Horror Stories by Howard Phillips Lovecraft.

Horror Stories by Howard Phillips Lovecraft.

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Horror Stories by Howard Phillips Lovecraft. episodes

  • 45 - At the Mountains of Madness, Part 6.
    At the Mountains of Madness, Part 6.  
    At the Mountains of Madness is a science fiction and cosmic horror novella by American author H. P. Lovecraft, written in February and March 1931 and first published in serialized form across the February, March, and April 1936 issues of Astounding Stories magazine. The narrative takes the form of a first-person account by William Dyer, a geologist from the fictional Miskatonic University, who seeks to warn against a planned new Antarctic expedition by revealing suppressed details of his own disastrous 1930–1931 expedition. During that expedition, scientists discover anomalous fossils and the perfectly preserved bodies of barrel-shaped, star-headed extraterrestrial beings dubbed the Elder Things, then encounter the ruins of a vast, cyclopean city on a high Antarctic plateau, where intricate bas-reliefs chronicle the history of an ancient alien civilization that arrived on Earth eons ago, engineered life forms including protoplasmic servants called shoggoths, and eventually declined amid geological changes and conflicts with other cosmic entities. The explorers' findings culminate in terrifying evidence of the ancient Elder Things and an active shoggoth threat, reinforcing Lovecraft's signature themes of cosmic insignificance, the fragility of human rationality, and the horror inherent in forbidden knowledge of humanity's peripheral place in an indifferent universe.  
    The novella stands as one of Lovecraft's longest and most ambitious works, notable for its meticulous pseudo-scientific detail—drawing on contemporary Antarctic exploration accounts, geology, and biology—combined with atmospheric horror and elements of his interconnected Cthulhu Mythos. Lovecraft's anti-anthropocentric philosophy, which rejects human centrality and emphasizes the terror of vast, unknowable cosmic forces, finds particularly vivid expression here through descriptions of tentacular, non-mimetic monsters and the implications of ancient alien precedence over earthly life. Written during the height of Lovecraft's creative period after his return to Providence in 1926, the story reflects his broader literary project of crafting a materialist, post-Enlightenment form of supernatural horror that avoids traditional ghosts or demons in favor of existential dread rooted in scientific plausibility.
    H. P. Lovecraft (1890–1937) produced most of his fiction for pulp magazines such as Weird Tales, receiving limited recognition during his lifetime but achieving posthumous influence through publications by Arkham House and later scholarly editions. At the Mountains of Madness exemplifies his mature style and has been widely regarded as a pinnacle of weird fiction for its ambitious scope, detailed world-building, and profound unsettling of anthropocentric assumptions. The work has inspired numerous adaptations, analyses, and continuations in horror and science fiction, underscoring its enduring impact on the genre. 

    Become a supporter of this podcast: https://www.spreaker.com/podcast/horror-stories-by-howard-phillips-lovecraft--7455588/support.
    17 min
  • 44 - At the Mountains of Madness, Part 5.
    At the Mountains of Madness, Part 5.  
    At the Mountains of Madness is a science fiction and cosmic horror novella by American author H. P. Lovecraft, written in February and March 1931 and first published in serialized form across the February, March, and April 1936 issues of Astounding Stories magazine. The narrative takes the form of a first-person account by William Dyer, a geologist from the fictional Miskatonic University, who seeks to warn against a planned new Antarctic expedition by revealing suppressed details of his own disastrous 1930–1931 expedition. During that expedition, scientists discover anomalous fossils and the perfectly preserved bodies of barrel-shaped, star-headed extraterrestrial beings dubbed the Elder Things, then encounter the ruins of a vast, cyclopean city on a high Antarctic plateau, where intricate bas-reliefs chronicle the history of an ancient alien civilization that arrived on Earth eons ago, engineered life forms including protoplasmic servants called shoggoths, and eventually declined amid geological changes and conflicts with other cosmic entities. The explorers' findings culminate in terrifying evidence of the ancient Elder Things and an active shoggoth threat, reinforcing Lovecraft's signature themes of cosmic insignificance, the fragility of human rationality, and the horror inherent in forbidden knowledge of humanity's peripheral place in an indifferent universe.  
    The novella stands as one of Lovecraft's longest and most ambitious works, notable for its meticulous pseudo-scientific detail—drawing on contemporary Antarctic exploration accounts, geology, and biology—combined with atmospheric horror and elements of his interconnected Cthulhu Mythos. Lovecraft's anti-anthropocentric philosophy, which rejects human centrality and emphasizes the terror of vast, unknowable cosmic forces, finds particularly vivid expression here through descriptions of tentacular, non-mimetic monsters and the implications of ancient alien precedence over earthly life. Written during the height of Lovecraft's creative period after his return to Providence in 1926, the story reflects his broader literary project of crafting a materialist, post-Enlightenment form of supernatural horror that avoids traditional ghosts or demons in favor of existential dread rooted in scientific plausibility.
    H. P. Lovecraft (1890–1937) produced most of his fiction for pulp magazines such as Weird Tales, receiving limited recognition during his lifetime but achieving posthumous influence through publications by Arkham House and later scholarly editions. At the Mountains of Madness exemplifies his mature style and has been widely regarded as a pinnacle of weird fiction for its ambitious scope, detailed world-building, and profound unsettling of anthropocentric assumptions. The work has inspired numerous adaptations, analyses, and continuations in horror and science fiction, underscoring its enduring impact on the genre. 

    Become a supporter of this podcast: https://www.spreaker.com/podcast/horror-stories-by-howard-phillips-lovecraft--7455588/support.
    29 min
  • 43 - At the Mountains of Madness, Part 4.
    At the Mountains of Madness, Part 4.  
    At the Mountains of Madness is a science fiction and cosmic horror novella by American author H. P. Lovecraft, written in February and March 1931 and first published in serialized form across the February, March, and April 1936 issues of Astounding Stories magazine. The narrative takes the form of a first-person account by William Dyer, a geologist from the fictional Miskatonic University, who seeks to warn against a planned new Antarctic expedition by revealing suppressed details of his own disastrous 1930–1931 expedition. During that expedition, scientists discover anomalous fossils and the perfectly preserved bodies of barrel-shaped, star-headed extraterrestrial beings dubbed the Elder Things, then encounter the ruins of a vast, cyclopean city on a high Antarctic plateau, where intricate bas-reliefs chronicle the history of an ancient alien civilization that arrived on Earth eons ago, engineered life forms including protoplasmic servants called shoggoths, and eventually declined amid geological changes and conflicts with other cosmic entities. The explorers' findings culminate in terrifying evidence of the ancient Elder Things and an active shoggoth threat, reinforcing Lovecraft's signature themes of cosmic insignificance, the fragility of human rationality, and the horror inherent in forbidden knowledge of humanity's peripheral place in an indifferent universe.  
    The novella stands as one of Lovecraft's longest and most ambitious works, notable for its meticulous pseudo-scientific detail—drawing on contemporary Antarctic exploration accounts, geology, and biology—combined with atmospheric horror and elements of his interconnected Cthulhu Mythos. Lovecraft's anti-anthropocentric philosophy, which rejects human centrality and emphasizes the terror of vast, unknowable cosmic forces, finds particularly vivid expression here through descriptions of tentacular, non-mimetic monsters and the implications of ancient alien precedence over earthly life. Written during the height of Lovecraft's creative period after his return to Providence in 1926, the story reflects his broader literary project of crafting a materialist, post-Enlightenment form of supernatural horror that avoids traditional ghosts or demons in favor of existential dread rooted in scientific plausibility.
    H. P. Lovecraft (1890–1937) produced most of his fiction for pulp magazines such as Weird Tales, receiving limited recognition during his lifetime but achieving posthumous influence through publications by Arkham House and later scholarly editions. At the Mountains of Madness exemplifies his mature style and has been widely regarded as a pinnacle of weird fiction for its ambitious scope, detailed world-building, and profound unsettling of anthropocentric assumptions. The work has inspired numerous adaptations, analyses, and continuations in horror and science fiction, underscoring its enduring impact on the genre. 

    Become a supporter of this podcast: https://www.spreaker.com/podcast/horror-stories-by-howard-phillips-lovecraft--7455588/support.
    21 min
  • 42 - At the Mountains of Madness, Part 3.
    At the Mountains of Madness, Part 3.  
    At the Mountains of Madness is a science fiction and cosmic horror novella by American author H. P. Lovecraft, written in February and March 1931 and first published in serialized form across the February, March, and April 1936 issues of Astounding Stories magazine. The narrative takes the form of a first-person account by William Dyer, a geologist from the fictional Miskatonic University, who seeks to warn against a planned new Antarctic expedition by revealing suppressed details of his own disastrous 1930–1931 expedition. During that expedition, scientists discover anomalous fossils and the perfectly preserved bodies of barrel-shaped, star-headed extraterrestrial beings dubbed the Elder Things, then encounter the ruins of a vast, cyclopean city on a high Antarctic plateau, where intricate bas-reliefs chronicle the history of an ancient alien civilization that arrived on Earth eons ago, engineered life forms including protoplasmic servants called shoggoths, and eventually declined amid geological changes and conflicts with other cosmic entities. The explorers' findings culminate in terrifying evidence of the ancient Elder Things and an active shoggoth threat, reinforcing Lovecraft's signature themes of cosmic insignificance, the fragility of human rationality, and the horror inherent in forbidden knowledge of humanity's peripheral place in an indifferent universe.  
    The novella stands as one of Lovecraft's longest and most ambitious works, notable for its meticulous pseudo-scientific detail—drawing on contemporary Antarctic exploration accounts, geology, and biology—combined with atmospheric horror and elements of his interconnected Cthulhu Mythos. Lovecraft's anti-anthropocentric philosophy, which rejects human centrality and emphasizes the terror of vast, unknowable cosmic forces, finds particularly vivid expression here through descriptions of tentacular, non-mimetic monsters and the implications of ancient alien precedence over earthly life. Written during the height of Lovecraft's creative period after his return to Providence in 1926, the story reflects his broader literary project of crafting a materialist, post-Enlightenment form of supernatural horror that avoids traditional ghosts or demons in favor of existential dread rooted in scientific plausibility.
    H. P. Lovecraft (1890–1937) produced most of his fiction for pulp magazines such as Weird Tales, receiving limited recognition during his lifetime but achieving posthumous influence through publications by Arkham House and later scholarly editions. At the Mountains of Madness exemplifies his mature style and has been widely regarded as a pinnacle of weird fiction for its ambitious scope, detailed world-building, and profound unsettling of anthropocentric assumptions. The work has inspired numerous adaptations, analyses, and continuations in horror and science fiction, underscoring its enduring impact on the genre. 

    Become a supporter of this podcast: https://www.spreaker.com/podcast/horror-stories-by-howard-phillips-lovecraft--7455588/support.
    25 min
  • 41 - At the Mountains of Madness, Part 2.
    At the Mountains of Madness, Part 2.  
    At the Mountains of Madness is a science fiction and cosmic horror novella by American author H. P. Lovecraft, written in February and March 1931 and first published in serialized form across the February, March, and April 1936 issues of Astounding Stories magazine. The narrative takes the form of a first-person account by William Dyer, a geologist from the fictional Miskatonic University, who seeks to warn against a planned new Antarctic expedition by revealing suppressed details of his own disastrous 1930–1931 expedition. During that expedition, scientists discover anomalous fossils and the perfectly preserved bodies of barrel-shaped, star-headed extraterrestrial beings dubbed the Elder Things, then encounter the ruins of a vast, cyclopean city on a high Antarctic plateau, where intricate bas-reliefs chronicle the history of an ancient alien civilization that arrived on Earth eons ago, engineered life forms including protoplasmic servants called shoggoths, and eventually declined amid geological changes and conflicts with other cosmic entities. The explorers' findings culminate in terrifying evidence of the ancient Elder Things and an active shoggoth threat, reinforcing Lovecraft's signature themes of cosmic insignificance, the fragility of human rationality, and the horror inherent in forbidden knowledge of humanity's peripheral place in an indifferent universe.  
    The novella stands as one of Lovecraft's longest and most ambitious works, notable for its meticulous pseudo-scientific detail—drawing on contemporary Antarctic exploration accounts, geology, and biology—combined with atmospheric horror and elements of his interconnected Cthulhu Mythos. Lovecraft's anti-anthropocentric philosophy, which rejects human centrality and emphasizes the terror of vast, unknowable cosmic forces, finds particularly vivid expression here through descriptions of tentacular, non-mimetic monsters and the implications of ancient alien precedence over earthly life. Written during the height of Lovecraft's creative period after his return to Providence in 1926, the story reflects his broader literary project of crafting a materialist, post-Enlightenment form of supernatural horror that avoids traditional ghosts or demons in favor of existential dread rooted in scientific plausibility.
    H. P. Lovecraft (1890–1937) produced most of his fiction for pulp magazines such as Weird Tales, receiving limited recognition during his lifetime but achieving posthumous influence through publications by Arkham House and later scholarly editions. At the Mountains of Madness exemplifies his mature style and has been widely regarded as a pinnacle of weird fiction for its ambitious scope, detailed world-building, and profound unsettling of anthropocentric assumptions. The work has inspired numerous adaptations, analyses, and continuations in horror and science fiction, underscoring its enduring impact on the genre. 

    Become a supporter of this podcast: https://www.spreaker.com/podcast/horror-stories-by-howard-phillips-lovecraft--7455588/support.
    43 min
  • 40 - At the Mountains of Madness, Part 1.
    At the Mountains of Madness, Part 1.  
    At the Mountains of Madness is a science fiction and cosmic horror novella by American author H. P. Lovecraft, written in February and March 1931 and first published in serialized form across the February, March, and April 1936 issues of Astounding Stories magazine. The narrative takes the form of a first-person account by William Dyer, a geologist from the fictional Miskatonic University, who seeks to warn against a planned new Antarctic expedition by revealing suppressed details of his own disastrous 1930–1931 expedition. During that expedition, scientists discover anomalous fossils and the perfectly preserved bodies of barrel-shaped, star-headed extraterrestrial beings dubbed the Elder Things, then encounter the ruins of a vast, cyclopean city on a high Antarctic plateau, where intricate bas-reliefs chronicle the history of an ancient alien civilization that arrived on Earth eons ago, engineered life forms including protoplasmic servants called shoggoths, and eventually declined amid geological changes and conflicts with other cosmic entities. The explorers' findings culminate in terrifying evidence of the ancient Elder Things and an active shoggoth threat, reinforcing Lovecraft's signature themes of cosmic insignificance, the fragility of human rationality, and the horror inherent in forbidden knowledge of humanity's peripheral place in an indifferent universe.  
    The novella stands as one of Lovecraft's longest and most ambitious works, notable for its meticulous pseudo-scientific detail—drawing on contemporary Antarctic exploration accounts, geology, and biology—combined with atmospheric horror and elements of his interconnected Cthulhu Mythos. Lovecraft's anti-anthropocentric philosophy, which rejects human centrality and emphasizes the terror of vast, unknowable cosmic forces, finds particularly vivid expression here through descriptions of tentacular, non-mimetic monsters and the implications of ancient alien precedence over earthly life. Written during the height of Lovecraft's creative period after his return to Providence in 1926, the story reflects his broader literary project of crafting a materialist, post-Enlightenment form of supernatural horror that avoids traditional ghosts or demons in favor of existential dread rooted in scientific plausibility.
    H. P. Lovecraft (1890–1937) produced most of his fiction for pulp magazines such as Weird Tales, receiving limited recognition during his lifetime but achieving posthumous influence through publications by Arkham House and later scholarly editions. At the Mountains of Madness exemplifies his mature style and has been widely regarded as a pinnacle of weird fiction for its ambitious scope, detailed world-building, and profound unsettling of anthropocentric assumptions. The work has inspired numerous adaptations, analyses, and continuations in horror and science fiction, underscoring its enduring impact on the genre. 

    Become a supporter of this podcast: https://www.spreaker.com/podcast/horror-stories-by-howard-phillips-lovecraft--7455588/support.
    26 min
  • 39 - The Tree by H. P. Lovecraft.
    The Tree by H. P. Lovecraft.  
    Kalos and Musides are two Greek sculptors who are asked to sculpt statues for a competition. But while they are preparing their statues, something terrible happens – Kalos becomes ill. As the two of them are very good friends, the sickness of Kalos makes Musides very unhappy.  
    When Kalos is about to die, he asks Musides to bury olive branches with him. The result, however, is something beautiful and horrifying at the same time.  
    H.P. Lovecraft (1890–1937) was an American horror writer. His best known works include ‘The Call of Cthulhu’ and ‘the Mountains of Madness’. Most of his work was originally published in pulp magazines, and Lovecraft rose into fame only after his death at the age of 46. He has had a great influence in both horror and science fiction genres.

    Become a supporter of this podcast: https://www.spreaker.com/podcast/horror-stories-by-howard-phillips-lovecraft--7455588/support.
    12 min
  • 38 - The Tomb by H. P. Lovecraft.
    The Tomb by H. P. Lovecraft.  
    "The Tomb" is a short story by H. P. Lovecraft written in June 1917 and first published in the March 1922 issue of The Vagrant. It subsequently appeared in the January 1926 issue of Weird Tales.  
    Lovecraft drew inspiration for the original 1917 version of "The Tomb" from a visit in June of that year with his aunt Lillian D. Clark to the grave of a distant relative, Simon Smith. Smith died on March 4, 1711, and was buried in Warwick, Rhode Island. His body was exhumed and transferred to Swan Point Cemetery in Providence, where Lovecraft and Clark saw this tombstone iconography, probably from a replacement of the 1711 stone. However, Lovecraft leaves the geographical setting for the tale ambiguous, and the Hyde family holding could be anywhere in New England.  
    This is the first use in Lovecraft's tales of one of his favorite words, "blasphemy" (often used in adjectival form, "blasphemous").

    Become a supporter of this podcast: https://www.spreaker.com/podcast/horror-stories-by-howard-phillips-lovecraft--7455588/support.
    26 min
  • 37 - The Terrible Old Man by H. P. Lovecraft.
    The Terrible Old Man by H. P. Lovecraft.  
    "The Terrible Old Man" is a short horror story by American writer H. P. Lovecraft, composed on January 28, 1920, and first published in the July 1921 issue of the amateur magazine The Tryout.  
    The narrative unfolds in the fictional New England coastal town of Kingsport, focusing on an exceptionally aged and solitary resident whose residence harbors an array of peculiar glass bottles containing intricate model ships, accompanied by faint whispers suggesting involvement in historical piracy and unexplained wealth. This hoard and the old man's eerie demeanor attract a gang of three immigrant criminals—Angelo Ricci, Joe Czanek, and Manuel Silva—who attempt to burgle him, only to vanish without trace, their abandoned automobile later discovered with bloodstains and the old man unperturbed. Clocking in at under 1,200 words, the tale exemplifies Lovecraft's early style of subtle cosmic horror, blending mundane criminal intent with implied supernatural retribution, and introduces the Terrible Old Man as a recurring enigmatic figure in his New England mythos.

    Become a supporter of this podcast: https://www.spreaker.com/podcast/horror-stories-by-howard-phillips-lovecraft--7455588/support.
    7 min
  • 36 - The Street by H. P. Lovecraft.
    The Street by H. P. Lovecraft.  
    "The Street" is a short story by American horror fiction writer H. P. Lovecraft, written in late 1919 and first published in the December 1920 issue of the Wolverine amateur journal. 
    The story traces the history of the titular street in a New England city from its first beginnings as "but a path" in colonial times to a quasi-supernatural occurrence in the years immediately following World War I. As the city grows up around the street, it is planted with many trees and built along with "simple, beautiful houses of brick and wood", each with a rose garden. As the Industrial Revolution runs its course, the area degenerates into a run-down and polluted slum, with all of the street's old houses falling into disrepair. 
    After World War I and the October Revolution, the area becomes home to a community of Russian immigrants. Among the new residents is the leadership of a "vast band of terrorists," who are plotting the destruction of the United States on Independence Day. When the day arrives, the terrorists gather to do the deed, but before they can get started, all the houses in the street collapse concurrently on top of each other, killing them all. Observers at the scene testify that immediately after the collapse, they experienced visions of the trees and rose gardens that had once been in the street.

    Become a supporter of this podcast: https://www.spreaker.com/podcast/horror-stories-by-howard-phillips-lovecraft--7455588/support.
    15 min

About Horror Stories by Howard Phillips Lovecraft.

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Horror Stories by Howard Phillips Lovecraft.  
Howard Phillips Lovecraft (August 20, 1890 – March 15, 1937) was an American author of weird fiction and horror, best known for originating the…