Hollister welcomes the writers back to work and comments on the opening line of the new contract, which is something out of Star Wars to be sure. First up is 'The Super Models,' the documentary (Hollister takes offense that it's even in that category) surrounding the four super models of the eighties; Naomi Campbell, Christy Turlington, Cindy Crawford and Linda Evangelista and how they found their way to superstardom. But the highlight is the discovery of John Carney's Flora and Son, the story of a single mother, trying desperately to connect with her son. Hollister says it should be headed for awards season, although she doesn't think it's getting enough leverage to be seen enough to find its way there. 

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Merser and Wilder talk The Morning Show, reviewing this new season and commenting on the past two seasons, all the while discussing women's increasing power in the making of film & television and what an exciting time it is for our ability to showcase women in film and history. Such a great show this week. Part of the strike is still on, but hope springs eternal that the role of women will continue to grow!

**This podcast was recorded before the writer's strike had ended.

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Christine and Wilder speed through their review of the three hour Oppenheimer, singing its praises, its importance and so many behind the scenes extras. Is it about Nolan, the director? The acting acumen of everyone, from Cillian Murphy to Robert Downey? The cinematography tricks? So many things to consider. One of Christine’s recommendations is to watch Fat Man and Little Boy, the 1989 film about the Manhattan Project before you see this. Or read American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer, the more than 600 page book it’s based on. Oppenheimer makes us want to go to the movies again.

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Christine (AKA Hollister) and Wilder dissect Apple’s the Crowded Room, and address Christine’s POV around the futility of the writer’s strike, while Wilder defends it. And, Somebody Somewhere, season two on HBO? Christine speaks to the enormity and importance and talent of Bridget Everett’s hit. Golda, Helen Mirren’s portrayal of Golda Meir, comes out in August and Screen Thoughts has tickets for the preview and video of an interview with Mirren, which will be offered to Screen Thoughts' viewers. And, the Morning Show comes out in early September … and, and, and, so many things discussed, so little time. 

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The names of many of the heroes of the Civil Rights movement are well known to us today: MLK, Malcolm X, Medgar Evers—the list goes on. But there were unsung heroes of the movement as well. Among these were white men of the cloth in rural towns and small cities of the American South, whose congregations might be wearing white cloaks on Saturday night before attending services the next morning, believing that they could both be good Christians as well as racist segregationists. Some of these pastors took a stand against the views of their own parishioners, welcoming Black people to join them in the pews and worship with them on Sunday mornings. Taking this position wasn’t always easy. Sometimes it was dangerous; sometimes, it cost these men their jobs.

As a child, Carolyn Crowder, filmmaker and self-described “bred racist,” struggled to reconcile what she learned from her pastors and her parents’ commitment to the belief that whites were superior to their Black neighbors. Eventually, she moved north to seek communities with views more in line with her own. Years later, using money left to her by her father, she made At the River, a feature-length documentary featuring interviews with dozens of pastors who stood up for their belief that all of God’s children should be welcomed as equals, exploring what they felt at the time, what this belief cost them, and how the struggled to defend it.

While the film is not currently available to the public, Carolyn joined Hollister to speak about the film and some of the stories behind its production. We will update our event section with the details of any future screenings, so that you can have the opportunity to see this important film featuring some of the unsung heroes of the fight for racial equality.

And consider following the Damariscotta, Maine’s Lincoln Theater for events and showings of some fabulous films.

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On a very special episode of Screen Thoughts, Christine Merser, Bryan Cohen and Shanette Barth Cohen give a review of Netflix's The Diplomat, kicking the episode off with praise for the show's creator Debora Cahn. They are chock full of admiration and talk about the comparisons to so many past TV shows; The West Wing, Grey’s Anatomy, Homeland, all of whom Debora wrote for. Some say it’s the best series on television. Don’t miss this review. One of the best from Screen Thoughts!

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What a week it was chatting about Mario’s amazing box office receipts, Mafia Mama (look for no lovers on this podcast), and Renfield. We finish up with Jennifer Garner, and her talent often unseen by the choices she has made in the films she has chosen.

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Tim Miller is back, guest co-hosting with Hollister and this podcast is chock full of film. They don’t agree on Air at all, with comparison’s by Hollister to Jerry Maguire versus Tim’s comparison to Moneyball. Some interesting takes on the new surge of Hollywood remakes. What do Spielberg and Tim have in common? A lot actually, and recommendations - quick ones for what is coming in April and what Tim and Hollister saw in March.

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