How is science fiction from the Arab and Muslim world different than mainstream science fiction from the West? What distinctive and original contributions can it make? Why is it so often neglected in critical considerations of the genre? While other books have explored these questions, all have been from foreign academic voices. 
Instead, Hosam A. Ibrahim Elzembely and Emad El-Din Aysha,'s book Arab and Muslim Science Fiction (McFarland, 2022) examines the nature, genesis, and history of Arabic and Muslim science fiction, as well as the challenges faced by its authors, in the authors’ own words. These authors share their stories and struggles with censors, recalcitrant publishers, critics, the book market, and the literary establishment. Their uphill efforts, with critical contributions from academics, translators, and literary activists, will enlighten the sci-fi enthusiast and fill a gap in the history of science fiction. Topics covered range from culture shock to conflicts between tradition and modernity, proactive roles for female heroines, blind imitation of storytelling techniques, and language games.
Iqra Shagufta Cheema writes and teaches in the areas of media cultures, Anglophone literatures, transnational digital feminisms, gender and sexuality studies, and global south film studies. Check out their upcoming books: The Other #MeToos and ReFocus: The Films of Annemarie Jacir. Follow them on Twitter
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Hosam A. Ibrahim Elzembely and Emad El-Din Aysha, "Arab and Muslim Science Fiction" (McFarland, 2022)

Interviews with Scholars of Islam about their New Books
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In Iran and Palestine: Past, Present and Future (Routledge, 2019), Seyed Ali Alavi (SOAS University of London) surveys the history of the relationship between Iran – and especially the Islamic Republic of Iran - with Palestinian organisations and leadership. It also, quite obviously, deals with Iranian views of Israel and the Israeli-Palestinian conflict.
Analysing the connections of the Iranian revolutionary movements, both the Left and the Islamic camps’ perspectives are scrutinized. To provide a historical background to the post-revolutionary period, the genealogy of pro-Palestinian sentiments before 1979 are traced additionally.
Demonstrating the pro-Palestinian stance of post-revolutionary Iran, the study focuses on the causes of roots of the ideological outlook and the interest of the state. Despite a growing body of literature on the Iranian Revolution and its impacts on the region, Iran’s connection with Palestine have been overlooked. This new volume fills the gap in the literature and enables readers to unpack the history of the two states.
This unique and comprehensive coverage of Iran and Palestine’s relationship is a key resource for scholars and students interested in international relations, politics, Islamic and Middle East studies.
Yaacov Yadgar is the Stanley Lewis Professor of Israel Studies at the University of Oxford. His most recent book is Sovereign Jews: Israel, Zionism and Judaism (SUNY Press, 2017). You can read more of Yadgar’s work here.
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Seyed Ali Alavi, "Iran and Palestine: Past, Present, and Future" (Routledge, 2019)

Lahore's Hall Road is the largest electronics market in Pakistan. Once the center of film and media piracy in South Asia, it now specializes in smartphones and accessories. For Hall Road's traders, conflicts between the economic promises and the moral dangers of film loom large. To reconcile their secular trade with their responsibilities as devoted Muslims, they often look to adjudicate the good or bad moral "atmosphere" (mahaul) that can cling to film and media.
In Moral Atmospheres: Islam and Media in a Pakistani Marketplace (Columbia UP, 2024),Timothy P. A. Cooper examines the diverse and coexisting moral atmospheres that surround media in Pakistan, tracing public understandings of ethical life and showing how they influence economic behavior. Drawing on extensive ethnographic work among traders, consumers, collectors, archivists, cinephiles, and cinephobes, Moral Atmospheres explores varied views on what the relationship between film and faith should look, sound, and feel like for Pakistan's Muslim-majority public. Cooper considers the preservation and censorship of film in and outside of the state bureaucracy, contestations surrounding heritage and urban infrastructure, and the production and circulation of sound and video recordings among the country's religious minorities. He argues that a focus on atmosphere provides ways of seeing moral thresholds as mutable and affective, rather than as fixed ethical standpoints. At once a vivid ethnography of a market street and a generative theorization of atmosphere, this book offers fresh perspectives on moral experience and the relationship between religion and media.
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Timothy P. A. Cooper, "Moral Atmospheres: Islam and Media in a Pakistani Marketplace" (Columbia UP, 2024)

Shakespeare through Islamic Worlds (Routledge, 2024) investigates the peculiar absence of Islam and Muslims from Shakespeare’s canon. While many of Shakespeare’s plays were set in the Mediterranean, a geography occupied by Muslim empires and cultures, his work eschews direct engagement with the religion and its people. This erasure is striking given the popularity of this topic in the plays of Shakespeare’s contemporaries. 
By exploring the limited ways in which Shakespeare uses Islamic and Muslim tropes and topoi, Ambereen Dadabhoy, Associate Professor of Literature at Harvey Mudd College, argues that Islam and Muslim cultures function as an alternate or shadow text in his works, ranging from his staged Mediterranean plays to his histories and comedies. By consigning the diverse cultures of the Islamic regimes that occupied and populated the early modern Mediterranean, Shakespeare constructs a Europe and Mediterranean freed from the presence of non-white, non-European, and non-Christian Others, which belied the reality of the world in which he lived. Focusing on the Muslims at the margins of Shakespeare’s works, Dadabhoy reveals that Islam and its cultures informed the plots, themes, and intellectual investments of Shakespeare’s plays. 
In our conversation we discussed Shakespeare’s worldmaking and the social and political worlds of western Europe, the Mediterranean, and the Ottoman empires, famous plays, such as The Tempest, The Merchant of Venice, Twelfth Night, and Othello, the figure of the “Moor,” and the threat of turning “Turk,” the intersection of race and geography in Shakespeare’s works, disrupting Anti-Muslim racism and Islamophobia through critical reading, and Muslim adaptations of Shakespeare.
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Ambereen Dadabhoy, "Shakespeare Through Islamic Worlds" (Routledge, 2023)

Sari Nusseibeh's book Avicenna's Al-Shifā': Oriental Philosophy (Routledge, 2018) deals with the philosophy of Ibn Sina - Avicenna as he was known in the Latin West- a Persian Muslim who lived in the eleventh century, considered one of the most important figures in the history of philosophy.
Although much has been written about Avicenna, and especially about his major philosophical work, Al-Shifa, this book presents the rationalist Avicenna in an entirely new light, showing him to have presented a theory where our claims of knowledge about the world are in effect just that, claims, and must therefore be underwritten by our faith in God. His project enlists arguments in psychology as well as in language and logic. In a sense, the ceiling he puts on the reach of reason can be compared with later rationalists in the Western tradition, from Descartes to Kant -though, unlike Descartes, he does not deem it necessary to reconstruct his theory of knowledge via a proof of the existence of God. Indeed, Avicenna's theory presents the concept of God as being necessarily presupposed by our theory of knowledge, and God as the Necessary Being who is presupposed by an existing world where nothing of itself is what it is by an intrinsic nature, and must therefore be as it is due to an external cause. The detailed and original analysis of Avicenna's work here is presented as what he considered to be his own, or 'oriental' philosophy.
Presenting an innovative interpretation of Avicenna's thought, this book will appeal to scholars working on classical Islamic philosophy, kalām and the History of Logic.
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Sari Nusseibeh, "Avicenna's Al-Shifā': Oriental Philosophy" (Routledge, 2018)

In Terracene: A Crude Aesthetics (Duke UP, 2023), Salar Mameni historicizes the popularization of the scientific notion of the Anthropocene alongside the emergence of the global war on terror. Mameni theorizes the Terracene as an epoch marked by a convergence of racialized militarism and environmental destruction. Both the Anthropocene and the war on terror centered the antagonist figures of the Anthropos and the terrorist as responsible for epochal changes in the new geological and geopolitical world orders. In response, Mameni shows how the Terracene requires radically new engagements with terra (the earth), whose intelligence resides in matters such as oil and phenomena like earthquakes and fires. Drawing on the work of artists whose practices interrogate histories of settler-colonial and imperial interests in land and resources in Iran, Iraq, Yemen, Kuwait, Syria, Palestine, and other regions most affected by the war on terror, Mameni offers speculative paths into the aesthetics of the Terracene.
Salar Mameni is an art historian specializing in contemporary transnational art and visual culture in the Arab/Muslim world with an interdisciplinary research on racial discourse, transnational gender politics, militarism, oil cultures and extractive economies in West Asia. Mameni has published articles in Signs, Women & Performance, Al-Raida Journal, Fuse Magazine, Fillip Review and Canadian Art Journal, and has written for exhibition catalogues in Dubai, Sharjah and Istanbul. Mameni was the curator of “Snail Fever,” at the Third Line Gallery in Dubai that explored art as a pandemic bringing together artists from the region whose works consider the embodied, viral and contaminating nature of sonic and visual aesthetics.
Najwa Mayer is an interdisciplinary cultural scholar of race, gender, sexuality, and Islam in/and the United States, working at the intersections of politics, aesthetics, and critical theory. She is currently a Society of Fellows Postdoctoral Scholar at Boston University.
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Hosam A. Ibrahim Elzembely and Emad El-Din Aysha, "Arab and Muslim Science Fiction" (McFarland, 2022)

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