
Sign up to save your podcasts
Or


“Call me Ishmael” Birge. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul, then, I account it high time to get to the nearest Starbucks as soon as I can.
With apologies to Hermann Melville, today marks the anniversary of the opening of the first Starbucks coffee shop in Seattle. Now, since Starbucks gets its name from the first mate of the Pequod, the whaling ship made famous in Melville’s classic American novel Moby Dick, in addition to a steaming hot cup of Starbucks coffee, we celebrate composer Jake Heggie’s ambitious Moby Dick opera, which premiered in Dallas in 2010.
“When I write an opera, at a certain point the characters start singing to me,” Heggie said about wrestling with his great white whale. “But this was the first piece where I felt there was a physical cost, an exhaustion. ... Moby Dick deserved that.”
And no doubt Dallas Opera stage director Leonard Foglia needed more than a few cups of Starbucks coffee to bring Melville’s epic drama to life on stage.
He said, “I had to sink the ship in eight bars of music.”
Jake Heggie (b. 1961): ‘Moby Dick’; San Francisco Opera; Patrick Summers, cond. EuroArts DVD 2059658
By American Public Media4.7
176176 ratings
“Call me Ishmael” Birge. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul, then, I account it high time to get to the nearest Starbucks as soon as I can.
With apologies to Hermann Melville, today marks the anniversary of the opening of the first Starbucks coffee shop in Seattle. Now, since Starbucks gets its name from the first mate of the Pequod, the whaling ship made famous in Melville’s classic American novel Moby Dick, in addition to a steaming hot cup of Starbucks coffee, we celebrate composer Jake Heggie’s ambitious Moby Dick opera, which premiered in Dallas in 2010.
“When I write an opera, at a certain point the characters start singing to me,” Heggie said about wrestling with his great white whale. “But this was the first piece where I felt there was a physical cost, an exhaustion. ... Moby Dick deserved that.”
And no doubt Dallas Opera stage director Leonard Foglia needed more than a few cups of Starbucks coffee to bring Melville’s epic drama to life on stage.
He said, “I had to sink the ship in eight bars of music.”
Jake Heggie (b. 1961): ‘Moby Dick’; San Francisco Opera; Patrick Summers, cond. EuroArts DVD 2059658

6,881 Listeners

38,950 Listeners

8,801 Listeners

9,238 Listeners

5,825 Listeners

941 Listeners

1,390 Listeners

1,290 Listeners

3,152 Listeners

1,973 Listeners

526 Listeners

182 Listeners

13,784 Listeners

3,091 Listeners

246 Listeners

28,143 Listeners

433 Listeners

5,480 Listeners

2,191 Listeners

14,152 Listeners

6,432 Listeners

2,525 Listeners

4,832 Listeners

574 Listeners

246 Listeners