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2023 is going to be the year of AI art. If you’ve been playing around with text-to-image apps like DALL-E 2 or Stable Diffusion, you know how remarkable the technology is and how fast it’s moving. UNSW AI Institute's Prof Toby Walsh talks about the history of artificial intelligence and art, artist Kim Leutwyler on the experience of having your artwork used to ‘train’ AI (without consent) and Rodolfo Ocampo sees a new type of hybrid artist emerging, as well as certain artforms completely transformed by AI. Plus, how does a 3D animator and digital native feel about the direction AI is set to play in the creative industries?
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2023 is going to be the year of AI art. If you’ve been playing around with text-to-image apps like DALL-E 2 or Stable Diffusion, you know how remarkable the technology is and how fast it’s moving. UNSW AI Institute's Prof Toby Walsh talks about the history of artificial intelligence and art, artist Kim Leutwyler on the experience of having your artwork used to ‘train’ AI (without consent) and Rodolfo Ocampo sees a new type of hybrid artist emerging, as well as certain artforms completely transformed by AI. Plus, how does a 3D animator and digital native feel about the direction AI is set to play in the creative industries?
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