Bach’s Well-Tempered Clavier is a collection of 48 preludes and fugues for solo keyboard in two sets, each covering all 24 major and minor keys.  This music has become a Bible for pianists as well as a challenge for subsequent composers to try to imitate. In the early 1990s, American composer and pianist Henry Martin tossed his hat into the ring with the completion of his own first set of 24 Preludes and Fugues for piano, and soon after published a second set of 24.

On today’s date in 1992, at the National Gallery in Washington, D.C., pianist Sara Davis Buechner performed three of Martin’s Preludes and Fugues for broadcast on NPR and later made recordings of all of Martin’s “48.”

One enthusiastic reviewer of those recordings, Michael Barone, host of American Public Media’s PIPEDREAMS organ program, wrote of Martin’s music, “We get shades of Debussy's impressionism, the vibrant jazzy riffs of Art Tatum, the spacey harmonies of John Coltrane, and the sophisticated improvisations of Bill Evans … but Martin's own individual genius shines brightly.”

Barone’s enthusiasm resulted in his commissioning Henry Martin to compose another set of 24 preludes and fugues – this time for organ!  We think Bach would have approved.

Henry Martin (b. 1950) — Prelude & Fugue #1 in G (Ken Cowan, organ) Pipedreams 1004