Guests: Matthew Mehan and Randy Barnett
Host Scot Bertram talks with:
Matthew Mehan, associate dean and associate professor at the Van Andel Graduate School of Government at Hillsdale College in Washington, D.C., about the pedagogical power of fables and his new book, The American Book of Fables.
And Randy Barnett, professor of constitutional law at the Georgetown University Law Center and director of the Georgetown Center for the Constitution, discusses his time as a prosecutor in the Cook County State Attorney’s Office and his new book, Felony Review: Tales of True Crime and Corruption in Chicago.
Click Here for Full Transcript+
From the historic campus of Hillsdale College in Hillsdale, Michigan, where the good, the true and the beautiful are taught, nurtured and honored. This is the radio free Hillsdale Hour, bringing the activity and education of the college to listeners across the country.00:25S2
Fables are not that simple. There’s always a simple part to a fable that a child can get, but most fables open up with a world of different moral technical knowledge. Like, oh, I can be much smarter about being good. And that’s what a fable can do, is train up that good mother wit.00:41S3
This is your host, Scott Bertram. Welcome to the Radio Free Hillsdale Hour. Part of the Hillsdale College Podcast Network. That was Doctor Matt Meehan from Hillsdale in DC. He’s back today to talk about his new one, The American Book of Fables, and then stick around later on. Randy Barnett is back. We’ll talk about his delightful new book, Felony Review Tales of True Crime and Corruption in Chicago. First, we’re joined by Doctor Matt Meehan. He’s associate dean and associate professor of government at Hillsdale in DC. Also a best selling author whose previous works include Mr. Meehan’s mildly amusing Mythical Mammals and The Handsome Little Signet. The new book is Bigger Than the Others. We’ll discuss it in a moment. It’s called The American Book of Fables. Matt, thanks so much for joining us.01:31S2
Thanks for having me, Scott.01:32S3
Excited to talk to you about the American Book of Fables. I follow you on X. So I saw a lot of the research, the travels across the country that went into the American Book of Fables. You’ve written two previous books for younger audiences. This one is different. It’s for young people. It’s for teenagers. It’s for adults as well. What made you want to create this kind of book something more expansive and very American in its scope.02:03S2
I wanted to do The American Book of Fables in honor of the 250th birthday of the country. And that’s why it features the Declaration of Independence interwoven through 13 regions of the country that. Hence the travel. But I also wanted it not to just be a flash in the pan for a 250, which is why it’s a big, hefty kind of hardback heirloom coffee table style. It’s a big, fat, beautiful book with all these illustrations in it, because I actually want people to be able to grow up with it. So you can read it as a child with nursery rhymes for for littles, there’s sections just for littles. Right. Although really it’s for everyone. Then there’s sections for middles, which are fables and stories and poems. And then there’s sections for bigs which have primary sources from the founding and from all across the history of the country and different local history and regions, but also poems, Socratic dialogues think like Animal farm meets, Aesop. Meats. Hugh. Manatee. This. Manatee that travels around through the whole country. And it’s. So. It’s. It’s designed for the whole family to enjoy. But also for a child to grow up with. And you read it again and again like a great book.03:10S3
I know when developing shows, books, creative content, some things, sometimes things just click into place. Was there a moment when you said, oh no, that’s the format. That’s exactly how I want to approach this in terms of, again, appealing to sort of a lifelong love of reading and American Book of fables.03:28S2
When I finally seized upon the engine of traveling from region to region, 13 chapters in honor of the 13 colonies, that’s when I realized, ah, now I can actually key all these nursery rhymes, these fables, these stories to local history and national history, and tie the whole sort of union together through the declaration. And so each of them winds up being this commentary on the lines of the declaration. So one chapter is just the word life. Another is liberty, and another is pursuit of happiness. Others are the abuses of King George, then the abuses of Parliament. That’s when you go to the desert. Yeah. So once I saw that, that’s when it was off to the races.04:09S3
So what makes something in your mind truly an American fable that that deserved inclusion in this book?04:18S2
I wanted so the fable tradition is old. Very old. It’s book of Proverbs, King Solomon in Scripture. It’s it’s in Greece. It’s in Rome. And the Romans were actually the big Fabulists. A lot of Aesop collections, they realized, are from that time. So in one sense, there’s nothing new in doing fables because it’s part of the Western tradition. But an American fable, I think, has two characteristics. One, it is about America and our experience, our animals, our history, our lands, our folklore. But it is also about the special virtues and the kind of sort of way. Virtues take shape in a people who want to be self-governing, i.e. free people. And that’s different than a different kinds of regimes monarchies, oligarchies, tribes, nations. So there’s a heavy emphasis on wit and wisdom, which is a theme that Ben Franklin put in Poor Richard’s Almanac. Uh, and we can talk more about it, but it turns out Aristotle says wit is actually a virtue, but it has to be trained up. In fact, there’s a line in the book I quote from Chaucer, and it’s. But it’s a bunch of different poets all mashed together, but they’re saying the same thing, which is you have to train up your good mother wit, without which all other learning is half lame.05:35S3
Madmen with us. His new book is The American Book of Fables, which you can order now. The book is. You sort of have outlined treats America as a as a character in the book two through rivers and mountains and the plains and the deserts. How does that tie into what you’re trying to accomplish in the book and our celebration of America.05:55S2
250 the history of the country is its founding, obviously its founding. We go to the Puritan New England and and see the frontier of Florida from the very beginnings when the British and the Spanish were sort of at odds. But but the entire experience of the settlement of the country is part of what has made our national character and the implementing of that founding the sort of the declaration of those words that touched off all of this motion I say in the book. And part of that is this incredible encounter that the American people had again and again in different ways with the land. And that did two things. And I think they’re important virtues for us to imitate. Even though we’re not settling the land anymore, we need to sort of experience it vicariously through the settlement of the country. And those are these providence, right? Sort of this, this awe and thankfulness that this incredibly fertile, beautiful, Rugged, wild, just unbelievably amazing landscape was ours and given to us in a certain sense, like it was, you know. Yes, there were Indians. Yes, there was a settlement and difficulties. And I cover all that actually, and handle it, I think, very delicately in the book, to try to explain the ethics of how we could have done it better, but how we did a lot of good things. And we should celebrate those too. But but that’s a kind of gratefulness, a thankfulness, right? And so when the character of the land is in the book, it’s almost like the character of Providence sort of quietly, right? It’s this gift of this beautiful land. And then the other one is all of the different virtues of self-governance required to shift for yourself on difficult terrain, right? You got to cut down forests, you got to dam rivers, you got to, you got to, you know, get to kill a cougar before he kills your cattle. And now, obviously, there’s a whole ecological thing about preserving. And I feature the national parks. There’s a whole story about how we we saved a couple species from extinction. So it’s not just about shooting, you know, wild animals, but but that’s part of it. You’ve got to settle the land. And so it’s the virtues that you come, you gather from that. But it’s also the gratitude of recognizing that it’s America, the beautiful right given to us by God.08:04S3
The introduction to the American Book of Fables tells us the book can help us remember our people’s way of life, or learn it for the first time. Living in modern America with everything that brings. Do we still have the ability to put ourselves back 250 years ago and and sort of see and experience what those settlers experienced?08:28S2
Yeah. I mean, in literary study and in neurobiology, they talk about mirror neurons, which are actually operative neurons. So if you have an experience, you get neurons that kind of remember that experience. So you handle it better next time. Well, if you read a story, you actually get these mirrored versions of that. So you can handle similar situations. So I do think literature is a kind of secondary. You have to have experience too. But it’s a secondary sort of, you know, pontoon that will prevent your boat from capsizing. Capsizing is these literary stories. But but I also, I think I did a ton of research beforehand on the fable tradition, but also on the founding imagination. What were they doing? In fact, we’ve spoken about this before, but the, that, that notion of the founding imagination. Right. It was extremely moral.09:16S3
And, and they moralized like freely, hilariously, uh, relentlessly. And it’s actually people think of that today, I think in the post-freudian sort of 20th century debacle of like, morality is this oppressive thing. It’s actually an incredibly joyful and freeing thing. And you see it in their imagination scape and how they tell stories. And I tried to sort of represent that kind of sort of moral ecology of the imagination for the next generations to come, because I hope this book lasts us another 250 years is a kind of stalwart of the sort of. This is definitely going to have this book in the library because it’ll help form your character, and I think it’s a joyful moral imagination that that is the American optimism that the book tries to bring forward again.10:06S3
Matt Meehan with us, his new book is The American Book of Fables. If you follow Matt on X, you saw pictures of his travels across the country. You mentioned pontoons. You’re in the Everglades. I don’t know how many gators you saw, but.10:21S2
You went crocodiles.10:22S3
Yeah. You went all over the place, looking at places, looking at landscapes, experiencing the country. Were there particular incidents, incidences that inspired specific selections in the American Book of Fables?10:37S2
Many. For instance, I found this place, uh, off the Bay of Biscayne, uh, just east of the Everglades. When I was down there, I was on an NIH grant doing research, and I won the innovation prize, heritage two. And so I was doing all this research, and I found the Deering Estate, which is this little K off of the ocean in front of this beautiful old sort of lodge with palm trees. And it has a freshwater spring. And the manatees come and drink the fresh water because they’re in the salt water most of the time, but they’ll drink the fresh water there. And so I’m like, this is the perfect place to have a Congress at the beginning of the book. So the manatees, you know, in Congress is the first thing on the Declaration of Independence as it was published, at least. And so it’s about what does it mean to be a social animal? And it’s also a hurricane because the declaration was started in a storm. So I found this perfect place, the Deering Estate, for the first Congress of the manatees, to decide what to do about the storm, which sends Hugh on this big trip. The other thing that is a Hugh’s final stage in his journey before he takes a long Empire train back from Montana is and it’s it’s a joke to get a huge, fat £2,000 manatee all over the lower 48. And there’s lots of different madcap stories in there. The cover has one with he’s on a Ford F-250 in Navajo country. It’s a long story, but we ended at Glacier National Park. The backbone of the earth. And it is one of the most awe inspiring, most glorious, most God given. Just close your mouth. You’re drooling. You’re so gobsmacked by the beauty of the place that I. And there’s a beautiful place called going to the Sun Road. And that idea of going to the sun is a kind of closing theme. It’s one of the last poems. It’s it’s a featured in the last story of Hugh Manatee and a number of the last fables. The mountains there talk to one another and so do the rivers and the lakes and the. Going to the sun is a kind of a kind of double pun, but it’s about American optimism and hope. Lowercase and uppercase H.12:40S3
Hope Doctor Matt Meehan is with us from Hillsdale in DC. More talk about the American Book of Fables in a moment if you’re preparing to celebrate America. 250 what a great option to have to see the first film from Hillsdale College on the big screen in theaters. It’s revolutionary America. It tells the story of the American founding, of course, the greatest political achievement in history. You can find theaters and get [email protected] slash. This is your chance to see the true story of America’s founding on the big screen in a limited theatrical run. 250 years ago, a group of ordinary people did something truly extraordinary. With the anniversary approaching, it’s time to remember exactly what they did and why it still matters. See Revolutionary America in theaters May 31st, June 1st and June 2nd. Find a theater near you and get your [email protected] slash FILM hillsdale.edu/film. You won’t want to miss Revolutionary America. We continue with Doctor Matt Meehan from Hillsdale in DC celebrating America 250, in part with the new book, The American Book of Fables. Matt John Farley is back to do the illustrations in the American Book of Fables, and the illustrations are a big part of the experience, from the cover to many inside. How does your illustrator, John Farley, help shape the final product, the final book of the American Book of Fables?14:22S2
So John and I work on every illustration very closely. We have insane Google Docs, bizarre text streams. We’re going back and forth with reference images and ideas. And he. He’s a realist impressionist from the Boston School through the Ecole des Beaux Arts. He can trace his lineage all the way back to Florence. Master apprentice to literally Raphael’s workshop in Florence, the Raphael. He’s a classically trained rock star and the artwork is his best ever by far. It’s truly amazing. He came with me to Glacier National and Yellowstone and some of the paintings he painted on site that are in the book he did on site oil and watercolor painting of some of the places we knew we were going to do fables like Old Faithful and different places like that. And so the book is beautiful and we have pen and ink, we have watercolor, and then we have 13 gorgeous oil, two page spreads for each 13 of the 13 regions that are covered in the 13 chapters. But we did pen and ink, watercolor to oil in this almost kind of the way the Declaration of Independence is. In one sense, it’s a scrawled document, but it it takes on life. Like we inhabit those principles. We live out liberty. We find a civil war to make sure everybody’s free. Like this kind of like something going from a scribble to out to the lived full color experience. John helped me basically create this beautiful kind of motif. And the book actually, uh, inside is a kind of interior is, is breathtakingly beautiful to the graphic design, which John helped spearhead with Sophia and myself.15:56S3
Is there a particular chapter or section you’re really happy with the way it turned out?16:02S2
My favorite, my favorite two are definitely the two where John came with me. And so we have all this additional live painting images. And those are the two that feature just two national parks. It’s chapter 11 called The Warmth of Yellowstone. And then chapter 13 called Many Glaciers. Uh, and the, those two really, I think are especially beautiful. Um, they’re especially kind of artistically. They sing even the prose is written in a kind of, uh, almost sort of musical rhetorical verse. Others too, but that those are, I think, the most the most sumptuously beautiful. And I kind of, you know, like a good, you know, a good symphony, you hit a certain, you know, peaks, you know, and so I, I went for one big peak, which is at the Continental Divide, the high point, the giant warm bulge of the the thermals at Yellowstone, and then one more at the backbone of the earth at this high point of the continental Divide. So we we hit the continental divide. And it’s a big sort of denouement. And then we, we go to the West Coast, and then we come back for our kind of last finale. And those, I think are my favorite.17:08S3
Mad men with us. His new book, The American Book of Fables. Beautiful book available now. Uh, your dad many times over your previous books to have had these themes of fatherhood and what it’s like raising children, this book, the ability for parents to read with kids, young and old. What does it mean for, for families to have that kind of experience, that kind of literary and historical experience together?17:37S2
It’s the same experience writ small that I hope that this book does writ large for the country. When you read aloud, it’s a unifying experience. It’s a shared moment. It’s you share not only the words of the text, but the voice of someone you love. And it’s also a kind of a powerful way to bring forward literature, not just in the book, not just in the mind, but into the space of the family and allow it to be there. And I consider it like people are like, I bought your book and I go, thank you. And I actually mean it because it’s a great honor that someone’s willing to let my words into their home. And it’s a greater honor if they let it into the air of their home, like they actually speak these words. Which is why I try to write very beautifully so that there are beautiful moments, but that’s that unified memory of what it says and what it teaches about America, and beauty and truth and virtue in the country and the landscape and our history. That’s a shared memory, doubly because you share it and because of the thing it is. And that’s what the book does for the whole country is it’s actually re gifting the shared memory of our loves of people and principle and liberty, justice and love.18:49S3
About me and with us. The book is the American Book of Fables. You spend time when you’re not raising children, uh, in the world of education now at Hillsdale College in Hillsdale in DC, but also previously teaching and helping to shape young adults as well. What do you think that these stories and fables do that the textbooks and lectures can’t do?19:11S2
It’s a great question. Aristotle has this line where he says, basically in the de anima, that no one can think without an image. Uh, and historical textbooks will give historical images, which are good, but if you use some art, you can actually shape even more economically, even more vivid. You can sort of heighten the beauty and truth beyond history into something that is even more memorable and more sort of delightful. And so that’s one thing that a textbook can’t do is that heightened ornamented beauty and truth. But the other thing that fables do, right, besides giving a kind of image of good things that help you live well and think clearly, is it also can train your wit in a way that you can’t with a textbook, a textbook. What’s said there is always true.19:59S3
Whereas when you use a fable, there are snakes with forked tongues. There is a big, you know, big grumpy buffalo that doesn’t quite have it all worked out. You know, there’s humanity who makes a lot of sense, but then sometimes gets too bossy. Right. There’s the complexity of character that fable allows for, because fables are not that simple. There’s always a simple part to a fable that a child can get. But most fables open up with a world of different sort of sort of moral, technical knowledge, like, oh, I can be much smarter about being good. And that’s what a fable can do, is train up that, like I mentioned earlier, that good mother wit that you can see through, uh, the apparent virtue of something and find a flaw, or you can see through the apparent viciousness and find a virtue. And that’s something that you have to have to be a good American citizen and a good person, I would argue. And you need literature and particularly fable to do that.20:59S3
I want to ask another virtue question, and we’ve had this conversation previously, but it’s a good time to bring it back. Patriotism is patriotism a virtue? Should we strive to love our country? Should we strive to instill that love and understanding of country in our young people?21:16S2
Yeah. So it actually is a moral virtue, like in the tradition, like it is something you’re supposed to do. It’s an active condition of the soul involved in moral choice. And it is that to love and honor and Revere, Right, your forefathers. And we begin the book with a dedication and a thanks to our forefathers and our forebears. But the trick is, a constitutional republic that is dedicated to natural rights is a series of principles. But it turns out that patriotism doesn’t easily map on to a series of ideas. They map on to people, right? The Patria, the fathers. Right. Or fathers and mothers. And it’s not just the Founding fathers. It’s all of our ancestors, the people who came before us, who built the roads, who settled Nebraska. Right? Who, who, you know, drained the swamps in Louisiana to solve for tillable land. All the cool things that people have sacrificed, all those guys who died building the Brooklyn Bridge. That’s part of Patria, right? And so what I try to do is merge. Each chapter merges the principles of the declaration in our Constitution, which we should care about with the thing that’s frankly easier to love and is the preservative of that. If you. This is why the left. Forgive me for a minute for getting a little political. They always attack the Founding Fathers as gross or the previous generations as gross and bad. Why? Because the principles. It’s hard to love the principles if you don’t know. If you hate the prod or the producer of the principle. Right. So. So you have to wrap these two things up. And I think frankly, uh, the, the dialogue today is, no, we’re a creedal nation. We’re principles only or no, it’s the heritage Americans or the roots of this, that and the other, uh, you know, I feel like the little girl in the meme, like macaroni, like why not both, you know, macaroni and cheese, you know, it’s like, it’s both, uh, and patriotism is a virtue that I think is a way forward because you ask, oh, these are we have to love our fathers and Revere them. Well, why are their our fathers? Because they founded a nation with these principles, etc., etc.. Right. So this is the kind of, uh, sort of double thinking, the wit and what wisdom, uh, of what it is to be an American. And the book tries to help us with that.23:26S3
Matt Meehan and the American Book of Fables. You’ve done this a time or two before with prior books, and I wonder what you’ve learned, or perhaps even just what you love about the way that kids and families engage with the stories that you’re telling.23:43S2
So like I said earlier, I kind of want these family books so people can grow up with the book. That is the thing I love is I mean, me and mammals was 2018, I think. So we’re, you know, it’s been out for a while. Yeah. And you get these older kids who are like, oh, I read your book. I read it again and again. You’re like sort of families that have sort of gotten to know it. I try with my books to like, the book is like a little seed and it sprouts and it can grow. And the more you look at it, the more you see the layers and the meaning. And, and so I actually, it’s one of my favorite things. And my hope is that I’m long dead before this one grows to full height, because this is a big book. It might be a little mustard seed of a book, but hopefully it grows very big. But I, I, I love watching families grow with my book and then their older kids or their, you know, tell you like, oh, I know what that one’s about. You’re like, oh, awesome. You know, maybe you’re right. Maybe you’re wrong. Keep reading, you know?24:41S3
Yeah. Matt Meehan is associate dean and associate professor of government at Hillsdale in DC, and his new book, with beautiful illustrations by John Foley and the wonderful words by Matt Meehan, is the American Book of Fables. Matt Meehan, thanks so much for joining us here on the Radio Free Hillsdale Hour.25:01S2
Up next, Randy Barnett is with us, well-known constitutional scholar, but we talk about his new memoir about tales of true crime and corruption in Chicago. I’m Scott Bertram. This is the radio free Hillsdale Hour. Welcome back to the Radio free Hillsdale Hour. I’m Scott Bertram. Be sure to check out more Hillsdale College [email protected]. Older editions of this show, plus The Larry Arnn Show in Primus and Hillsdale College online courses podcast. Find them wherever you get your audio. We’re joined by Randy Barnett. He is a professor of constitutional law at Georgetown University Law Center. He directs the Georgetown Center for the Constitution. Also prolific author, great originalist. He’s been on the program before. His brand new book is called Felony Review Tales of True Crime and Corruption in Chicago. Randy, thanks so much for joining us.26:11S4
Always good to talk to you, Scott.26:13S3
This is a treat. We talked to you about a life for liberty, the making of an American originalist. And inside that book, the memoir is this mention of your time working in Chicago as A as A, A, D, A and other roles. And I didn’t know that about your past. And now you’ve got an entire book with stories from this really interesting time. Why an entire separate book from the memoir, even about your time in Chicago?26:40S4
Well, the memoir is your memoir, as you will recall, is very, very long. Yeah. Um, maybe a little too long, but I had my reasons. However, adding this material in would have made it impossibly long. And so the only way to get the memoir out the door was to take these chapters out of the memoir. And then by doing that, I was actually able to blow them up. Um, and add a lot more detail, add a lot more cases, add backgrounds on the individuals I was dealing with, the lawyers I was working with, and more information about what happened after the cases than I even knew about. Um, and also draw lessons throughout the book, um, spontaneously, so to speak, as we tell stories, as I tell stories, lessons about the criminal justice system, lessons about lawyering and all of that would have been impossible within the framework of a lifetime memoir that really traces my path to being a constitutional law professor.27:34S3
Why do you want to be a prosecutor? How did that end up being being where you ended up?27:38S4
Well, it’s pretty simple. I’m a child of TV, and the TV show came on when I was ten years old, called The Defenders, starring e.g. Marshall and Robert Reed as a father son criminal defense team in New York. Filmed on location in New York. It was inspiring. It was gritty and. One of the things in hindsight, I realized for why that was the show that made me want to be a lawyer and not Perry Mason, which was on every Sunday night, is that Perry Mason was about solving murders and The defenders was about practicing law. Um, and ultimately it was about justice with it making the criminal justice system work. And that actually, now that I’ve gone back and rewatched episodes of The Defenders that included cooperation by the prosecutors and judges as well as as the father son legal defense team, the, uh, the presidents. Um, and so, um, that’s what got me into it. And then whether I was going to be a defense lawyer or prosecutor, that sort of was an open question until I got into law school. And for various reasons, I opted for the prosecution side, but I could have been a public defender. I would have been happy to be. Maybe if the Cook County Public Defender’s office wasn’t as political as it was in my future, there would have been much more up in doubt as opposed to the prosecutor’s office, which at the time I went in, there was a Republican held office in which, um, promotion was based on merit.28:56S3
Felony review is the new book from Randy Barnett. You mentioned you draw some some lessons, learned, some things perhaps in reviewing material. Uh, early in the book, you point out that one of the benefits of the rule of law, which requires that light cases be treated alike, is that any deviation from the norm is a signal, a potential signal of something improper. How did that help you in your early days?29:21S4
Right. Well, it was a lesson that I drew from the first case that got fixed out from under me in auto theft. Preliminary hearing caught a big chop shop case, um, involving taking stolen cars, chopping them down for parts, which was a kind of, uh, murder one type case if you’re working auto theft. Um, and we had a case come up where it was a preliminary hearing and the judge had a standing rule, no motions to dismiss, um, at preliminary hearing. And as we are as the defense attorney is cross-examining the arrest, the, the arresting officer and the arresting officer is admitting to circumstances that sound an awful lot like an illegal search. Um, I we object beyond the scope of preliminary hearing because, you know, we’re not supposed to do that here. And then the judge overrules that objection and we went, oh my. Now that’s a very that’s a complete deviation from his standing practice. And so then we knew when the case was thrown out that not only was the cop on the, on the take, but the judge was on the take too. And in felony review, I’m able to name names, Um, uh, of all the people who are on the take because they ultimately ended up facing justice themselves.30:24S3
Yes. Operation Greylord a well known sting in the Chicago area. I want to come back to that in a little bit. That first judge that we meet, we meet a lot of judges in this book, and they’re all such rich characters, Judge John J. Devine. Dollars. Devine. Uh, the nickname for him because he is on the take in fixing some of these cases. He’s not the only one, though. And this happens to you not infrequently through your career. What is it like as a prosecutor working with a deck known to be stacked against you?30:54S4
Well, in fairness to the Cook County Judicial judiciary, this was primarily done at the misdemeanor level and the traffic court level, because that’s where you could do high volume of small dollar corruptions, make a lot of money, but not raise a lot of political heat. By the time you get to the felony trial courts, things were on the on the level. Um, and those judges had their strengths and their weaknesses, but being on the take was not one of them. With one exception, which I do talk about in the book, but only one. And, you know, he didn’t actually fix a case out from under me, but later on we discovered he’d fixed some other cases, but he was the only circuit court judge in the history of the circuit court to be convicted of, uh, of throwing a murder case for money. So that was very unusual.31:37S3
Scott, I’m talking with Randy Barnett. His brand new book, Felony Review Tales of True Crime and Corruption in Chicago. There’s a really interesting part in here where you answer the question, why do criminals confess to the police? Why don’t they shut up? Why don’t why aren’t they silent? Why do people feel like they want to or have to? Uh, why do they confess to police?32:01S4
Well, first of all, let’s talk about the felony review unit, because that’s where I got the opportunity to examine so many defendants or people who were accused and get confessions. The Felony Review Unit is a specialized unit in Chicago that was set up as a result of an arrangement between the Chicago Police Department, which a unit of the municipality of the City of Chicago and the Cook County State’s Attorney’s Office, who works for Cook County. They have no corporate relationship with each other, but they enter an agreement that say that no felony charges could be brought by a Chicago police officer without approval of a Cook County state’s attorney. And that meant you needed a full time unit of state’s attorneys available to go to district police stations, interview witnesses, talk to the cops, try to get statements or confessions from accused if possible. Um, and we and the felony review was set up to be this 24 over seven unit. I was on it for nine months. Um, you work on a all day shift for three days and then you get three days off and you’re working all night shift. You have your own squad car, your offices are in the police station, not in you don’t go to court. It’s fascinating. It is the core of felony review, the book in addition to my trial experience. Um, and so that’s the reason why I was interviewing a whole lot of people in the police stations. Prosecutors never get to talk to the accused because by the time the prosecutor sees them, there, represented by counsel. Right. But if you’re in the police station’s on felony review, you do get to talk to them. And so I took a lot of confessions, and I was able to draw some generalizations from the confessions I took.33:27S3
Uh, what’s the most prominent one? I mean, what is the most likely reason, most common reason that a criminal is going to confess to the police.33:35S4
That’s very easy. They don’t know. They’re confessing. They’re trying to talk themselves out of a crime. And by trying to talk themselves out of a crime, they’re actually talking themselves into a crime. So let me give you an example. If somebody says, um, yeah, uh, my brother and I did go and try to rip off the former cellmate drug dealer of my brother, but it was my brother who stabbed him to death, not me. Well, that was they’re trying to get themselves both brothers, by the way. In that case, both Robert King and George King each made a statement like that against the other one, and I had to try both of them separately because of that. Mhm. But in each case, they were basically confessing to felony murder. It didn’t matter which one of them stabbed. I’m not 100% sure I know which one of them stabbed Gregory Perkins to death, but it didn’t matter legally, they confessed.34:20S3
Randy, in our first conversation or our conversation about a life for liberty, I think we brought up this question about how, as a prosecutor, you would deal with these low level drug cases that could result in jail time for the accused, when that’s not something that you necessarily believed in. And there’s a portion in felony review. When you talk about your your your about to prosecute a death penalty case when at the time you were anti death penalty, how did you juggle those you know, those those conflicts and what ended up happening in that case?34:56S4
Well, there weren’t that many conflicts. Happily, the drug conflict was resolved by the fact that I worked the misdemeanor drug court. Right. And, uh, my boss at the time, the Cook County state’s attorney, had a very liberal policy on, on personal possession so you could get diversion. So I never sent anybody to jail for drugs. Um, and then when it came to this one case, this, this death penalty case, it ultimately pled out. And so I never really had to do what I was probably going to do, which was try the case. Um, but it was an interesting phenomenon. And it also goes to my contrary nature. When I was in college, I was for the death penalty. When I was a prosecutor, I was against it. And now that I’m a law professor in liberal law professor land, um, I’m for it again.35:43S3
Randy, one of my I think it’s my favorite part of felony review is, is the twist in the end. And we’ve already alluded to this operation Greylord probe, which resulted in a number of high profile judges and others in Chicago being put behind bars. And there’s a wonderful twist that you can’t see coming. Uh, I’ll leave it to readers to find out for themselves. Okay. But also in the book, you have a story about witnessing voter fraud in Chicago, which is very hard for me to believe. That happens there. But but but you say it does. Uh, and one of the lessons you draw here is that requiring matching signatures is the most important way to combat voter fraud. Why does that work?36:24S4
Well, we were on election patrol, and I thought election patrol was just a waste of time. What was what was I ever going to do on election patrol? The only thing that we could do when we showed up at a polling place as state’s attorneys, was to stand behind the judges who were supposed to be Democratic and Republican judges, but they were all Democratic judges because there are no Republicans in Chicago. Um, and so, uh, and what and what they’re supposed to do is if somebody goes to fill out a card to vote, he signs the card and he goes up to the desk, and then he shows them the card. And then they compare the signature in the card with the signature in the voter registration binder. And if they match, they give them a ballot. And I’m looking down watching the signature comparison, and there’s absolutely no comparison. This person I’m looking down, there’s no comparison between the card and the binder. They’re just completely different. Then I look up and I see I’m looking at a kid. I’m looking at a teenager, an older teenager who probably isn’t old enough to vote anyway. And so I’m stuck. I got to do something about it. And then the book talks about how hard it was to get anybody to do something about it. There’s a Chicago Police Department. Chicago police officer there assigned. He wouldn’t do anything about it. And I was being escorted by a Cook County sheriff’s policeman, and he wouldn’t do anything about it. So the book talks about how I was ultimately able to get somebody to do something about it. And ultimately, the kid was given, you know, supervision down the line, uh, when when it was adjudicated. But it was a very interesting example of how voter fraud is done without voter ID, without voter verification. And, um, it’s, it’s an old story.37:56S3
Randy Barnett with us, his book, Felony Review Tales of True Crime and Corruption in Chicago, available now. Rich characters throughout the book. You are not shy about explaining things you did wrong from forgetting to read someone Miranda rights. At one point, your first cross-examination didn’t go all that well, although you still got the conviction. You had a conviction overturned because of the way you presented your closing argument. Would you be willing to identify in your mind the biggest mistake you made while working in Chicago?38:29S4
Well, I think it’s the last one. Um, and that is, uh, it was during closing argument, I accused the defense lawyers of engaging in cheap lawyer’s tricks, which they had done. Um, but, uh, in fact, uh, the appellate court thought that was improper closing argument and the, and the conviction was reversed. They ultimately defended, ultimately pled guilty, um, upon, you know, remand after conviction. But that was the biggest mistake I made. And it was, you know, it, I didn’t know, but here’s the problem. Here’s the thing. It wasn’t only my fault. The defense objected to my saying that. And if the if the judge had sustained the objection, I would have stopped. But the judge overruled the objection and I kept going. So there were two people in the court that made that mistake. One day it was me and the cop of that court, which is the judge. All the judge had to do was say, objection sustained, and we both would have been saved. That reversal.39:20S3
You worked with and under a few names that became very prominent and important in Chicago, both Democrats, Richard M Daley, the son of Richard J. Daley, who was then mayor of Chicago after serving in the prosecutor’s office, and then Dick Devine, who then became a I forget the exact title, but chief prosecutor, state’s attorney in Cook County, years after the fact, both guys. Pretty partisan Democrats. You are not. What was it like working underneath and with them?39:49S4
Well, I worked for Bernie Kerry, the Republican former FBI agent, reform states attorney, someone who actually helped initiate Operation Greylord, um, for three years. And we really prided ourselves on being a professional outfit and nonpartisan professional. You know, most of the people I work with were. Democrats had been hired by Editor Hanrahan prior to Kerry coming in, and then when Rich Daley, one after I was there for three years, the day, the next day after the election, it was like a morgue. It was like a wake at the office, because we just felt like all of our professionalism was going to go down the drain, and we were going to be just another corrupt Chicago institution. Or maybe as political as the public defender’s office was. But that’s not what happened. It turns out that, uh, Richard Daley, Dick, you know, um, Richie Daley, the son of the mayor who had his eyes set on being mayor himself, decided that the way to for a political future is to be an effective prosecutor. And so much to my surprise and other people’s surprise, all the supervisors normally have to resign. They resigned. And the people that he promoted from within were the good people. There was a few partisan people, partisan Democrat type people who he didn’t promote. Um, and so at least for the time I was there, he ran the office wonderfully. And before I left, before I resigned, I took a leave of absence to go to University of Chicago Law School before I could get a teaching job. But after I formally resigned, or as I formally resigned, I made an appointment to go meet with him in the Daley Center just to thank him for being, you know, a stand up prosecutor when I worked for him because he was.41:22S3
Randy Barnett with his felony review, is the new book. I know you a little bit and I know you, you, you keep things. You’ve sent me emails where you have pictures and items from the past and I, I have to imagine that all those things and some of them pop up as figures in the book are big help when a big help when it comes to remembering details, filling in blanks, and again, making these stories and characters come to life in this book about crime and corruption in Chicago. Did you intentionally do that? Did you, did you, did you, did you say, I need to keep all this stuff? I got to take copious notes. Um, was that intentional back then?42:00S4
I’m a pack rat, and I’m very sentimental. Yeah, and I just can’t part with things I have a sentimental attachment to. And that was the thing. But I thought something that nobody has really asked me about, but you’re sort of alluding to is one of the practices I decided to do when I started in the felony trial courts was I. I ordered up and kept a copy of the mugshot of every defendant. I tried a jury trial. Uh, and so I actually have a complete collection of Chicago Police Department mugshots for every jury trial. And all those mugshots are in the book.42:37S3
They are. They are in the book. Um, I want to close Randy with a question about the postscript, which is a bit of fun. These letters that you wrote to Grant Tinker at NBC about Hill Street Blues. Steven Bochco, who is the creator of LA law in the 1980s. And, uh, you know, the title is better than TV. What are the biggest things that TV writers get wrong when they try to to create these prosecutors and these characters in their shows.43:07S4
Yeah. Well, the biggest thing is that they, they, they consider prosecutors to be adversaries to the police. And we are not we tend to work with the police. We’re part of law enforcement ourselves, although the law and order gets that part right. But I would think the biggest thing that bothers me is just the way people talk to each other on TV. They give speeches on law and order. They give speeches all the time. The way people talk is a lot more like The Wire. The wire is the closest thing we have to what it’s really like. And it’s a cop show, not a lawyers show. Right. Um, and so, and the prosecutor is an intimate part of the wire and that’s what we were, we, we work with law enforcement and we’re not the same as they are. And in some respects on felony review, we’re there to check them, but we’re also there to help them. Um, and I think that’s the biggest thing they get wrong.43:51S3
Randy Barnett is professor of constitutional law at Georgetown University Law Center, also directs the Georgetown Center for the Constitution. Fantastic. Engrossing new book. Felony review. Tales of True Crime and Corruption in Chicago. Randy, thanks so much for joining us here on the Radio Free Hillsdale Hour.44:10S4
It was my pleasure. And there are more stories than the ones we talked about.44:14S3
Indeed there are. And they’re all they’re mostly fun. They’re mostly fun. Randy, thanks so much. Take care. That will wrap up this edition of the Radio Free Hillsdale Hour. Our thanks to Matt Meehan, his new book, The American Book of Fables, and Randy Barnett with Felony Review. Remember, you can hear new episodes every week on this station. You also can find extended versions of some of our interviews, or listen any time to the podcast. Find [email protected] or wherever you get your audio. Until next week, I’m Scott Bertram, and this has been the radio free Hillsdale Hour.
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From the historic campus of Hillsdale College in Hillsdale, Michigan, where the good, the true and the beautiful are taught, nurtured and honored. This is the radio free Hillsdale Hour, bringing the activity and education of the college to listeners across the country.
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Car pulls up on the other side of the pump. Woman gets out. For 20 ish year old son gets out and takes a few steps to go pre-pay. And she stood there with stress. She looked at him and said, let’s do $20. That’s why we need greater supply of natural resources to lower the cost for that woman. And that’s what we want to tell. The story is at the gas pump.
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This is your host, Scott Bertram. Welcome to the Radio Free Hillsdale Hour. Part of the Hillsdale College Podcast Network. That was John Tillman. He’s the author of the new book. The Political Vice of the Radical left controls America and the path to regaining our liberty. We go in depth with John on today’s program. Also later on, Luke Foster from Hillsdale in DC tells us all about the spirit of a gentleman first. We’re joined now by John Tillman, who’s CEO of the American Culture Project, one of the nation’s most prominent leaders in the free market public policy area. And he’s got a new book, The Political Vice How the Radical Left Controls America and the Path to Regaining Our Liberty. It’s right there. John, thanks so much for joining us.
00:01:32
Great to be with you, Scott. Thanks for having me. Good to talk to you again.
00:01:35
The book attempts to answer this question. Why do all politicians, whether they be Democrat, Republican, conservative, liberal, move to the left once in office and there is a device. It’s real. There are diagrams that you’ve designed called the Political Device to help us describe this. Let’s sketch this out, because it will help provide the basis for a lot of the conversation to come. What’s the political vice as you describe it?
00:02:03
Well, the political vice, the politicians, the political decision makers, mostly we think of elected officials, but it applies to anybody that has political power to make policy decisions. They’re in the middle of the vice, in the traditional sense of it. And then on one side of the vice, it’s a three sided vice. Think of it as the letter U. In the middle of that, you are the politicians. As I’ve said. On one side is the media, on the other side is the people or the public. And on the bottom side, which is the most important side are elite influencers. And all three sides apply pressure squeeze like a vise. Think of the trash compactor scene in the original Star Wars movie, where they’re getting squeezed from all sides, and there’s terrible trash in there. It’s a very good metaphor for politics, which is a trashy business. So anyhow, the point is that well, well thought, thoughtful conservatives often get elected. And the question I began my journey with is why is it conservatives who claim to be conservative and some of them are. Get into office and move left and start voting for big government programs and all the rest of it. And why does nobody ever move to the right? So I started on this journey to study it. I’ve interviewed hundreds and hundreds of elected officials and people in politics, and what I learned was that the incentive structures in politics all move you to the left. And in terms of policy decision making, because the way you win votes, even for your pet projects, are by voting for bigger and better and more extravagant government that will solve all our problems. And the influencers, by the way, Scott, are important because they not only apply direct pressure to the political decision makers, they run operations that create influence in the media, as well as with the American public. As we’re seeing with these indictments that just came out from the Department of Justice on the Southern Poverty Law Center.
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Yeah. And influencers, we should sort of, uh, define because it’s not influencers necessarily in the new social media definition of the term employers means those who have influence on politics. And as we’ll talk later, one of the biggest employers are like unions, public and private sector unions. So it’s not just social media stars, it’s those who have an influence on politics. And one of the reasons that’s important is because the lesson that you learned, too, is that pressure works when the vice surprise applies pressure, most of the time it works in pushing someone an entity, an organization, an individual, a politician towards an intended goal. Why is pressure so important in moving someone toward a prescribed policy goal?
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Well, the three motivators of a political actor are a political principle political fear, and political expediency. So most politicians, 60, 65% of the votes that they take, positions that they take, they’re just doing an expedient thing. Insane. I’ll vote for your bridge if you vote for my gazebo in my home district, or whatever the case might be. My new highway deal making of one sort or another. And most of those votes go under the radar of the influencers, the public, and the media. There’s just a lot of that work that is done out of sight and out of mind, and people sort of go along and get along. And then there’s fear. Political fear means I really don’t want to take this vote because my constituents will be unhappy with me. My donors will be unhappy with me. The media may be unhappy with me, my community influencers, my leaders may be unhappy with me. Or if I do take it, this other set may be happy with me. And so fear is a big driver of what makes an elected official tick. And then I mentioned political principle, of course, when I got involved in all of this over 20 years ago, I was a very naive former political science minor who thought that all politicians operated out of principle. Uh, sadly, it’s only about 5% of the votes, 30% fear, and about 65% expediency. And so the reason this pressure works is because politics is a pressurized system. He who can apply pressure has power and politicians don’t like pressure, so they take votes to try to minimize or avoid pressure. I write in the book about the case with former Senator Jeff Flake from Arizona, who actually ran a libertarian think tank at one point, and he just crumbled under the pressure during the Kavanaugh hearings that we could see right there in front of our eyes in an elevator bay where these paid activists, fake influencers, if you will, were shouting at him to take a procedural vote to delay the Kavanaugh hearings further. And he crumbled under that and eventually left the Senate because he couldn’t take the pressure.
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John Tillman with us. His book, The Political Vise How the Radical Left Controls America and the Path to Regaining Our Liberty. So why why is the left so much better than the right in operating? The political vise?
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A bunch of reasons, but the biggest one is the left loves government power. They actually believe in expanding the purview of government to to regulate and tax every aspect of our lives. They believe they have the moral and intellectual high ground on how society should be organized. And they think that the American people are just dumb rubes who vote the wrong way all too often, and make bad choices for what’s good for America and good for our various communities, and good particularly for subsets within group identity politics. And so they really think that government power is the only way to overcome rapacious capitalism or free enterprise system. That, in their view, is, is a flawed entrepreneurs become super successful and take advantage of the system and don’t pay their fair share. They believe in all of that, and they believe only the government can come in and put its foot on the scale to right those wrongs and create fairness and quote unquote, equity for their agreed coalition within their voting bloc. So they love government power. So what happens is, even though you have somewhat of a diverse coalition of the left, the one thing that unifies them is for all of them to be successful, they have to work together because they all require government power. And going back to the influencers, you mentioned government unions, private sector unions, the trial bar, nonprofits that get most of their money from government that we’ve learned through Doge and much of what’s been going on during the second Trump administration. They all have one thing in common as well, which is that their business models, their revenue models, require government tax and regulatory efforts and policies in order for them to have a business model that works and creates revenue. A union, whether private or public, relies on government regulations, and the government unions directly extract money from taxpayers to pay union dues and to pay union members. Trial bar relies on government regulations to allow them to sue people in the private sector. And then going back to the other side, in the private sector, most of the people just kind of want to be left alone who are conservative. They want the government to protect our rights as enshrined in the Constitution and the Bill of rights. Other than that, they want a light hand and just let’s go live our lives. And so we don’t really like power as much. We want to actually devolve power. And so you don’t attract the power hungry people into politics on the right as much as you do on the left. And when we do, sometimes they’re big government Republicans, which is also not good.
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John. Sometimes it does work for those on the right. And one of those examples is prominent in the book and one that you were involved in the Supreme Court case, Janus versus AFSCME, which was which was a victory for for freedom. And this is an example of the right using the vice, uh, squeezing people toward a desired outcome and defeating even the powerful public sector unions in this case. How did that all come together?
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It was one of the greatest experiences of my life. I founded the Liberty Justice Center in 2011. And then you might recall that there was going to be a case called Friedrichs That was going to bring this issue of forced union fees in government workers to a head. But then then Supreme Court Justice Scalia died in the Friedrichs case was deadlocked at 4 to 4. We happen to have the next case in the docket right behind it. Ours would have become would have become, become irrelevant if the Friedrichs case had gone forward in Scalia had lived and assumed that he voted with what was later a majority. So the basic point there was that a 1977 case called Abood, uh, split the baby. When it came to union dues, the court said that, uh, mandating dues from a union worker who’s opted out of the union for collective bargaining was reasonable. And you can do that, but, um, union fees are if you opted out, you couldn’t do the collective bargaining, but then you still had to pay agency, what we called agency fees. And basically our case, Janice versus we said that everything the union does is political by its nature. Therefore, no money should come out of somebody who has opted out of out of the union’s membership. And that’s what the ruling was. Justice Alito wrote the ruling. A great jurist when it came to worker freedom. And it came about because a court’s respond to politics, too. And there was a really, uh, anybody who’s a political watcher knows that courts respond. Politics just go back to Justice Roberts and the Obama care case. And you know how that works, right? But nevertheless, in this case, we really had a coalition of people on the right. And I think the best illustration of why we won that fight is because during the protest, when the case was heard in February of 2018, I was one of the leaders of the protest in front of the Capitol, and we were having a good old time with our signs and right next door, where the government unions and they were protesting, too. And the irony was we we all had the same size signs, rather workers rights were for the worker. Empower the worker. And eventually, as I write in the book, these women came over to try to infiltrate our protest and disrupt us. And I got to talking to him and I said, so what are you protesting for? And she said, workers rights. And I said, that’s what we’re protesting for. I said, let me ask you, you know, who do you think should control your relationship with your union, you or the union boss? And she kind of gave me that look like, oh, no, this is a trick question. But she goes, I think I should. I said, you should be over here with us. And she kind of walked away with her friend sheepishly. And I realized that that was the point, right? Who should control your destiny? We believe in the workers, and that’s what that case was about. So we had a great coalition of people from the State Policy Network, the D.C. think tanks all around the country, the state think tanks, all publicizing this case for many, many months and frankly, years in advance of it. And that really helped, I think, give the justices the courage they needed.
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My old friend John Tillman will continue with us in just a moment. His new book is The Political Vice. First, take a moment now to make your plans for May 31st, June 1st or June 2nd, or maybe all three dates. That’s when Hillsdale College’s big screen debut is in theaters. It’s Revolutionary America, the first documentary about the revolution you can trust from Hillsdale College, America’s 250th anniversary is approaching, and you can find out more about what happened all those years ago with Revolutionary America. hillsdale.edu/film. FIL. Don’t let the anniversary pass without seeing the film. That shows what our founding fathers risked their lives, their fortunes, and their sacred honors. Tickets available now for a limited run. Find a theater near you and find your [email protected]. For Revolutionary America. Edu slash film. We continue with John Tillman, CEO of the American Culture Project. Find him on X John M Tillman. His book The Political Vice How the Radical Left Controls America and the Path to Regaining Our Liberty. John. Discussion about those different sides of the vice. One of them is the media. And there’s portions of the right that would say, why ever go on CNN? Why ever talk to NBC? Why try to have an op ed placed in the New York Times? They’re biased. They don’t care about our voters. They’re going to twist your message. There’s an argument in the political vice that says, well, there’s value to that for a couple of reasons. Why should the right conservatives still consider legacy media opportunities?
00:14:29
It’s a great question. And the point I make in the book is that the reason you want to go on the legacy players is there are persuadable, soft Democrats who are open to moving to our side, and that is the place where you can reach them. And if you come across as a reasonable communicator, you make a moral high ground argument about why our ideas are better for all people, and especially the poor and disadvantaged. You can move some of those people over. I would be cautious, for example, with a long form interview with the New York Times reporter who’s going to do a print interview because they will twist your words. I prefer, in those cases to use email and or keep my own recording of it, but live or even taped events. I highly recommend people engage because you can win people over. And the other reason is that even if you don’t get the greatest message out, you can edit yourself, edit it yourself, put it in the framework that you want, and then redistribute your version of that interview that’s favorable to your argument, to the target audiences using digital tools. And you can target the very people I just described. You can just target soft lefties who are open minded on issues and would hear that message on CNN because they’re hearing it on CNN. They see you on CNN. They’ll give you a listen. Or as you did, the same exact verbiage on Fox News, that soft lefty Democrat won’t give you a listen. And that’s why you should take advantage of all types of media.
00:15:49
Also inside that chapter is a portion on on cancel culture and how to resist cancel culture. And I found this very interesting, this advice that to, to, to, to beat back and to defeat cancel culture, you need the ability to deploy your own media. You call it a marketing machine, you help to build this inside Illinois Policy Institute, which is one of the reasons why the Janice fight was so successful. So for I don’t know if it’s possible for individuals, but for organizations or for those who might be in the crosshairs of cancel culture, what does it mean? And how can you deploy your own media to fight back against those allegations?
00:16:28
Uh, we deployed what we call the continued use across all the organizations. I’m involved with what we call an owned audience strategy. So the strategy is twofold. One is you have content that you create, that you want to disseminate, and that content should be customized for the different audiences that you’re after. So if you’re after parents and suburban schools, that’s one audience. If you’re after African American men living in urban America who are fed up with the crazy progressive agenda, and they might be open to voting the other way, that’s a different audience and so forth. So you first start with your message, but then there’s a distribution strategy. And the distribution strategy, as we just talked about a moment ago, is taking advantage of third party channels such as legacy media. The other way to do it is to try to build a channels of communication that you largely control. And with an owned audience strategy, what you do is you use third party channels such as Facebook, Instagram, TikTok, Twitter, etc. and you put content out there that is compelling. And all of your listeners have certainly seen this, where they see something on one of the social media platforms, and there’s a little button there that says, learn More. Well, we do the same thing in our issue, uh, ads on those platforms when you click Learn More, you’re given the opportunity to provide your first name, last name, zip code, and email address. From that point on, that person has opted in to our content stream that we can now directly go to them with through email, and then we often get their cell phone number and can directly go to them with text messaging. And the key, of course, is to not abuse that privilege, but always to have interesting, compelling content that is given at a proper pace and proper cadence. That is where they’re receptive to it. And then over time, with a really thoughtful strategy of messaging, you can develop a relationship with all those folks, educate them on various issues long before an election happens, and then when election time comes along, turn them out. So this is something that anybody can do at any scale. If you’re a city council member, if you have just a very modest budget, it’s not as expensive as you think to do this. If you’re doing it in a statewide or national effort, you’re going to have to spend a lot more money and have a material budget. But what I highly recommend is starting somewhere with a social media strategy. Thinking through your brand identity, whether you’re an individual activist or whether you’re running a small or mid-sized or even a large size nonprofit.
00:18:42
John Tillman is with us, whose book, The Political Vice. How do we turn that vise toward liberty? Perhaps we look at another example of school choice and the fight for school choice in areas all across the country. It’s one of the issues on which I think the right has been most successful over the past decade or so. What lessons can we learn from the successful campaigns for school choice and school options across the country that can be applied toward other issues of freedom and liberty?
00:19:12
It’s a great question. So briefly, there are three types of vices the political vice. There’s the traditional one in which I described earlier. There’s the one we’re in the middle of, where the political left is trying to restructure the vice and put the American people in the middle of the vice, and then partnering with liberal media, liberal politicians and elite influencers of the left, force us to comply. They are really into coercion and submission. And the trial run of that, of course, was the pandemic. And they watched and saw how many people were much more worried about their security and were willing to submit to those pressures and start to comply with the government mandated behavior instead of those who really want to preserve their freedom. So we got a real experiment there. To answer your question, we have to create a liberty focused political advice. And what we have to do there is move the American people to the bottom of the vice, which is the leveraged position. Put the politicians back in the middle. And then through our work and how we follow people in media and which elite influencers we choose to follow, restructure the other two sides of the vice. There’s a lot of really good work and great investing going on right now. On the media side, there’s a great burgeoning media infrastructure that’s been going on now for well over ten years that needs to continue and expand into popular entertainment, in my view. And then on the other side, we’re watching right before our eyes, different elites being chosen. The election of President Trump is the choice of an elite, and all that he has done to put different people into the cabinet positions in the various agencies, the governors that were endorsed and supported when they started to reject the lockdowns. Governor DeSantis in Florida, um, all the governors that, you know, around the country, Governor Kemp in Georgia and elsewhere, who did right by the people and stopped the lockdowns. So we get to choose who the elites are by who we choose to follow. And we get to choose who the media, which media has power by, who we choose to pay and subscribe to. That’s how we begin to put the liberty focus back into the political device and put the politicians under the pressure of the people once again, the way it should be.
00:21:16
One additional hurdle that you identify inside the political device for the right is that we fracture often, more often than we unify. It seemed like the Trump 24 campaign was one instance in which that didn’t happen. And that’s how we ended up with people like RFK and Tulsi Gabbard and Lori Chavez Dreamer in the cabinet, because those those different portions of the voter base all came toward Donald Trump in 2024. So is that a singular event due to a singular candidate, or is there a lesson learned on the right?
00:21:48
No, I think this is a this is a really important discussion point because I think we’re in the middle, maybe not the middle. I forget exactly where I would or I haven’t thought too much lately about where I’d say we are in this process that I’m about to describe, but I’ve been talking really since the advent of the Tea Party back in 2009, and I’ll call the Tea Party area two era, 2009 to 2014. That that was the beginning, that the public became aware of a complete political restructuring. And the Trump candidacy that was publicly launched in 2015 picked up the reins of the now falling behind or, you know, sort of going dormant Tea Party movement, but took the energy that was still there, uh, had had gone dormant, dormant because of a lack of leadership. And he rebuilt it into what we now call Maga. And this movement is not about partisan politics. This movement, and the reason you got this coalition that you just described, which is across partisan divides, is because it’s really a rejection of the duopoly in politics between Republicans and Democrats, of sort of a settled wisdom about how things should be run in America with this bipartisan consensus on big government ever expanding spending deficits and the insiders, the privileged, the the connected, always getting the the favoritism and average people, middle class people and even affluent people. And of course, the poor and disadvantaged always being left on the outside in. There’s been great discontent for decades with the establishment of both parties. That’s what the Tea Party was about. That’s why Donald Trump got a lot of Bernie Sanders votes in 2016, because the Occupy Wall Street movement, which was part of the left during the Tea Party movement, there was a Venn diagram overlap with the grievances, such as corporate bailouts and corporate welfare by government. So the reason I think that this is going to continue is because those structural problems are going to continue. And people who think Maga is going to die when Donald Trump’s presidency ends, I think, are sadly mistaken. There is a great awakening among the American people that is rejecting the bipartisan consensus since the end of World War Two era.
00:23:52
John Tillman, one of my favorite portions of the political advice is when you begin talking about group identity politics. Wokeism. But this idea that you lay out the progressive left that insists that government institutions are responsible for providing their sense of purpose and fulfillment, and later that they are seducing the American people into a mindset of learned helplessness, dependency, grievance, and fear. Uh, these are, uh, these it is seductive, uh, when you hear those messages to believe them and believe the deck is stacked against you and there’s nothing you can do to overcome. You need someone, something the government in this instance to come in and lend you a hand and help you out and punish someone else to help you rise. All right. What do we have in our in our weapons? What? What weapons do we have to fight against that kind of message?
00:24:45
Yeah. You’re talking about the fact that every human being, uh, experiences calamity in their lives. We all experience disappointments. We didn’t get the job. We thought we should get the promotion. The girl married my neighbor instead of me. Whatever the case might be, we all we all suffer. And as a result of that, the American tradition has long been that. Geez, I’m so sorry that happened to you. And a little pat on the butt from your your parent or your your coach and get back out there, pick yourself up and go at it again. And we had to lift ourselves up and overcome that. The left’s message is different. Now. Not only do you not get a pat on the butt, you actually get a pad that’s patronizing on the head and saying, yes, it’s so terrible. These awful things have happened to you, and you need to you need to marinate in your grievance. You need to marinate in your resentment of these terrible things and these specific people that cause this problem. And as a result of that, you need to come and join us in our political coalition because we are dedicated to alleviating and mitigating your grievances against the man. And the man is often a white, middle aged dude like me. I won’t put you in that category. Uh, but, um, you’re too young. But the, um, but the point is that they, they sell the idea that is very seductive, that every calamity that befalls you is not your fault. You’re a victim. And as a result of that, you need to join with us. And you can be on the righteous side of history when we all come together to solve these problems and fix these problems for those that have been aggrieved by unjust society, and particularly a free enterprise system that is broken and doesn’t work, founding principles that were never noble and don’t work, and they particularly don’t work for people of color. They particularly don’t work for anybody that’s different and unique. And that’s why the Grievance coalition of identity politics is an ever expanding group? The only people left standing are basically white men who are not allowed in to the grievance coalition because they’re the oppressors. I write in the book, Scott, as you probably remember, that one of the reasons young men are turning to faith more than ever is because I really believe it’s because everywhere else they turn, they are seen as the villain, and they’re looking for support and hope and redemption in a wonderful place, and I think that’s actually a good thing. Our antidote to this, by the way, is what I just described about grievances. One side of the human condition that we all face, that the other side of the human condition, what we must gravitate to and sell is that human beings, by their nature, are builders. We, by our nature, our collaborators, we like to think of how we can make tomorrow better than today for ourselves, our families, our communities, our friends. And so we like to build. We are creative beasts. We’re a gathering species. And when you look at the places in this world where that part of the human spirit is most unleashed, the greatest achievements have been created. And that, of course, is America and the American miracle. And that’s what we have to focus on as the antidote to the grievance culture.
00:27:38
John Tillman, the end of the political vice, lays out a grand strategy to help take back the vice and to take away power and control from the left. So again, how do we do that? What’s the grand strategy behind taking back the turning the screws on that vice?
00:27:57
Well, I’ll try to summarize it briefly. Number one is we have to build more capacity to compete for the commanding heights of American cultural narratives. The late, great Andrew Breitbart popularized the idea that politics is downstream of culture. That’s true. The point I’m always trying to make to everyone that’s involved is that means we have to be at the headwaters of the river, engaging in competition for mindshare of the American people and thus the American cultural narrative. For example, in Virginia, the very narrow laws on the ballot measure that did the Democrat favor and gerrymander that battle was being fought months and months and months and months before the actual voting. And I was involved. One of my organizations was very involved in Virginia directly and indirectly. And the Democrats were on the ground long before the election, socializing, if you will, this idea and trying to get the yes votes and the only one very, very narrowly. Our side waits too long. We do not go in early. Our donor class and some to some degree, our consultancy class has a blind spot to perpetual investment and we have to get to those headwaters. So that’s number one. Number two, we have to really build capacity in message creating messages. And it has to be done in a data driven way and tested relentlessly. One of the things that various teams I’ve been involved with over the years, we have capacity to do data analysis. We have a whole data science team at the marketing agency I co-founded, Ion Light, and we analyze constantly on a daily basis different segments of the audience that we’re after. We slice and dice it into very fine pieces, and then we test different messages with them to see which one resonates and which one. You can test a proxy call to action in voting so that by the time we get to elections many months later, we have a pretty good feel for what’s going to move voters to a call to action. Um, unfortunately, there’s not enough people investing in that work between elections. We have to do more of that. The third thing we have to do when it comes to messaging is we have to take the moral high ground back. One of the things that Trump administration and all of its spokespeople have been particularly good at, and Marco Rubio is perhaps the best at it, is not accepting the premise, the narrative premise of the media and the left. They always reject it, and they pivot and reestablish a premise where we are on the moral high ground of the argument, and that is why they’ve been so effective in persuading. Despite the media onslaught of negativity. So taking the moral high ground back and all the arguments is important, and then we have to continue to invest in building distribution. We need distribution across the board. As I mentioned earlier, we have excellent investments going on in conservative media, but we’ve got to compete in podcasting, which we have good advantages there, but we have to keep doing that. A popular film and entertainment streamers and all the content that comes out of the streaming programs. Taylor Sheridan, the creator of Land Men and Yellowstone and the one I just started watching the Madison. I mean that if we could clone Taylor Sheridan, we would have some really good content because he is putting out content that is pro liberty and not just in a, in a perfunctory or, uh, pandering way at all. I mean, he is doing it in a challenging and interesting and compelling way. One of the problems, Scott, with content on the right is our creatives tend to want to beat people over the head with the message. And what we want to do is actually create compelling characters and compelling story, and the message is an underlying part of it and not the thing that you drive home in the face.
00:31:22
Well, this is something that Illinois policy did and does so well. Um, is, is, is telling the story and not just using facts, figures and graphs, identifying people who will really be affected by the policy change and how their lives will be different and how it will affect the difference or affect the lives of people around you, friends, families, loved ones. Uh, the right has to get better at telling those stories and in that way, influencing voters minds and activities.
00:31:56
The easiest way to think about how to do that, because it’s not easy, and especially for people that come out of the policy side who are a little academic. It’s very hard to think about how to do that. But here’s the way I’ve taught people this over the years, is you want to tell the story about public policy at the point it intersects an individual’s life. So, for example, high gas prices, when you want to talk about that, you don’t talk about the fact that we need to expand fracking. We need to drill offshore, we need to open up Anwar and all the other places and all the national lands. That’s that’s the way policy people talk about it. So we need to talk about is, you know, I was at a gas station recently and I pulled up, pulled out my credit card and put it in there. I was going to fill up my tank. I can afford to fill up my tank. Every time a car pulls up on the other side of the pump, woman gets out. Her 20 ish year old son gets out and takes a few steps to go pre-pay, and he turns back and looked at her and said, mom, how much? And she stood there with stress and tension in her face and did some calculations in her head. She looked at him and said, let’s do $20. That’s why we need greater supply of natural resources to lower the cost for that woman. And that’s what we want to tell. The story is at the gas pump.
00:33:08
John Tillman is CEO of the American Culture project. You can find them on X as well. The brand new book, The Political Vice How the Radical Left Controls America and the Path to Regaining Our Liberty. John Tillman, thanks so much for joining us here on the Radio Free Hillsdale Hour.
00:33:24
Thanks for having me, Scott.
00:33:26
Up next, Luke Foster from Hillsdale in DC tells us all about the spirit of a gentleman. I’m Scott Bertram. This is the radio free Hillsdale Hour. Welcome back to the radio free Hillsdale Hour. I’m Scott Bertram. Go ahead and follow us on Spotify at YouTube or Apple Podcasts. Never miss an episode of the Radio Free Hillsdale Hour. When you subscribe, we’re joined by Doctor Luke Foster. He’s assistant professor of government at Hillsdale College in Washington, D.C.. Doctor foster, thanks for joining us.
00:34:15
Thanks for having me. It’s great to be here.
00:34:17
Talking today about an essay you wrote over at Modern Age. People can find it there. It’s called The Spirit of a gentleman. For those who haven’t caught this piece, what do you mean by that? What do you mean by the spirit of a gentleman?
00:34:33
Thank you. Um, so the the inspiration is a famous line from Edmund Burke and the reflections on the revolution in France, where he’s trying to articulate what the sources of liberty, self-government in the Western world were and how they’re threatened by the new revolutionary ideological tyranny coming out of France. Um, so he says, uh, everything good about our civilization is dependent for ages upon two principles and were the result of both combined combined. I mean, the the spirit of a gentleman and the spirit of religion. What I think he’s trying to say there is we used to know how to civilize and gentle men literally. Right. The the harshness, the the aggressiveness, the even the cruelty of other human beings. And I think men specifically have to be refined and polished into something, um, that uses the raw materials, but is, is better and more finished than those raw materials. And if we don’t have um, education, social practices, customs and institutions, political institutions that, that know how to do that gentling work, we really can only be governed by force and fear basically. So constitutional self-government and all the good things that go with that require this gentlemanly attitude and spirit. And part of why I wrote the piece is to say, this is not just a quaint argument from Burke, but is actually just a human principle, which our civilization has understood for a long time. And even when things are very disordered in the world, you can work to cultivate it in yourself, to foster in others, to, to create expectations, to behave this way. So it’s a concrete good that we can seek as well.
00:36:21
How would you how would you explain the way that people perhaps think about Gentlemanliness today? And how does that compare to what we’ve just explained?
00:36:30
Yeah. So this is part of the problem is meaning of a word shift over time. And sometimes that’s a neutral thing and sometimes things get lost. I think to the extent people think about gentlemanliness, typically in our in our society today, what we mean is holding doors for ladies, taking off your hat indoors, a sort of superficial derivation of maybe like mid-century classic Hollywood ethos. And there’s all that stuff is good, right? All that stuff is part of Gentlemanliness, and it’s in its true and fuller sense, but it’s not, um, it’s not essential to it. And there’s a danger, I think, of superficial politeness, almost kind of prissiness being, uh, be becoming held in contempt, uh, and therefore getting dismissed. Right. So, um, what I’m trying to do is point people to the deeper philosophical sources. Much of the piece is really, you know, extended quotations from canonical thinkers. Yes. Burke. But also Aristotle, Cicero, um, John Henry Newman. I want, I want to put people in touch with the deeper tradition that I’m just riffing off of, uh, to show them where they can go to learn about this.
00:37:44
Mhm. So, yeah, you trace this back to Aristotle, Cicero, this idea of the spirit of a gentleman as well. What what did they understand about human formation that perhaps we’ve we’ve forgotten a little.
00:37:56
Right. So the core notion, along with this insight that aggression, strength, masculinity is in a way easy but manly. Refined, um, civilized habits are difficult. The other core principle they they share is the notion that nature needs to be perfected and fulfilled by what, what, what Burke calls art. Um, convention social practices, how we, how we live together. Um, so human beings are a strange kind of animal because we, we have a nature. The classical thinkers argue, we, we develop and flourish in certain characteristic ways that are given and not chosen. But at the same time, you know, we’re, we’re born, um, unable to walk, unable to, unable to talk minutes away from death without proper care. Right. So the human being, the human nature to be fulfilled requires an awful lot of work by other human beings. But that work isn’t arbitrary as well. And so part of Gentlemanliness in this tradition thinks about what are the customs and and conventions that are build out what nature intends and what are, what are things that would thwart it. So eating with a, with a knife and fork is good and, and proper. And one way to, to make out our eating together, not just barbaric, but there are other possible ways, right. You could eat with chopsticks or there are even ways of eating with your hands, which are which are manually. Right. So culture doesn’t necessarily culture is not arbitrary, but it’s also quite flexible. And so different contexts are going to develop different rules, different practices. Um, and there’s legitimate variation as well.
00:39:44
So is the rejection of the gentleman really a deeper rejection of, of tradition and inheritance over the years?
00:39:52
Yes. So in the piece, I kind of finger Russo for this. You could point to other people, but Rousseau in the 18th century is the the a very beautiful, articulate, poetic argument for saying, no, no. Our real nature is the raw, primitive thing down beneath. It’s not it doesn’t have anything to do with convention or society. And in fact, society should be suspect, because that’s how his version of the fall is socialization. So this has a tendency to move people to think in terms of year zero, blank slate, start, start all over again in each generation. Um, we can undo all the sins and failings of our ancestors. We don’t inherit anything from them necessarily. Um, and that unfortunately means a lot of, a lot of gentlemanly codes become unintelligible because they require generations and even sometimes centuries of practice to build up.
00:40:47
So in this piece over at modern age called the spirit of a gentleman, we talked with Luke Foster here on the program. You describe the gentleman as someone who recognizes unearned advantages but responds with magnanimity rather than guilt. Why is that distinction so important?
00:41:04
Right. So I think this brings us to one of the most important things about this argument today. In a way, what you have from the left, the very powerful kind of philosophical, poetic move on the left is to say any hierarchy, any inequality, is necessarily oppressive and well, at the very least, suspect. Right? Maybe it can be dealt with, but it’s a problem. Um, and so this means that, um, of course things like family name and inherited wealth, we know, fall in this category, but increasingly things like, um, someone’s race, someone’s sex, um, you know, even even increasingly, right. Citizenship, the very idea of being born an American citizen, which is not open to everybody in the world. All these things are problematic because, because they’re unearned, right? They’re not directly the products of our own labor. And there’s a certain kind of, I think, shallow response on the right which plays into the hands of this right, which says, well, I’m just defending merit. I’m defending earned success. But the reality is that if we are as if human beings are natural and artifactual in this complicated combined way that the classics, the classic thinkers articulate, there’s going to be a lot of things, um, we have which are good and we value that we haven’t created for ourselves, going all the way down to our nature ultimately, which is a gift of God. We can’t, we can’t make that happen. So they’re basically, you know, the response on offer today from the left is guilt tripping, right? And, and that, you know, we know about how this gets, you know, our public arguments about reparations or about structural injustice. But on a personal level, I think what this leads down to a lot of people feel guilty and ashamed about their advantages in life. And my argument is to say I’m very worried about people who want to respond to that. Also by just saying, yeah, let the let the great do what they will and the weak suffer what they must, right? Just to kind of doubling down on, you know, sort of Nietzsche and spirit power, um, domination, success, as if that’s all there is to, to, to the moral life. And I’m trying to say gentlemanliness is part of actually the missing piece there, which is you can be great and magnanimous. You can use your greatness in a way that’s gentlemanly, generous, and builds up others. And this is core to the gentleman’s understanding, right? His, his gifts and his powers are not for himself alone, but are actually to, uh, make for a richer, more beautiful, more enjoyable social and political life for everyone. Um, so in a certain way, the most gentlemanly thing to do is to actually is to raise others up to your level. If you genuinely are better and greater than others, right? And this, I think, was the attitude of, of our of our founders. This was the attitude of this is, in a way, the attitude of God himself, right? Who’s who, who comes down to us, but in the process raises us up. Mhm. Um, so it actually has very, very rich philosophical resources, but practical resources to think this way as well.
00:44:20
All right. Let’s get to that, which is how can we revive this spirit of gentlemanliness in this day and age? What does it look like in practice? And perhaps are there figures from your historical overview who might be beneficial for the challenges we face in our time?
00:44:38
Thank you. Um, this is yeah, something that’s dear to me and, and genuinely difficult, right? In the historical overview, um, one of the people I talk about I is, is John Henry Newman who wrote this wonderful book, the idea of University in the middle of 19th century. And Newman was worried that, you know, because he’s a he’s a Victorian Englishman. Uh, he’s worried that gentleness is in the process of decaying because it’s disconnected from what Burke called the spirit of, of, of religion. Right. Gentleman is just becoming mere social convention, mere mere niceness, mere politeness. Um, you know, he says, he says it’s almost the definition of a gentleman to make all feel at home, to never give offense. But when there are real evils or errors being promoted in society, you need people to not just go along to get along, but you need people to actually stand up and object and argue back. And so, um, I think Newman’s warning is really salient, right? If we try to revive Gentlemanliness, it can’t just be mere conformity because that would get to that would get us to acquiescing with the Di regime, with, uh, giving your pronouns before every, every board meeting, right? It can be corrupted very easily. So I think it has to start with with religion, with philosophy, right? With higher transcendent standards of justice and goodness that aren’t just mere convention. Right? But then we have to work out, you know, in our particular day and age, what are the forms these things should take? You know, I think one really important area today is social media and electronics in general, right? We probably should shame people more in more social settings, right, for being glued to their phones. Right. It ought to be normal in a nice restaurant that you put your phone away. It ought to be normal. Thankfully, in a Hillsdale classroom, it is normal that you that you put your phone away in class, right? Yes. Not everywhere. Right. Some institutions are struggling with the kind of the selfie narcissism, narcissistic age intruding on everything. Um, and we have to fight that. But I also think especially, you know, in a context like Hillsdale, we can teach these virtues explicitly. We can exhort people to see why they matter, to think about their positional duties based on where they are in a, in an institutional hierarchy and how they can best, how they can best reflect their their rights and duties. I mean, I’ll give you a little example from the from the office, right. There are certain privileges that faculty have that are different from, from staff privileges, right? Like we have better parking. I think it’s really important, therefore, that I don’t leave my dirty dishes in the sink, but I wash them up after myself because if I don’t do that, it means de facto, I’m assuming somebody from the staff has to do.
00:47:33
Right there. That principle should percolate into all our social interactions of the more we have privilege, the more responsible we are. And that’s the core of the ethos.
00:47:45
Luke Foster has piece at modern age the spirit of a gentleman. One final question. Is there a female equivalent to this ideal, or is the spirit of a gentleman pointing to something that is specifically masculine?
00:48:00
Excellent and difficult question. Um, which I in the piece I mostly speak to young men because that’s the, that’s the experience. That’s the context I know best. So I think unfortunately, it’s a slightly complicated answer, but let me, let me try to take it on two levels. A large part of this gentleman, the ethos is just, um. What the conduct of a noble person. Right. That’s how the classic authors think of it. Aristotle, Cicero, primarily they’re saying this is what it is for virtuous human being to be like. And you even have equivalents in the Confucian tradition, like the Junzi in East Asia is, is really meant to be the excellent virtuous person of both sexes. However, I think there are. two things which make it gender to an extent. One is one, as I mentioned, aggression. Warfare, right. Men need to be gentled as part of their civilizing socializing process in a way that women do not as much.
00:49:02
Um, so that does mean historically there is an emphasis on um, self restraint on, on learning how to value persuasion and friendship rather than force and fear. Uh, for men particularly. And then I think there’s another layer, which is the, the Christian Middle Ages with the codes of chivalry and the poetry around chivalry, um, make many of the things of the gentlemanly duties specifically have to do with his treatment of ladies. Right. So the superficial courtesies I talked about earlier are, you know, holding doors, taking off hats. Those are remnants of, of, of that code, which is just distinctively Christian because the assumption is you’re, you’re trying to civilize people into the marriage of free and equal spouses who can, who can commit freely to each other for life. Um, so there’s a much actually higher view of womanhood and therefore of what a man has to do to become worthy of a woman to win her. Um, so that’s where again, there’s, there’s specific, I think different duties for, for each sex, but, but it’s called lady likeness for, for women and there are concomitant duties, I think of, you know, knowing, uh, one of the great sources on this is, is Jane Austen, right? How does a woman discern, well, when a man is worthy of her trust, how does she learn to inspire and motivate the best in him without making him feel mothered or stifled? Right. These are really rich and complicated themes of wisdom and tradition, which, if we cut ourselves off from them, I you know, I think it’s not surprising that young men and women are increasingly having a really hard time forming couples and forming families. Um, because because the internet alone won’t civilize you.
00:50:43
Doctor Luke Foster is assistant professor of government at Hillsdale College in Washington, D.C. you can read his piece at Modern Age. It’s the spirit of a gentleman. Doctor foster, thanks so much for joining us here on the Radio Free Hillsdale Hour.
00:50:57
Thanks for having me. It’s a real honor.
00:50:59
That will wrap up this edition of the Radio Free Hillsdale Hour. Our thanks to John Tillman, his book, The Political Vise, and Luke Foster from Hillsdale in D.C. remember, you can hear new episodes every week on this station. You also can find extended versions of some of our interviews, or listen any time to the podcast, podcast.hillsdale.edu, or wherever you get your audio. Until next week. I’m Scott Bertram, and this has been the radio free Hillsdale Hour.
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