Jesse Honig of 29 Pedals finally joins The Tone Mob, and we are digging all the way into the beautifully nerdy machinery of his story.

Before launching 29 Pedals, Jesse spent years inside studios, tape machines, consoles, repair benches, and the general glowing underworld of professional audio. He worked as a roadie as a teenager, became a studio assistant in Philadelphia, built a life as a session player, engineer, and tech, then eventually found himself working with companies like Slate Digital and Manley Labs before deciding it was time to build something of his own.

That something became EUNA, a deceptively “simple” pedal that helped turn the humble buffer into a serious tone tool. Blake and Jesse get into why guitars are terrible at driving cable, why input impedance matters, why pedalboards can be treated like modular studio channel strips, and why 29 Pedals approaches design from a very different angle.

There is also talk of OAMP, fuzzes, overdrives, true bypass, manufacturing headaches, component changes, guitar strings, weird gear obsessions, and the joy of solving problems most people do not even realize they have.

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