If you’ve ever witnessed a spectacular display of the Northern Lights, you’ll know the feeling: jaw-dropping wonder at the powerful forces unleashed in the vast spaces of the night sky.

The American composer Henry Brant experienced something like that in St. Paul, Minnesota, in 1982 during a visit, and later translated the experience into his “Northern Lights over the Twin Cities,” a work commissioned by Macalester College in St. Paul to celebrate its 100th anniversary in 1985.

Like most of Brant’s works, this piece employs several distinct groups of performers separated by space, a technique called “spatial” composition. For his Macalester Centenary commission, Brant utilized all the musical ensembles the College had to offer, including its chorus and orchestra, its wind, marching, and jazz bands, and even its bagpipe ensemble, all positioned at various points around the College’s cavernous Field House.

Brant said his own “spatial” works were inspired by the antiphonal works of the Renaissance composer Giovanni Gabrieli, the multiple brass ensembles in the “Requiem Mass” by the French Romantic composer Hector Berlioz, but above all by “The Unanswered Question,” by the modern American composer Charles Ives.

Brant was born on today’s date in 1913. He was awarded the Pulitzer Prize for Music in 2002, and died at the age of 94, in 2008.