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Horror Comedies
In this episode of The Dark Corner, DJ Evil Dave takes an unnecessarily clinical look at horror comedies. That is, he aligns the similarities between the genres. For instance, both build tension and offer release. Also, both comment on society. Moreover, Dave points out the distinctions between horror and comedy as illustrated by writer, Michealbrendt Callings.
First, Dave reviews the movie, Bros. Billy Eichner presents a gay rom com that subverts the genre while also honoring the tropes. Also, Dave completes Saints Row 2022, calling it woke Grand Theft Auto. That is not a bad thing. Furthermore, Dave shares his haul from Bandcamp Friday.
For the Dark Track, Goth Brooks performs Redneck Undead from Freakabilly. This band that blends gothic-industrial and country-western music calls Arizona home. Also, Dave plays a promo for The Black Dog Podcast, a movie review show featuring creative swearing and cheeky euphemisms.
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By David and Brandi Jackola
3.8
55 ratings
In this episode of The Dark Corner, DJ Evil Dave takes an unnecessarily clinical look at horror comedies. That is, he aligns the similarities between the genres. For instance, both build tension and offer release. Also, both comment on society. Moreover, Dave points out the distinctions between horror and comedy as illustrated by writer, Michealbrendt Callings.
First, Dave reviews the movie, Bros. Billy Eichner presents a gay rom com that subverts the genre while also honoring the tropes. Also, Dave completes Saints Row 2022, calling it woke Grand Theft Auto. That is not a bad thing. Furthermore, Dave shares his haul from Bandcamp Friday.
For the Dark Track, Goth Brooks performs Redneck Undead from Freakabilly. This band that blends gothic-industrial and country-western music calls Arizona home. Also, Dave plays a promo for The Black Dog Podcast, a movie review show featuring creative swearing and cheeky euphemisms.