
Sign up to save your podcasts
Or


View the episode notes on our website for additional links and resources!
View the episode notes on our website for additional links and resources!
View the episode notes on our website for additional links and resources!
Here’s to another week and another episode How Do You Like it So Far? fans! We have a two-part series for you where Colin and Henry welcome Lauren Levitt, a Ph.D. Candidate in Communications at USC Annenberg and a former student of Henry’s as a guest interviewer for a special sex workers and podcasting episode. In Part One, Lauren interviews Siouxsie Q, a sex worker, a policy advocate and organizer for the ACLU Southern California, and co-host of the podcast Ill-Repute, along with Vanessa Carlisle, a Professor of Queer Studies at California State University, Northridge and creator of the On the Dresser podcast. They unravel common misconceptions about sex work and the complicated relationship between feminism and the sex workers rights movement. They weigh in on the current policies, such as SESTA/FOSTA, and their attempt to dismantle the industry and endanger the safety of sex workers. In Part Two, Lauren speaks to Kaytlin Bailey, the creator of The Oldest Profession Podcast, a stand up comic and the Director of Communications for Decriminalize Sex Work. They discuss the difference between sex work and human trafficking and the law enforcement mindset of rescuing sex workers from their professions. They also examine the role of sex work in popular culture from HBO’s The Deuce TV show to the recent release of megahit Hustlers. Listen in as Lauren, Colin and Henry speak to these extraordinary women about their work and the importance of sex workers claiming their own narratives in popular culture.
View the episode notes on our website for additional links and resources! Feel free to contact us at [email protected].
This week we welcome Ebony Elizabeth Thomas, author of the new book The Dark Fantastic: Race and the Imagination from Harry Potter to the Hunger Games. She counters the deficit-framed language describing an achievement gap among youth of color by asserting that there is a corresponding, long-standing imagination gap – that lack of representation in children’s literature and media has left them unable to imagine themselves as the center of the story, in fantasy or in life. Progress is being made in media diversity and inclusion, yet Thomas argues, we’re not keeping pace in terms of priming the audience to accept these shifts. The internet is allowing children to connect with like-minded readers outside of their immediate community “bubbles,” participate in fan fiction and expand their interpretation of what they read. But do they have the resources they need to be able to read the world differently? What are the negative effects of such limited representations? Where will alternative fantasies come from? Thomas discussed here the debates that have sprung up around Black Panther and recent projects to bring alternative perspectives to historical narratives, concluding that it’s still imperative to create a dream space with and for minority youth. View the episode notes on our website for additional links and resources!
Our guest this week is Jaroslav Švelch, author of Gaming the Iron Curtain: How Teenagers and Amateurs in Communist Czechoslovakia Claimed the Medium of Computer Games, which recounts the early history (and his own experience) of gaming and home computer use in Czechoslovakia in the 1980s. In discussing this creator/maker culture, we note how both local materials and state-sponsored infrastructure were repurposed by these ingenious participatory communities, where playing computer games and programming them were completely intertwined. As we have seen with many other fan communities, what started as a hobby and shared interest gave rise to personal expression and then social change, as people used games to negotiate the state politics that they were not allowed to participate in. We also talk about the importance of documenting what seems like very recent history, when it is still possible to gather first-person accounts and community artifacts and present an alternative to a top-down or corporate record.
In this episode we talk to David Craig, Clinical Associate Professor at USC Annenberg’s School for Communication and Journalism and a Fellow at the Peabody Media Center, and Stuart Cunningham, Distinguished Professor of Media and Communication, Queensland University of Technology. They are the authors of Social Media Entertainment: The New Intersection of Hollywood and Silicon Valley, in which they interviewed more than 200 online content creators. Social media entertainment has expanded rapidly and the traditional entertainment industry has been forced to cede significant power and influence to content creators, their fans, and subscribers. In this episode we discuss the rise of social media entertainment and its impact on media consumption and production, as well as the "convergence" of these industries, with the example of Indian-Canadian YouTuber Lilly Singh getting her own late night show on traditional television. Yet, who is Lilly Singh's community? How do fandom and audience move across the internet and back to cable? Can online content creators bring their type of unique talent to traditional, legacy media?
In this episode we discuss lucha libre, the popular Mexican form of professional wrestling. We are joined by Peatonito, an activist for pedestrians in Mexico City, who uses the persona of a wrestler to create spectacle as activism on the streets, such as jumping in front of cars. We also speak with Heather Levi, an assistant professor of Anthropology at Temple university, who researches professional wrestlers and professional wrestling in Mexico City. We ask: how is lucha a practice of staging contradictions? How does it comment on the political life of the audience, to bring them along to support a "super-hero" type persona? How have politics, performativity, lucha, etc. merged into each other? And also, how can the luchadores personas help to bring attention to, and increase affect and participation around, social issues outside of the arena?
From the publisher's feed