Quite a neurotic piece this time. It's about scrolling through your timeline. This was made for the Disquiet Junto 0736. More on the 736th weekly Disquiet Junto project, Feed Me — The Assignment: Write a piece of music emulating the dopamine engine that is social media. — at https://disquiet.com/0736/

More on this track at https://llllllll.co/t/disquiet-junto-project-0736-feed-me/73958/20

This was made for the Disquiet Junto 0733

More on the 733rd weekly Disquiet Junto project, Window Drop — The Assignment: Add to the sound outside your window — at https://disquiet.com/0733/

More on this track at https://llllllll.co/t/disquiet-junto-project-0733-window-drop/73801/15

This was made for the Disquiet Junto 0732. It's all about color drenching and the assignemnt is: What does it sound like?

More on the 732nd weekly Disquiet Junto project, Color Drenching — The Assignment: What does it sound like? — at https://disquiet.com/0732/

More on this track at https://llllllll.co/t/disquiet-junto-project-0732-color-drenching/73760/19

This was made for the Disquiet Junto 0731.

More on the 731st weekly Disquiet Junto project, Chill In — The Assignment: Record the sound of ice in a glass and make something with it — at https://disquiet.com/0731/.

More on this track at https://llllllll.co/t/disquiet-junto-project-0731-chill-in/73708/8

For the #disquiet junto nr. 561, "Rework environmental sound recordings with Aphex Twin’s new software", I used "Bird call in spring" by jmiddlesworth, "Ambience, Night wildlife" by InspectorJ amd "Heavy Rain" by lebaston100. After some experimenting to find out how to get any sound at all out of this app, I just pressed Play and Record and this is the result. Now we know how Aphex Twin does it (and why it is so boring).

More on this 561st weekly Disquiet Junto project — Samplelicker (The Assignment: Rework environmental sound recordings with Aphex Twin’s new software) — at: https://disquiet.com/0561/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0561-samplelicker/

Seven years ago I made this thunderstorm in SuperCollider ( https://soundcloud.com/henklasschuit/discovering-supercollider02 )and ever since I discovered VCV Rack, I've been contemplating the idea of doing the same thing in the virtual modular system. This week's Disquiet Junto gave me the perfect opportunity to realize this plan, so here it is!

Video: https://www.youtube.com/watch?v=6u8E1PBmxL0

More on this 398th weekly Disquiet Junto project — Rauschen Bern / The Assignment: Make music by making a collage of noises — at:

https://disquiet.com/0398/

This week’s project is the first of three being done in collaboration with Musikfestival Bern, which runs in Switzerland from September 11 – 15, 2019. More details at:

https://www.musikfestivalbern.ch/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0398-rauschen-bern/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

This is two assignments in one. First we have the Disquiet Junto 372 in which we were asked to do something with our latest instrument, which, in my case, is VCV Rack. On the other hand there is VCV Rack's inventor/main programmer Andrew Belt (Infinitely many thanks, Andrew!!)who states: "I personally recommend that you attempt to push the Fundamental modules to their limits before moving on to other official or third-party plugins." So this is my attempt. Did I succeed? Well, as you can see in the picture, there's still one module unused, so probably next up will be More Fundamental Limits, Further Fundamental Limits and possibly even Extreme Fundamental Limits. That is, if I can bring up the patience to keep away from other plugins.

About the patch: I am rather pleased with the idea of getting two melodies from one sequencer by putting it upside down with 8verter and transposing it a third. I also liked experimenting with the timbre of the bass by means of hard sync and an LFO. The rest is pretty much straight forward, I guess.

More on this 372nd weekly Disquiet Junto project — Honeymoon Phase / The Assignment: Record a piece of music with (only) your most recently obtained instrument or music/sound tool — at:

https://disquiet.com/0372/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0372-honeymoon-phase/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.