Henk Bakker – Concertzender | Klassiek, Jazz, World en meer

#457. Radiofonische project, geproduceerd door Truus de Groot @ WORM, van 9 tot 16 november 2022, in de WORM-studio. Music for Dive Bars by Truus de Groot.

Johnny Dowd Introduction.

Running time: 52.44 minutes.

Thank you:

Created by Truus de Groot at WORM, November 9 through 16, 2022

All rights reserved: Geertruda M De Groot (AKA) Truus de Groot, Dewclaw

Instruments used:

#456. About Improvisation.

With: Jim Denley, Mike Majkovski, Roel Meelkop, Mecha Orga and Kim

#455. Onafhankelijke radiofonische projecten met onder andere ‘Would you Adam and Eve it’. Een productie van Worm/Klangendum/Concertzender.

1. Would you Adam and Eve it.

Daniel is walking in the mountains and shelters from the storm in a lion’s den. In need of a heavy, household object, Daniel and the lion write the bible together, to a soundtrack of synthesisers and recorders. Eve’s character is strong enough to break out into a different reality, and she finds her way into our times in the hope of rebuilding paradise.

Catherine and Lucinda Guy are English sisters who have been writing and performing silly songs and plays together all their lives.

Credits:

2. Symphony For A City. (radia network/Radio Panik)

Subjectiv sound visit, “Symphony for a city” goes out of the field of reality in order to tranform it, mix it and make it sing. Based on records made during october 2022 in Bruxelles, this sound play distort the thousand noises of the city in order to make arrise his poetry, his rage, his rythm. In punctuation, daily words used in the french language like « bonjour » (hello), « oui » (yes), « non » (no) and « merci » (thank you) are declined in their infinites intonations. Oui don’t mean necessairly yes. Non can be sometimes be ask like a question. Merci is often used without a thought. Bonjour exist in a unconscious way but can also be used in very intimate opening to the closest persons. So many possibilities with which a game is established, first in solo and then with interactions between each words. This words, repeats, exhausted by repetition, loose then theirs significations for finaly just keeping theirs musicality, and theirs radicalness. Finaly, they enter into the landscape in which they are inscribed, in fake or in real.

This work would not have been possible without the meeting this summer 2022 of Arthur Lacomme and Domitille Devevey during the radio creation festival « Utopie Sonore ». The many “oui” heard were, by the way, collected from the participants of this festival.
 This sound play was written with advices of Vincent Matyn and the kind listening of the Radio Panik team.
 Finally, thanks to the voices, anonymous or friends, who punctuated this sound play.

Image: Domitille Devevey.

Mixing, composing, recording and production: Domitille Devevey.

#454. Onafhankelijke radiofonische projecten, geproduceerd door Barry Whittaker en Coolhaven.

1. Barry Whittaker – Unidentified Aerial Phenomena. (2022).

MORE INFO;

Barry Whittaker – Unidentified Aerial Phenomena. (2022).

Credits:

SHADOWSIDE OF SOUND – A radiopiece by Coolhaven.

Julie Bruins Rampart (1922-2005) In her free evening hours, Julie Bruins Rampart composed lustily. Initially, her favorite instrument was the great Baroque flute. We see this instrument in most of her compositions. This changed later when she discovered the possibilities of the electric guitar-sound. Sometimes solo, but often in combination with other instrumentation. What makes Bruins Rampart’s work attractive are the often complex gesticular additions that her works contain. She often stages the performers in a tableau vivant and does not shy away from acting unorthodox. Her work was dismissed as amateurish, a-musical and immoral. Bruins Rampart was active in the VSSM (Study Group Sadomasochism Association) in Rotterdam. The VSSM regularly organizes game meetings. Bruins Rampart strived for inclusiveness. Her series of compositions seem to be based on various agreements and putting them into practice; the so-called “play”. In that sense, her works could be interpreted as politically emancipatory erotic pamphlets. Bruins Rampart came from the PvdA circles that believed in the makeable world at the time. Moralistic, socially critical and also formative.

Credits;

#453. RadioWORM Goes to BUT. part 2.

PERFORMANCES BY:
 Swagemakers & Swarth, Nick J Swarth, Das Ding, Jack Fresia, Daisy Darkpark, Michon van der Heijden, Cannibal Clitorus en de Klittenband, Eleni Ploumi, Ieke Trinks, Lieuwe Zelle, Siksa, Buurtbeheer, a.o.

INTERVIEWS WITH:
 Martin Faltermeier, Adriaan aka het BUT-Mannetje, Juul Barnard (VHS Night of Error), Zuza, Zasya, Patrick, Robert Bronzi, Marijke, Wil, Female Monsterband, Wouter, Gino van Zeno, Mariëtte Groot (Underbelly), Hans Minkes (Woof), Karel (Schokkend Nieuws), Paul, Dorien, a.o.

HOSTS:
 Jacco Weener, Johana Molina, Sebastiaan Luiten

zie ook;
 https://www.butff.nl/

#452. Onafhankelijke radiofonische projecten. Met werk van Guido Spring, Candlesnuffer en Pauasa.1. Bratislava Rood en Wit; poëtisch portret van Bratislava, door Guido Spring.

Meer info;

#452. RadioWORM Goes to BUT. part 2.

PERFORMANCES BY:

INTERVIEWS WITH:

HOSTS:

#451. RadioWORM Goes to BUT. Part 1.

PERFORMANCES BY:

INTERVIEWS WITH:

HOSTS:

#450. Radiofonische netwerk projecten. Twee shows van het Radia Network.

1. New Poem by That Travis. (Resonance)

2. Shentov, Simitchiev, Lukanov – Live in Skopje. (Kanal103)

Onafhankelijke geluidskunst, radiofonische projecten en andere audio-non-visuele misverstanden en vondsten.