
Sign up to save your podcasts
Or


One of the most popular works of 20th-century orchestral music, The Planets by Gustav Holst, had its first performance on today’s date in 1918. This was at a private concert at Queen’s Hall, London, under the baton of Adrian Boult, who later became one of the most famous interpreters of this work. The first public performance of excerpts from The Planets took place in February 1919, after which it quickly became Holst’s best-known composition.
The great success of The Planets actually dismayed Holst, who feared it would create a demand for more orchestral works in the same vein, and Holst always liked to do something new and different. He never considered The Planets anywhere near his best work, but posterity disagrees.
Holst’s seven-movement orchestral suite is based on the symbolic astrological associations of the planets. Only seven planets are represented because Pluto had yet to be discovered when the music was written. This omission has recently been rectified by a contemporary English composer, Colin Matthews.
At the request of conductor Kent Nagano, Matthews composed a Pluto movement, which had its premiere performance in England in May 2000. Matthew’s new piece has also been recorded, as you might expect, as an occasional eighth planetary appendix to new recordings of Holst’s original seven.
Gustav Holst (1874-1934): The Planets; Montréal Symphony; Charles Dutoit, conductor; London 460 606
Colin Matthews (b. 1946): Pluto; Hallé Orchestra; Mark Elder, condictor; Hyperion 67270
By American Public Media4.7
176176 ratings
One of the most popular works of 20th-century orchestral music, The Planets by Gustav Holst, had its first performance on today’s date in 1918. This was at a private concert at Queen’s Hall, London, under the baton of Adrian Boult, who later became one of the most famous interpreters of this work. The first public performance of excerpts from The Planets took place in February 1919, after which it quickly became Holst’s best-known composition.
The great success of The Planets actually dismayed Holst, who feared it would create a demand for more orchestral works in the same vein, and Holst always liked to do something new and different. He never considered The Planets anywhere near his best work, but posterity disagrees.
Holst’s seven-movement orchestral suite is based on the symbolic astrological associations of the planets. Only seven planets are represented because Pluto had yet to be discovered when the music was written. This omission has recently been rectified by a contemporary English composer, Colin Matthews.
At the request of conductor Kent Nagano, Matthews composed a Pluto movement, which had its premiere performance in England in May 2000. Matthew’s new piece has also been recorded, as you might expect, as an occasional eighth planetary appendix to new recordings of Holst’s original seven.
Gustav Holst (1874-1934): The Planets; Montréal Symphony; Charles Dutoit, conductor; London 460 606
Colin Matthews (b. 1946): Pluto; Hallé Orchestra; Mark Elder, condictor; Hyperion 67270

90,903 Listeners

38,460 Listeners

6,774 Listeners

8,765 Listeners

3,986 Listeners

9,189 Listeners

3,624 Listeners

924 Listeners

1,387 Listeners

521 Listeners

182 Listeners

1,224 Listeners

13,675 Listeners

3,089 Listeners

247 Listeners

28,355 Listeners

13,239 Listeners

5,485 Listeners

2,167 Listeners

14,101 Listeners

1,144 Listeners

6,336 Listeners

2,514 Listeners

222 Listeners

634 Listeners