Our summer tradition at Here’s the Thing continues, as staff members choose their favorite conversations from the archives for our Summer Staff Pick series. This week, we revisit Alec’s conversation with Richard Kind. Single-handedly redefining the term “character actor,” the accomplished Richard Kind is surely one of the hardest working people in show business. His resume is unfathomably wide and deep, with over 270 film and television credits, spanning roles that exploit his killer comedic timing, like sitcoms “Spin City” and “Curb Your Enthusiasm,” and those that exercise his dramatic chops, like HBO’s “Luck” and the CBS procedural “East New York.” He’s an actor just as likely to appear in an Oscar-winning feature film as an animated one, to scene-steal a sketch comedy series as to star in an indie short. Kind is also a Tony-nominated stage actor, having appeared on Broadway in “The Producers,” “Funny Girl” and “The Big Knife,” among many others. Richard Kind speaks with host Alec Baldwin about the type of comedians that raised him, how he found his way to the profession after almost attending law school – and why he believes he is the “Costco of acting.”

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Jon Tenney is a Juilliard-trained actor and director whose work spans film, television, and theater. Best known for portraying FBI Agent Fritz Howard on the hit TNT drama “The Closer”, Tenney appeared on the series for all seven seasons and directed episodes of both “The Closer” and its spin-off, "Major Crimes”. His television credits also include roles in “Scandal”, “True Detective”, “And Just Like That…”, and “The Lincoln Lawyer”. Tenney has appeared in films such as “I See You”, “The Seagull”, “Tombstone”, “You Can Count on Me”, and “Rabbit Hole”. A respected stage actor, he has performed on Broadway and at Lincoln Center in works by playwrights including Tom Stoppard and David Mamet. His latest role is on the new MGM+ comedy series “American Classic,” which was a labor of love for Tenney, who is also an Executive Producer in addition to a principal cast member alongside Kevin Kline and Laura Linney.

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This week on Here’s the Thing, Alec talks with Grammy-winning guitarist Peter Frampton. “Sound is very inspirational to me,” explains Frampton – and it always has been: he started playing guitar before he was 8 years old.

Frampton talks about his musical roots in England, playing in bands like The Preachers and The Herd. At age 14 he was playing at a recording session produced by Bill Wyman, who he says is “sort of like my mentor, my older brother.” Eleven years later, Frampton was on stage in San Francisco, recording "Frampton Comes Alive," one of the biggest selling live albums of all times.

Frampton also talks about the challenges of his extraordinary success: “I don’t think anybody can be ready for that kind of success,” explains Frampton.

Peter Frampton recently completed a 35th anniversary tour of Frampton Comes Alive – a DVD will be available later this year. 

Originally aired July 15th, 2012.

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Andres Veiel is an award-winning German filmmaker, writer, and director renowned for his incisive examinations of history, politics, memory, and moral responsibility. Trained in psychology before turning to filmmaking, Veiel’s acclaimed works include Black Box BRD, Beuys, If Not Us, Who?, and Riefenstahl. Sandra Maischberger is one of Germany’s most prominent journalists, broadcasters, and documentary producers. Best known as the longtime host of the political talk show Maischberger, she has spent more than three decades interviewing world leaders, artists, and influential public figures. Together, Maischberger and Veiel made the 2024 documentary Riefenstahl, which reexamines the life and legacy of filmmaker Leni Riefenstahl, director of Triumph of the Will. Drawing on newly uncovered archival material, the film investigates Riefenstahl’s relationship to the Nazi regime, the enduring power of propaganda, and asks the difficult questions surrounding her artistic achievement, complicity, and legacy.

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Jon Robin Baitz is a playwright who admits that writing plays is tricky. He’s a snob for Broadway, where the cachet and laughs are bigger. But deep down, this award-winning playwright considers it a privilege to be working in American theater at all. Alec speaks to Baitz about his Broadway debut play, Other Desert Cities, that came from a place of despair and loss—and his own personal experience writing for television in Hollywood.

Originally aired June 4th, 2012.

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Jason Fisher is an award-winning producer, former studio executive, and founder of StageRunner. As former Head of Production at Disney+, Paramount, AMC Networks, and First Look Media, Fisher oversaw production on prestige series such as Breaking Bad, Mad Men, The Mandalorian, and The Walking Dead and helped shape some of the most influential film and television projects of the past two decades. Originally from Connecticut, Jason graduated from Tulane University with degrees in Architecture and Fine Arts before driving cross-country to Los Angeles with dreams of becoming a production designer. This ultimately led him on an unexpected path from production assistant to freelance producer to one of Hollywood’s top production executives. Currently, Jason is the CEO and Founder of StageRunner, a rapidly growing global soundstage marketplace and media platform connecting more than 850 studios across six continents. StageRunner is also a growing media company providing daily coverage of the latest production news, virtual production infrastructure, and the AI technologies reshaping how content gets made. In this conversation, Jason reflects on his unlikely career path, the evolution of prestige television, and the forces reshaping the entertainment industry today.

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He’s worked as the personal chef for French President Charles de Gaulle, co-hosted a television series with Julia Child and has authored over 30 cookbooks. There’s simply no one in the world like French chef – and culinary icon – Jacques Pépin.  The Emmy- and James Beard Foundation Award winner worked in more than 100 restaurants before becoming the Director of Research and Development for Howard Johnson’s. He then transitioned to educating the public in proper French cooking methods through his groundbreaking cookbooks like “La Technique” and his latest, “Jacques Pépin Cooking My Way: Recipes and Techniques for Economical Cooking;” as well as through his numerous television series like “Today’s Gourmet” and “Every Day Cooking.” He is also the co-founder of the culinary certificate program at Boston University and founder of The Jacques Pépin Foundation, which teaches underserved populations a path to employment through cooking. Alec speaks with Chef Pépin about how his family’s work in restaurants influenced his path, why he’s made the pivots he has throughout his career, and what a revered chef likes to eat in his downtime. 

Originally aired February 6th, 2024.

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Melissa Errico is a Tony-nominated actress, singer, recording artist, and writer. She is known for her iconic Broadway musical roles such as Eliza Doolittle in My Fair Lady and the title role in One Touch of Venus. She is also recognized from her roles on TV series such as Billions, The Jim Gaffigan Show, Blue Bloods, The Good Wife, Law & Order, A Gifted Man, Ed, and Miss Match opposite Alicia Silverstone. In addition to her work on stage and screen, Errico is highly regarded for her recordings of musical theater classics, including albums of songs by Stephen Sondheim and Michel Legrand. Her 2018 album “Sondheim Sublime” was described by the Wall Street Journal as “the best all-Sondheim album ever recorded”. In a review for her 2024 album “Sondheim in the City”, the New York Times described Errio as “one of Sondheim's deepest-hearted yet lightest-touch interpreters.” Errico’s interpretation of Legrand’s music is equally highly praised, so much so that she was asked to write his eulogy for the Times and was the only American singer invited to perform at Legrand’s memorial at Le Grand Rex in Paris. In recent years, Errico has become a contributing writer to The New York Times and served on the National Endowment for the Arts.

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Jodi Kantor and Megan Twohey are the New York Times reporters who broke the Harvey Weinstein story. For five months -- perpetually in danger of losing the scoop -- they cultivated and cajoled sources ranging from the Weinsteins’ accountant to Ashley Judd. The article that emerged on October 5th, 2017, was a level-headed and impeccably sourced exposé, whose effects continue to be felt around the world. Their conversation with Alec covers their reporting process, and moves on to a joint wrestling with Alec’s own early knowledge of one of the Weinstein allegations, and his ongoing friendship with accused harasser James Toback. The guests ask Alec questions about the movie industry’s ethics about sex and “the casting couch.” Over a respectful and surprising half-hour, host and guests together talk through the many dilemmas posed by the #MeToo movement that Kantor and Twohey did so much to unleash.

Originally aired January 21st, 2020.

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Amanda Litman is an author, digital strategist, and the co-founder and president of “Run For Something” - an organization which recruits and supports young, diverse progressive candidates. Since launching in 2017, Run For Something has helped to elect more than 1,500 leaders across 49 states- primarily women and people of color. Outspoken against “bad boomer leadership” and a “boomer mentality” in politics, Litman is also president of RFS Civics -  a 501c3 that works to end the gerontocracy. Shortly after launching Run for Something, Amanda wrote the book Run for Something: A Real-Talk Guide to Fixing the System Yourself and has recently published her latest book, When We’re in Charge: The Next Generation’s Guide to Leadership in May 2025. Litman cites Barack Obama as her inspiration to work in politics and started her career as an email writer for his 2012 re-election campaign. From there, Litman worked as a digital strategist for Hilary Clinton’s 2016 presidential campaign, Charlie Crist's 2014 Florida gubernatorial campaign, and served as the deputy email director for Organizing for Action. Litman is a strong advocate for a new style of “next gen” leadership and setting a new standard for this upcoming generation of leaders.

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