This week on Heavy Metal Tones, we descend into the crushing, riff-soaked depths of doom with Episode 273, shining the spotlight on the debut album from doom supergroup With The Dead. Formed from some of the heaviest minds in the genre, this record is a relentless slab of distortion, groove and apocalyptic atmosphere that hits with the weight only true doom can deliver.

We dig into what makes this first album so powerful, how it captures the spirit of classic doom while pushing the sound into darker territory, and why it still stands as a modern cornerstone of the genre.

If this episode leaves you hungry for more slow, heavy and monolithic sounds, make sure you head back to Show #56, where I take a deeper dive into the world of Doom Metal and its foundations.

Turn it up, slow it down, and let the riffs consume you.

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This week on Heavy Metal Tones, we dive headfirst into the unmistakable roar of Zakk Wylde and the enduring legacy of Black Label Society. Episode 272 puts the band’s latest album under the microscope, exploring how its tone, attitude, and riff power stack up against the crushing foundation laid by the first four records: Sonic Brew, Stronger Than Death, 1919 Eternal, and The Blessed Hellride.

From gritty Southern sludge to soaring melodic leads and that signature pinch-harmonic scream, we trace the evolution of BLS tone and ask the big question: does the new album carry the same fire, or does it forge a different path? Expect deep riff analysis, tone talk, and a celebration of one of modern metal’s most recognisable sounds.

Metal Roos interview with Zakk Wylde about the new album

https://www.youtube.com/watch?v=yOJm5BKxip8&t=161s

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Episode 273 of Heavy Metal Tones is a full-on Crypt Crawl into the underground, where the cold is creeping in and the riffs are burning hot. Wynter is coming… and Evillean have brought the fuel.

This week I dive into the brand-new EPs from both bands, digging into the sound, the atmosphere and why these releases deserve a place on your radar if you live for the darker corners of heavy music. Along the way I spin Wynter’s crushing “Black Widow” and unleash Evillean’s ferocious “Bitchcntsumfck”, then close out the episode with exclusive previews of another track from each band.

Fresh underground metal, icy vibes, and serious attitude — join me for the latest Crypt Crawl.

https://www.facebook.com/Evilean

https://www.facebook.com/profile.php?id=61562429490500

Wynter - Black Widow Live

https://www.youtube.com/watch?v=7wykpIGoFgo

Evilean - Bitchcntscumfck

https://www.youtube.com/watch?v=1jtIrTZ9xdk

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This week on Heavy Metal Tones we dive back into our 50 Years of Punk (1976–2026) series with Part 3, shining the spotlight on Northern Ireland’s fiery punk rebels Stiff Little Fingers and their powerful second album Nobody’s Heroes.

Following the raw impact of their debut, this record captures a band sharpening their sound while refusing to lose the urgency and honesty that made them essential. We explore the stories behind the album, the political tension and social commentary woven through the songs, and why Nobody’s Heroes stands as one of the most important and emotionally charged releases of punk’s early years.

If you love punk with heart, history and a message, this is an episode you won’t want to miss. Turn it up and join the journey.

Here is the video I mentioned the infamous Top Of The Pops appearance where they refused to mime and mucked about.

https://youtu.be/i4YolkqwvIk?si=pR0YZqD3rKDrmIk1

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This week’s Heavy Metal Tones is a very special and heartfelt episode. Following the sad passing of Ross The Boss on March 26, we’re revisiting one of our favourite conversations — the full interview with Ross alongside Stu Marshall, originally released as Episode 218 in April 2025.

In this powerful chat, Ross reflects on his incredible career, from his early days with The Dictators to the glory and power of Manowar, and into the modern era with Death Dealer. It’s an honest, warm and inspiring conversation that captures the passion, humour and dedication that made him such a beloved figure in the metal world.

If you missed this episode the first time, or want to celebrate his legacy with us, this is the perfect moment to press play, turn it up loud, and remember a true legend. 🤘

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This week on Heavy Metal Tones, we dive deep into one of the boldest and most divisive albums in heavy metal history—Nostradamus. Judas Priest’s 2008 double concept album saw the Metal Gods push boundaries with a grand, symphonic vision, telling the story of the legendary prophet in epic fashion. Was it a stroke of genius or a step too far? I break down the music, the ambition, and where it sits in the Priest legacy.

And as a special treat, I crank up the intensity with “Press The Button” from Swiss shock rockers Dark Flow—dark, theatrical, and guaranteed to leave a mark.

Strap in for a journey through prophecy, power, and pure metal.

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Hi guys it is with sadness that I put this shorter episode this week, Its not been long since I put this interview up EP 251 to be exact. It feels right that on my birthday I air this again as it is one year ago today that on a sunny morning in March I interviewed the closest I will ever get to Lemmy.

So take this time to revisit it and for Phil and all the rest of that whisky soaked good old rock n roll band.

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This week on Heavy Metal Tones – Episode 266, we explore the light and dark within extreme metal through a fascinating contrast of sound, atmosphere and intent.

In this episode I review two very different yet equally compelling releases: Self Portraits in Black and the wild, ritualistic chaos of Witch Club Satan. One dives deep into the introspective and shadowy side of extreme music, creating an atmosphere that feels almost hauntingly personal, while the other unleashes raw, confrontational energy that channels the rebellious spirit at the heart of black metal.

Together they show how extreme metal can exist on both ends of the spectrum — brooding and reflective on one side, feral and explosive on the other.

Two visions. Two extremes. One genre that refuses to be confined.

Turn it up and step into the shadows with Heavy Metal Tones.

https://selfportraitsinblack.bandcamp.com/

https://www.facebook.com/selfportraitsinblack

https://www.witchclubsatan.com/

https://www.youtube.com/watch?v=WvgixsYAUvE. - You Wild Flower

https://www.youtube.com/watch?v=4Ls7yOBaEp0 - Fresh Blood Fresh Pussy

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This week on Heavy Metal Tones – Episode 265, we descend once more into the shadows with Canada’s rising doom force Sundecay.

I’m joined by founding members Richard Pauptit and Brian Scott for an in-depth conversation about their brand-new and absolutely brilliant third album. We talk about the evolution of their sound, the weight and atmosphere that defines modern doom, and how this latest release pushes their creativity into darker, heavier, and more progressive territory.

From crushing riffs to introspective lyricism, this episode goes beyond the music and into the mindset behind it — the writing process, studio stories, and what it means to carry the doom torch in 2026.

If you love immersive, slow-burning heaviness with substance and soul, this is an episode you don’t want to miss.

Turn it loud. Let it breathe. Stay heavy.

Support the band by clicking the links below.

https://sundecay.bandcamp.com/

https://www.facebook.com/sundecay/

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This month, I dive deep into their explosive and era-defining debut album Germfree Adolescents — a record that didn’t just ride the first wave of punk, it twisted it into something sharper, smarter and far more confrontational.

Fronted by the unforgettable Poly Styrene, X-Ray Spex injected punk with biting social commentary, anti-consumerist rage, and a fearless feminist voice that was radically ahead of its time. From the iconic title track to the jagged urgency of “Identity,” this wasn’t just noise — it was a manifesto.

In this episode, I explore:

• The cultural climate of 1977 Britain
• Why Germfree Adolescents still sounds so fresh and dangerous
• Poly Styrene’s legacy and influence
• How X-Ray Spex stood apart from their contemporaries

If you think punk was just three chords and attitude, this album proves it was also intellect, individuality, and rebellion in its purest form.

Part 2 of 50 Years of Punk is loud, colourful, and uncompromising — just the way it should be.

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