This bonus content is a reading from Platypus, the CASTAC Blog. The full post by Jonathan Givan can be read at https://blog.castac.org/2026/03/hip-hop-sampling-and-the-akai-mpc-as-a-platform-for-spatiotemporal-discourse/. About the post: This analysis moves away from exploring Hip Hop as a particular Black political action taking sonic form and towards an ontology of Black American Hip Hop production. This shift is valuable because the sonic underpinning of the beat is what contextualizes and informs the lyrical production done in real time by the emcee during the process of writing and recording their lyrics. In doing this contextualizing work, Hip Hop music producers redeployed the sampler as not just a musical instrument but as a platform on which new forms of dialogue were able to blossom.