South Indian Classical (Carnatic) Music Archive: Classes / Lessons

Hiranmayeem LakshmIm (Class / Lesson) : Lalitha; Rupakam; Dikshitar


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Notations -> http://www.shivkumar.org/music/#h

Hiranmayeem Lakshmeem

Ragam: Lalitha

Talam: Rupakam

Dikshitar

Pallavi:

Hiranmayeem Lakshmeem sadaa Bhajaami

Heena Maanava Aashrayam Thyajami

Anupallavi:

Chira thara Sampath pradaam  Ksheeraambudhi  Thanayaam

Hari vakshasthala Aalayaam Harineem Charana Kisalayam

Kara kamala drutha kuvalayaam Marakatha manimaya valayaam

Charanam:

Swetha Dweepa Vaasineem Sree Kamalaambikaam Paraam

Bhootha Bhavya Vilaasineem Bhoosura Poojithaam Varaam

Maatharam abja maalineem Maanikya  aabharana Dharaam

Geetha Vaadya Vinoodhineem Girijaamthaam Indiraam

Seetha kirana nibha vadanaam sritha chinthaamani sadanaam

Peetha vasanaam guru guha maadhula kanthaam lalithaam

Meaning: (From T K Govinda Rao’s Book)

I always the praise of Lakshmi of golden hue (“hiranmayeem”) and renounce(“tyajaami”)  the company (“aasrayam”) of the rich and mean (“heena”) people (“maanava”).

She bestows (“pradaam”) imperishable (“chira tara”) prosperity (“sampath). She is the daughter (“tanayaam”) of the ocean (“ambudhi”) of milk (“ksheera”). Who sports (“aalayaam”) on the Chest (“vakshastala”) of HARI. She is pure, white hued -- HARINI. Whose feet (“charana”) are soft like tender leaves (“kisalayaam”); She holds in Her Lotus-Hand(“kara kamala”)  a lily of blue hue (“kuvalayaam”). She is adorned with emerald (“marakatha mani”) studded bangles (“valayaam”).

She resides (“vaasineem”)  in Sveta Dipa. She is Kamalaamba, who is the supreme spirit (“paraam”). She illuminates (“vilaasineem”) both the past (“bhoota”) and future (“bhavya”). She is the supreme mother, worshipped (“poojithaam”) by Bhusuras - righteous people. Adorned (“aabharana dharaam”) with a garland of lotus (“abja”)  and gem-studded ornaments (“manikya”). She delights (“vinodhineem”) in the music of songs and instruments. She is INDIRA, in the company (‘aamthaam”) of GIRIJA, the daughter of Himavan. Her face (“vadanaam”) resembles (“nibha”) the moon (“seetha kirana”). She is Chintamani, for those (“sritha”)  who take refuge in Her. She is adorned with yellow (“peetha”) silk (“vasanaam”). She is the captivator(“kaanthaam”)  of Vishnu, uncle (“maadhula”)  of guruguha and the elegant one.

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South Indian Classical (Carnatic) Music Archive: Classes / LessonsBy Shivkumar Kalyanaraman

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