The histories our families share can be in the stories we tell, the food we eat, the objects that are passed down from one generation to the next. Finding our own place in those histories can be difficult, but it can also be exciting and crucial. How are Australian artists from the Asian diaspora creating their own stories? And how are they reckoning with the charged history of museum collections?

Leyla Stevens uses her camera as a tool to engage with interconnected webs of song, performance, and environmental reverence. In her work, deeply beautiful sequences of Balinese jungles are punctuated with the sonic intensity of cicadas and visions of shadow puppetry.

While referencing objects and materials specific to his Chinese heritage, Remy Faint considers big questions: What are the limits of painterly abstraction? How can painting be used to gesture towards cultural multiplicity? And how can you learn about yourself and your family through creating artworks?

The music in this episode is taken from Leyla Stevens' video work, PAHIT MANIS, night forest, which is on display at the Art Gallery of NSW