
Sign up to save your podcasts
Or
It was while researching the provenance of a child’s boomerang, found in topsoil near the site of Melbourne Zoo, that Kimberley Moulton found the key to her curatorial vision for We Are Eagles, the latest edition of the TarraWarra Biennial.
The Yorta Yorta curator worked with artefacts and other historical material at Melbourne Museum for years before moving into contemporary art in her current role at the Tate in London.
Kim explains how that boomerang unearthed a long-buried and disturbing history and earned its place in the biennial, which includes 20 new commissions from artists such as Lisa Hilli, Shireen Taweel, Iluwanti Ken, Nathan Beard and Warraba Weatherall.
5
44 ratings
It was while researching the provenance of a child’s boomerang, found in topsoil near the site of Melbourne Zoo, that Kimberley Moulton found the key to her curatorial vision for We Are Eagles, the latest edition of the TarraWarra Biennial.
The Yorta Yorta curator worked with artefacts and other historical material at Melbourne Museum for years before moving into contemporary art in her current role at the Tate in London.
Kim explains how that boomerang unearthed a long-buried and disturbing history and earned its place in the biennial, which includes 20 new commissions from artists such as Lisa Hilli, Shireen Taweel, Iluwanti Ken, Nathan Beard and Warraba Weatherall.
747 Listeners
98 Listeners
858 Listeners
210 Listeners
93 Listeners
39 Listeners
243 Listeners
48 Listeners
1,680 Listeners
71 Listeners
343 Listeners
198 Listeners
19 Listeners
127 Listeners
753 Listeners
188 Listeners
55 Listeners
160 Listeners
524 Listeners
331 Listeners
135 Listeners
993 Listeners
11 Listeners