Horror Business

Greetings, and welcome back to Horror Business. We have one awesome episode in store for you guys because we’re talking 1972’s My Dear Killer and 1975’s The Police Are Blundering In The Dark.

Greetings, and welcome back to Horror Business. We have one awesome episode in store for you guys because we’re talking about our top ten films of 2022!!!!

Greetings, and welcome back to Horror Business. We have one awesome episode in store for you guys because not only are we talking about two Yuletide horror movies (Don’t Open Till Christmas and Christmas Bloody Christmas) but we’re joined by Brian Sowell, longtime friend and cinematographer for Christmas Bloody Christmas.

Greetings, and welcome back to Horror Business. We have one awesome episode in store for you guys because we’re talking 1981’s Strange Behavior and 1985’s Cemetery Of Terror.

We start by talking about some of the stuff involving horror recently. We talk about the Rebecca Hall and Tim Roth film Resurrection and the strange “unreality” feel of the film overall. Liam talks about seeing the films All Jacked Up And Full Of Worms and VHS/99, as well as the Netflix series Cabinet Of Curiosities. Justin talks about finally seeing Lair Of The White Worm and the films Hellhole, Mandrake, The Changed, Mr. Harrigan’s Phone, Run Sweetheart Run, Next Exit, Crawlspace, The Offering, and A Wounded Fawn.

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            We start with Strange Behavior. We talk about how the film was ahead of the curve when it come to the mainstream idea of the “Satanic Panic”. We discuss how the film leaves the gate as a slasher but slowly evolves into a weird sci fi horror film. We discuss how the film, while setting itself up as a slasher, quickly and deftly does away with slasher norms while remaining effective.

We further exam the films deconstruction of the still young slasher tropes at the time and still set up a villain that has a connection to the protagonists while avoiding said tropes. We dive into the cinematography of the film, which is decidedly un-horror movie like and is uncharacteristically rather artistic and deliberate.

Justin talks about the somewhat unorthodox choice of instead of showing an empty casket to reveal a character isn’t dead, they showed the characters skeletonized legs. We talk about how the film is possibly a commentary not so much on American culture, but American movies specifically.

            Up next is Cemetery Of Terror. We briefly talk about Hugo Stieglitz. We talk about how the movie, despite being somewhat low budget, is quite effective, and how you can pick apart which American films the director was trying to emulate. We talk about the European phenomenon of labeling entirely unconnected films to American horror films i.e. the La Casa and Zombi films.

We talk about the unconventional cinematography of the film, such as the subtle movement of the camera to lend a sense of atmospheric voyeurism, and how the film at times becomes quite upsetting when the children in the film are attacked. We talk about how the film quite seamlessly switches through horror subgenres, and how Hugo Stieglitz manages to still come off as a virile leading man despite getting the piss kicked out of him by a satanic serial killer.

We discuss how the film combines three lines of narrative that, on their own could each make a compelling horror film but instead blends them together and somehow doesn’t make the film seem overstuffed. We discuss the effectiveness of the child actors and how upsetting it was.

Justin talks about how this film has become for him the archetypical foreign zombie film. We conclude by talking by the “unjustified but awesome” stinger that the film ends with and how despite making an ounce of sense it still fits and caps the film off perfectly.

First and foremost, as always thank you for listening and to everyone and anyone who donated on Patreon, checked this episode out, or shared a tweet/shared a post on FB/gave us love by recommending us to someone. We love you forever for listening and donating. Any questions, comments, suggestions for movies and guests, or if you yourself want to join us for a movie viewing or even an episode, can be sent to [email protected]. We would love to hear from you! Thanks always to Justin Miller, Jacob Roberts, Paul Sharkey, and Doug Tilley for their technical contributions and fliers, Mike Smaczylo for the shirts and fliers (you can check more of his work out at here), and also thanks to Josh Alvarez for the theme song, Chris, Brad, and LVAC for the support and buttons (check them out at www.xlvacx.com and on Twitter), Essex Coffee Roasters (www.essexcoffeeroasters.com) and a HUGE thank you to anyone who retweeted us or shared something on Facebook that we posted. Follow us on Twitter and Instagram at @thehorrorbiz666, like us on Facebook at facebook.com/thehorrorbiz66, check out our Spotify account at Cinepunx, and remember to rate, review, and subscribe to us on ITunes. In fact, if you write us a review, email us with your mailing address and we’ll send you some free pins and stickers!  Check out www.cinepunx.com for more info on some of our other podcasts, some ultra stylish Cinepunx related merchandise, and how you can donate to our Patreon! Until next time…thanks!

Greetings, and welcome back to Horror Business. We have one awesome episode in store for you guys because we’re talking 2021’s Malignant and 2022’s Barbarian and we’re joined by Brendan Foley of the Black Sun Dispatches podcast!

We start by talking about some of the stuff involving horror recently. Brendan talks about seeing the films Mimic, Practical Magic, The Beast Must Die, Deadstream, Watcher, and Hush, as well as the Showtime series Yellowjackets and the Disney + special Werewolf By Night. Liam discusses seeing the films Who Invited Them?, the new Hellraiser, and rewatching Inferno and Kingdom Of The Spiders. Justin talks about attending the virtual event Fantastic Fest @ Home, as well as the films Skyman, Hellraiser, Infrared, Grimcutty, and Terrifier 2.

            We start with Malignant. Brendan talks about how manic and frantic the film is immediately out of the gate and how it keeps that energy up the entire time.

Justin discusses seeing the film for the first time in LA on vacation and how upsetting the character Gabriel is, and how the film really does swing for the fences when it comes to imagery.

We discuss Wan’s attempt at creating a dreamlike atmosphere, the controversy over whether the film is a giallo. Liam argues that the film veers too hard into the action realm to be considered a true giallo and how he found the lead actors performance a little overwhelming, and how even though he wasn’t as excited about the film upon rewatch he still enjoyed it.

Brendan talks about how the film is very evocative of ‘90s and ‘00s horror films due to its creator, and how it’s a bit unorthodox in that most of the main characters survive due to Wan’s tendency to make “nice” horror films.

            Up next is Barbarian. We begin by talking about how the film expertly subverted expectations on Bill Skarsgard’s character. Liam talks about how the director’s background in comedy is apparent in this subversion, as well as the way the film abruptly shifts tone between the first and second acts.

We discuss the way the film portrays police in an inner city setting and lead characters’ surprise and disgust at their inaction. Brendan discusses how once the audience is let in on what is “happening” in the house, it essentially becomes The People Under The Stairs and how the film’s originality lies in subverting expectations.

Justin discusses how upsetting Richard Brake’s brief role in the film was, in that he was quite realistically depicting someone utterly detached from humanity and how that aspect of the film has somewhat been lost in the discussion.

We talk about how Justin Long is the true villain of the film due to his awareness of how reprehensible his behavior is, as opposed to The Mother, who’s behavior is entirely instinct driven and isn’t necessarily malicious.

First and foremost, thanks to Brendan for coming on to talk about these films, and as always thank you for listening and to everyone and anyone who donated on Patreon, checked this episode out, or shared a tweet/shared a post on FB/gave us love by recommending us to someone. We love you forever for listening and donating. Any questions, comments, suggestions for movies and guests, or if you yourself want to join us for a movie viewing or even an episode, can be sent to [email protected]. We would love to hear from you! Thanks always to Justin Miller, Jacob Roberts, Paul Sharkey, and Doug Tilley for their technical contributions and fliers, Mike Smaczylo for the shirts and fliers (you can check more of his work out at here), and also thanks to Josh Alvarez for the theme song, Chris, Brad, and LVAC for the support and buttons (check them out at www.xlvacx.com and on Twitter), Essex Coffee Roasters (www.essexcoffeeroasters.com) and a HUGE thank you to anyone who retweeted us or shared something on Facebook that we posted. Follow us on Twitter and Instagram at @thehorrorbiz666, like us on Facebook at facebook.com/thehorrorbiz66, check out our Spotify account at Cinepunx, and remember to rate, review, and subscribe to us on ITunes. In fact, if you write us a review, email us with your mailing address and we’ll send you some free pins and stickers!  Check out www.cinepunx.com for more info on some of our other podcasts, some ultra stylish Cinepunx related merchandise, and how you can donate to our Patreon! Until next time…thanks!

Greetings, and welcome back to Horror Business. We have one awesome episode in store for you guys because we’re talking 1944’s House Of Frankenstein and 1965’s Frankenstein Conquers The World aka Frankenstein Vs. Baragon.

We start by talking about some of the stuff involving horror recently. Liam talks about seeing the film White Of The Eye, and Justin talks about starting The Munsters, as well as the films Deep Fear, Nightsiren, Flowing, Everyone Will Burn, and Give Me An A for Fantastic Fest and the film Sky Man on Tubi and the film Smile in the theatre.

We start with House Of Frankenstein. We give a basic plot outline of the film and talk about how the film by all rights shouldn’t be entertaining due to the obvious cash grab nature of it. We talk about how the film highlights the tragic nature of Lon Chaney’s Wolf Man.

We briefly discuss the interlinking nature of the Universal films. Justin talks about how while the film doesn’t really have much of a plot it’s still a fun film to watch and discuss how the film was one of the first team up movies.

We briefly talk about the tragic nature of some of the early Universal monster films, and how this film lacks much of that. We conclude with the weird fact that there is no monster fight in this movie.

Up next is Frankenstein Conquers The World. We begin by talking about how the film had a different ending filmed for the American release.

We talk about how the film may have been an allegory for Japanese war crimes during WWII, especially with Unit 731 and how the film has a vague feeling of Japanese nationalism.

Justin talks about how the film examines the concept of respecting personhood when several scientists are uncomfortable with treating Frankenstein as less than human and thus treating him merely as a test subject.

We discuss the American ending some more and how the film created Baragon because it didn’t want to use Godzilla for this property.

First and foremost, thank you for listening and to everyone and anyone who donated on Patreon, checked this episode out, or shared a tweet/shared a post on FB/gave us love by recommending us to someone. We love you forever for listening and donating. Any questions, comments, suggestions for movies and guests, or if you yourself want to join us for a movie viewing or even an episode, can be sent to [email protected]. We would love to hear from you! Thanks always to Justin Miller, Jacob Roberts, Paul Sharkey, and Doug Tilley for their technical contributions and fliers, Mike Smaczylo for the shirts and fliers (you can check more of his work out at here), and also thanks to Josh Alvarez for the theme song, Chris, Brad, and LVAC for the support and buttons (check them out at www.xlvacx.com and on Twitter), Essex Coffee Roasters (www.essexcoffeeroasters.com) and a HUGE thank you to anyone who retweeted us or shared something on Facebook that we posted. Follow us on Twitter and Instagram at @thehorrorbiz666, like us on Facebook at facebook.com/thehorrorbiz66, check out our Spotify account at Cinepunx, and remember to rate, review, and subscribe to us on ITunes. In fact, if you write us a review, email us with your mailing address and we’ll send you some free pins and stickers!  Check out www.cinepunx.com for more info on some of our other podcasts, some ultra stylish Cinepunx related merchandise, and how you can donate to our Patreon! Until next time…thanks!

Greetings, and welcome back to Horror Business. We have one awesome episode in store for you guys because we’re talking 1987’s The Gate and it’s 1990 sequel The Gate II, and as a bonus we’re joined by fellow Cinepunk Justin Harlan to talk about the upcoming Skate Or Die Film Festival!!!

We start by talking about some of the stuff involving horror recently. Harlan talks about attending the recent Philadelphia Unnamed Film Fest and seeing the film Cockazoid as well as watching the Shudder series 101 Scariest Horror Movie Moments. Justin talks about seeing Suspiria at the Mahoning Valley Drive In, as well as the Netflix series Dahmer.

We start with The Gate. We discuss the film’s legacy in shaping millennial taste in horror. We each discuss our memories/introduction to the film.

We talk about how the film holds up after 35 years and is especially adept at utilizing childhood fears as a source of horror.

Liam talks about how much of the early anxiety in the film springs from childhood fears of inadequacy and alienation. Harlan talks about love of the film doesn’t rest entirely on nostalgia but is still actually scary, and Liam talks about how as a parent the film is almost doubly upsetting because it raises the question of what your kids might be doing when you’re not home.

Liam also talks about how the film harkens back to a different time when it comes to how kids were treated. We talk about the tradition in horror films of “whatever happens, we can’t tell our parents and there’s nothing we ourselves can’t solve.”

Justin talks about how the film is a perfect gateway into the horror genre, and how the films depiction of satantic heavy metal is in retrospect almost laughable.

Up next is The Gate II. We talk about the film’s drastic difference in quality from the first one. We discuss how the films practical effects hold up and make the film stronger.

We talk about how the film goes further into making a distinction between satanism as a Judeo-Christian idea vs. the occult as a Lovecraftian concept that does away with Christian concepts. The ending of the film and how ridiculous it is discussed. The stylistic differences in the film are discussed.

We talk about how the film is much less focused than the original, and how it feels as if it has almost too much going on at times.

First and foremost, thanks to Justin for coming on to chat with us, and thank you for listening and to everyone and anyone who donated on Patreon, checked this episode out, or shared a tweet/shared a post on FB/gave us love by recommending us to someone. We love you forever for listening and donating. Any questions, comments, suggestions for movies and guests, or if you yourself want to join us for a movie viewing or even an episode, can be sent to [email protected]. We would love to hear from you! Thanks always to Justin Miller, Jacob Roberts, Paul Sharkey, and Doug Tilley for their technical contributions and fliers, Mike Smaczylo for the shirts and fliers (you can check more of his work out at here), and also thanks to Josh Alvarez for the theme song, Chris, Brad, and LVAC for the support and buttons (check them out at www.xlvacx.com and on Twitter), Essex Coffee Roasters (www.essexcoffeeroasters.com) and a HUGE thank you to anyone who retweeted us or shared something on Facebook that we posted. Follow us on Twitter and Instagram at @thehorrorbiz666, like us on Facebook at facebook.com/thehorrorbiz66, check out our Spotify account at Cinepunx, and remember to rate, review, and subscribe to us on ITunes. In fact, if you write us a review, email us with your mailing address and we’ll send you some free pins and stickers!  Check out www.cinepunx.com for more info on some of our other podcasts, some ultra stylish Cinepunx related merchandise, and how you can donate to our Patreon! Until next time…thanks!

Greetings, and welcome back to Horror Business. We have one awesome episode in store for you guys because we’re talking 2005’s Noroi: The Curse and 2015’s Savageland

First off thank you to the fine folks over at Lehigh Valley Apparel Creations, the premiere screen-printing company of the Lehigh Valley. Chris Reject and his merry band of miscreants are ready to work with you to bring to life your vision of a t-shirt for your business, band, project, or whatever else it is you need represented by a shirt, sweater, pin, or coozy. Head on over to www.xlvacx.com to check them out. Thank you also to Essex Coffee Roasters, our newest sponsor. Head to www.essexcoffeeroasters.com to check out their fine assortment of coffee and enter CINEPUNX in the promo code for ten percent off your order! And as always thank you to our Patreon subscribers. Your support means the world to us and we are eternally thankful. If you would like to become a Patron, head to patreon.com/cinepunx. Thanks in advance!

We start by talking about some of the stuff involving horror recently. We talk about the recent film Barbarian, a film we both greatly enjoyed. Liam talks about participating in the live Twitch fundraiser event “Hellraiser-raiser”. He also talks about attending the upcoming Cryptacon in Minneapolis. Justin talks about seeing the film The Invitation in theatres that pales in comparison to the identically named 2015 film, the film The Watcher, as well as the upcoming Shudder original Deadstream, the new Shudder original Saloum.

We start with Noroi: The Curse. We give a summary of the film and discuss some of the more upsetting parts of the film.

Justin talks about how efficiently and insidiously the film connected all the seemingly unconnected parts and how upsetting it was watching a horrific greater picture emerge.

We talk about how the film cleverly and effectively avoids all the tropes of found footage films.

We discuss the fatalistic element of the film, and the strange horrifically absurd nature of the film that defies any attempt at explanation.

Up next is Savageland.  We give a summary of the film, and Justin talks about how the movie made him feel genuinely unsafe and that it’s a perfect example of the “found footage/mockumentary” horror film. We talk about the nature of the threat of the film (vampires vs. zombies) and the few elements of the film that we felt didn’t entirely work.

We discuss the way the film kind of re-invents the found footage approach by using still photographs that were shot on the night of the massacre. We talk about the stinger at the end that shouldn’t have worked but absolutely did, and briefly discuss the nature of whatever turns people into whatever attacked that night.

We talk about how the film answers the question of “why is this being filmed?” that must be asked of every found footage film.

First and foremost, thank you for listening and to everyone and anyone who donated on Patreon, checked this episode out, or shared a tweet/shared a post on FB/gave us love by recommending us to someone. We love you forever for listening and donating. Any questions, comments, suggestions for movies and guests, or if you yourself want to join us for a movie viewing or even an episode, can be sent to [email protected]. We would love to hear from you! Thanks always to Justin Miller, Jacob Roberts, Paul Sharkey, and Doug Tilley for their technical contributions and fliers, Mike Smaczylo for the shirts and fliers (you can check more of his work out at here), and also thanks to Josh Alvarez for the theme song, Chris, Brad, and LVAC for the support and buttons (check them out at www.xlvacx.com and on Twitter), Essex Coffee Roasters (www.essexcoffeeroasters.com) and a HUGE thank you to anyone who retweeted us or shared something on Facebook that we posted. Follow us on Twitter and Instagram at @thehorrorbiz666, like us on Facebook at facebook.com/thehorrorbiz66, check out our Spotify account at Cinepunx, and remember to rate, review, and subscribe to us on ITunes. In fact, if you write us a review, email us with your mailing address and we’ll send you some free pins and stickers!  Check out www.cinepunx.com for more info on some of our other podcasts, some ultra stylish Cinepunx related merchandise, and how you can donate to our Patreon! Until next time…thanks!

Greetings, and welcome back to Horror Business. We have one awesome episode in store for you guys because we’re talking 2004’s Blade: Trinity and 2013’s Leprechaun: Origins, and we’re joined by Chris Reject of Lehigh Valley Apparel Creations to promote the upcoming Steelstacks Smackdown pro wrestling event on August 27th, 2022!

First off thank you to the fine folks over at Lehigh Valley Apparel Creations, the premiere screen-printing company of the Lehigh Valley. Chris Reject and his merry band of miscreants are ready to work with you to bring to life your vision of a t-shirt for your business, band, project, or whatever else it is you need represented by a shirt, sweater, pin, or coozy. Head on over to www.xlvacx.com to check them out. Thank you also to Essex Coffee Roasters, our newest sponsor. Head to www.essexcoffeeroasters.com to check out their fine assortment of coffee and enter CINEPUNX in the promo code for ten percent off your order! And as always thank you to our Patreon subscribers. Your support means the world to us and we are eternally thankful. If you would like to become a Patron, head to patreon.com/cinepunx. Thanks in advance!

We start by talking about some of the stuff involving horror recently. Liam talks about the film The Righteous as well as Netflix series Sandman. Chris talks about seeing Nope and revisiting Evil Dead II. Justin talks about seeing the films Prey, Day Shift and Hypochondriac, as well as attending the recent Monster Mania Convention in Cherry Hill, NJ.

We start with Blade: Trinity. We talk about the films troubled production history, some of the spotty CGI, and the “roundly reviled” nature of the film.

We discuss the fact that despite having not just a solid cast, but a solid comedic cast, it is largely unfunny and most of the actual jokes fall horribly flat. We generally didn’t enjoy this film, and don’t have much good to say about it.

We talk about how the film feels like a project in which the lead checked out and everyone else involved didn’t know what to do. We talk about how the film is bad in a way that goes above and beyond other “bad” films we’ve covered are.

Up next is Leprechaun: Origins. We talk about our feelings on the franchise as a whole, and how despite its shortcomings the first film at least has a distinct leprechaun in it, as opposed to this one which is just a generic creature that has little to no connection to the mythos of leprechauns.

Justin and Chris discuss the film’s weak attempt at a “morality in duress” story. We talk about the uneven pacing of the film, the unearned drama, the “Google expert” bullshit exposition, and more of the film’s lack of leprechaun-related shenanigans.

Justin gets upset about how there’s no magic way to kill the leprechaun and yet somehow this creature has an entire village in its thrall.

First and foremost, thanks to Chris for joining and watching these horrible movies for us. Also, thank you for listening and to everyone and anyone who donated on Patreon, checked this episode out, or shared a tweet/shared a post on FB/gave us love by recommending us to someone. We love you forever for listening and donating. Any questions, comments, suggestions for movies and guests, or if you yourself want to join us for a movie viewing or even an episode, can be sent to [email protected]. We would love to hear from you! Thanks always to Justin Miller, Jacob Roberts, Paul Sharkey, and Doug Tilley for their technical contributions and fliers, Mike Smaczylo for the shirts and fliers (you can check more of his work out at here), and also thanks to Josh Alvarez for the theme song, Chris, Brad, and LVAC for the support and buttons (check them out at www.xlvacx.com and on Twitter), Essex Coffee Roasters (www.essexcoffeeroasters.com) and a HUGE thank you to anyone who retweeted us or shared something on Facebook that we posted. Follow us on Twitter and Instagram at @thehorrorbiz666, like us on Facebook at facebook.com/thehorrorbiz66, check out our Spotify account at Cinepunx, and remember to rate, review, and subscribe to us on ITunes. In fact, if you write us a review, email us with your mailing address and we’ll send you some free pins and stickers!  Check out www.cinepunx.com for more info on some of our other podcasts, some ultra stylish Cinepunx related merchandise, and how you can donate to our Patreon! Until next time…thanks!

HORROR BUSINESS Episode 120

Greetings, and welcome back to Horror Business. We have one awesome episode in store for you guys because we’re talking 1990’s Def By Temptation and 1991’s The People Under The Stairs

First off thank you to the fine folks over at Lehigh Valley Apparel Creations, the premiere screen-printing company of the Lehigh Valley. Chris Reject and his merry band of miscreants are ready to work with you to bring to life your vision of a t-shirt for your business, band, project, or whatever else it is you need represented by a shirt, sweater, pin, or coozy. Head on over to www.xlvacx.com to check them out. Thank you also to Essex Coffee Roasters, our newest sponsor. Head to www.essexcoffeeroasters.com to check out their fine assortment of coffee and enter CINEPUNX in the promo code for ten percent off your order! And as always thank you to our Patreon subscribers. Your support means the world to us and we are eternally thankful. If you would like to become a Patron, head to patreon.com/cinepunx. Thanks in advance!

We start by talking about some of the stuff involving horror recently. We talk about Jordan Peele’s newest offering Nope, and Liam talks about diving even further into the Mignolaverse. Justin talks about the Netflix original Incantation, the Netflix original series Resident Evil, the film Howard’s Mill on Tubi, and a screening of The Blair Witch Project at the Mahoning Drive In, the films Glorious and The Breach. Liam also talks about finally starting the Amazon series The Boys.

We start with Def By Temptation. We start by talking about the films heavy connection to the work of Spike Lee, in that much of the crew also worked with Lee. Justin talks about how the film reminded him of the late 80s/early 90s fashion he remembers from his childhood.

We talk about how major studios passed on the film for being “too Black” and was eventually released by Lloyd Kaufman of Troma, who defended the films artistic integrity and criticized the film industry for it’s racism.

We talk about the films history of reshoots, and how despite critical success and a solid theatrical run, movie rental stores wouldn’t carry the title out of fear of Black violence.

Justin talks about how the films lack of refinement works in its favor as it comes across as so intensely earnest it can’t help but be enjoyed.

Up next is The People Under The Stairs. Justin starts by talking about how despite not being a crazy big fan of the film, it was undeniably a “moment” in horror culture for him as a kid, as well as it being a horror landmark for millennials in general.

We talk about how this film is a departure from Craven’s previous depiction of Black culture with The Serpent And The Rainbow in that the former is something of a caricature of Black culture whereas The People Under The Stairs is an honest and unflinching look at the socioeconomic status of Black people in the late 80s/early 90s in the inner city.

Justin talks about how the film goes beyond “evil white landlords” into “capitalism is a nightmare”. We discuss the history of mutilation of Black and Brown bodies as a tool for colonial terror against indigenous populations.

We discuss the films commentary on the nature of crime and its origins in systematic and reinforced poverty and how the titular people under the stairs are a metaphor for those kept in that system of poverty

First and foremost, thank you for listening and to everyone and anyone who donated on Patreon, checked this episode out, or shared a tweet/shared a post on FB/gave us love by recommending us to someone. We love you forever for listening and donating. Any questions, comments, suggestions for movies and guests, or if you yourself want to join us for a movie viewing or even an episode, can be sent to [email protected]. We would love to hear from you! Thanks always to Justin Miller, Jacob Roberts, Paul Sharkey, and Doug Tilley for their technical contributions and fliers, Mike Smaczylo for the shirts and fliers (you can check more of his work out at here), and also thanks to Josh Alvarez for the theme song, Chris, Brad, and LVAC for the support and buttons (check them out at www.xlvacx.com and on Twitter), Essex Coffee Roasters (www.essexcoffeeroasters.com) and a HUGE thank you to anyone who retweeted us or shared something on Facebook that we posted. Follow us on Twitter and Instagram at @thehorrorbiz666, like us on Facebook at facebook.com/thehorrorbiz66, check out our Spotify account at Cinepunx, and remember to rate, review, and subscribe to us on ITunes. In fact, if you write us a review, email us with your mailing address and we’ll send you some free pins and stickers!  Check out www.cinepunx.com for more info on some of our other podcasts, some ultra stylish Cinepunx related merchandise, and how you can donate to our Patreon! Until next time…thanks!