphony, in 1991. What will they think about this fourth freely-atonal work in a row to win the prize? And what snags did they run into researching this episode?

As mentioned in the podcast, here is Shulamit Ran performing with the New York Philharmonic in 1965:

If you'd like more information on Shulamit Ran, we recommend:

1. Malcolm Miller, "Between Two Cultures: A Conversation with Shulamit Ran" Tempo, 2004, 58(227):15-32.

In this episode, Dave and Andrew explore a composer who played with Benny Goodman as a jazz pianist, and then embraced Arnold Schoenberg's musical ideas as a member of the academy. What kind of music does that concoction create? Listen to this episode on Duplicates, Powell's winning piece for two pianos and orchestra.

If you'd like more information about Mel Powell, we recommend:

1. Sally Lamb, “An Analytical Guide to the Works of Mel Powell.” DMA diss., Cornell University, 1988.

Finally, you might like to see Mel Powell in action with Benny Goodman:

In this episode, Dave and Andrew explore a work for string orchestra that Kyle Gann opined was the first experimental composition to win the Pulitzer since Charles Ives. Given how much Dave loves Ives, how does he react to Whispers Out of Time? How does the piece fit in the context of music written in the late 1980s?

If you'd like more information about Roger Reynolds, we recommend:

1. Kyle Gann's American Music in the 20th Century (Schirmer, 1997).

In this special bonus episode, Dave and Andrew talk with 1988 Pulitzer Prize Winner William Bolcom. What is the difference between the Etudes and the New Etudes? What impact did John Cage have on his career? And who is answering the phone? We hope you enjoy hearing from him about these insights and many more!

In this episode, Dave and Andrew discuss the first solo piano work to ever win a Pulitzer Prize. And they try to answer the question–if these are "new" etudes, what are the "old" etudes? They also examine how Bolcom incorporates various styles and techniques into the etudes, and ponder the set's historical place among other etude collections.

If you'd like more information about William Bolcom, we recommend:

1. Henry S. Jones's dissertation "William Bolcom's Twelve New Etudes for Piano" (Louisiana State University, 1994).

And if you'd like to read Dave's interview with Marc-André Hamelin (who premiered the entire set), you can find it here.