James Cameron-Wilson reports that box office is down 32%, though Wuthering Heights is still #1. #6 is the unnerving but funny horror Cold Storage. Witty, in the mould of Tremors, this gruesome tale of a deadly fungus has all the makings of a cult classic, managing the tricky balance between gross-out horror and laugh-out-loud comedy. At #10 is Good Luck, Have Fun, Don't Die, a sci-fi twist on Groundhog Day with Sam Rockwell a traveller from the future trying to prevent the AI apocalypse. A satirical shaggy dog epic in the manner of Terry Gilliam, it is very funny and chilling at the same time. James admired the Netflix documentary The Perfect Neighbour. Largely taken from police bodycam footage, it is about a neighbourhood tragedy in Florida. Although it is widely tipped for an Oscar, he is not sure of its merits as a watchable movie.

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James Cameron-Wilson says that #1 Wuthering Heights, written and directed by Saltburn's Emerald Fennell, is not a close adaptation of the novel and has attracted criticism for casting Jacob Elordi alongside Margot Robbie. However, it is thoroughly entertaining, has a great score and production design and is also quite funny. He found it a cinematic delight and feels Fennell is a national treasure. #3 Crime 101 with Chris Hemsworth and a great cast is a rare LA movie actually filmed there. James enjoyed it. Not only is it a good crime thriller, but the characters are very human. On Blu-Ray for the first time is the Oscar-nominated 1974 East German film Jacob the Liar. A darkly comic movie set in a Jewish ghetto in 1944, it is in similar vein to the much later Life Is Beautiful. The disc comes with lots of great extras.

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James Cameron-Wilson says that #1 Sam Raimi's Send Help, with Rachel McAdams and Dylan O'Brien, the tale of a work couple being stranded on a desert island, seems overfamiliar. Blending comedy and thrills, he enjoyed it in a schlocky way. #19 is 100 Nights of Hero, a bonkers movie based on a graphic novel with Richard E. Grant and Felicity Jones. Set in a parallel, colour-blind world it's about storytelling and the empowering of women. It does have a distinctive look but is all too flat and needs a stronger director and style. Far more impressive is Anniversary on Netflix. It stars Diane Lane as the matriarch of a close-knit family and is a state-of-the-nation epic with a frighteningly prescient script. There's so much going on, James had to watch it again. Very credible, often tense and with a strong cast, it's a really brilliant movie he discovered completely by accident.

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James Cameron-Wilson says the bump up of Hamnet to #1 in the charts shows the important of award nominations. The latest Jason Statham thriller, Shelter, is #3. He's a recluse living in a lighthouse whose past comes back to bite him when he rescues a girl from the sea. It's the same old, same old, but done slightly better than usual. #10 Is This Thing On, about a stand-up comic's marriage with Will Arnett and Laura Dern, is inspired by Liverpool comedian John Bishop. But Bradley Cooper's annoying directorial style obscures and confuses the story. James recommends #38, docu-drama The Voice of Hind Rajab, which is one of the most traumatising war films he has ever sat through. He also discusses the current awards season and the London Film Critics Circle awards last weekend.

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James Cameron-Wilson can't recall another week where the top six UK films are all holdovers, with The Housemaid returning to #1. #9 is the ironically-titled Mercy with Chris Pratt a man who has 90 minutes to convince an AI judge that he didn't kill his wife. Set in real time, it is mechanical but James was drawn in by its moral arguments. #13 is the adaptation of best-seller H is for Hawk with a brilliant Claire Foy and Brendan Gleeson. It is a beautifully-crafted film but doesn't have a strong storyline or conflict. While not bored, James did get impatient at times. On Netflix is the Taiwanese-set Left-Handed Girl, written by Anora's Sean Baker. The tale of a mother and two daughters moving to Taipei is filmed entirely on an iphone. With great performances, this guerilla style of filmmaking gives it an immediacy and the movie is a real gem.

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James Cameron-Wilson says that #1 28 Years Later – The Bone Temple deserves its 18 certificate as you will need a strong constitution. Starring Ralph Fiennes and Jack O’Connell, it’s hard to watch but is a gripping horror film with style, beauty and terrific dialogue. #7 Rental Family, starring Brendan Fraser, is set in Japan and directed by the Japanese Hikari. It’s an odd but enthralling story with a light touch about an actor rented out as a family member. On Netflix, Matt Damon and Ben Affleck star in The Rip, a generic, often confusing but hard-hitting action thriller. It seems far-fetched but is based on a true story so outlandish, it had to be scaled back.

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James Cameron-Wilson is impressed that The Housemaid has risen to the top spot. #2 is the quintessentially British movie Hamnet, despite Irish leads (Paul Mescal & Jessie Buckley) and Chinese writer-director Chloé Zhao. It's a slow burn but builds to a highly emotional climax. James loved it to within an inch of its brocade. On Amazon Prime, he was impressed by The Tank, a German film about a Tiger crew on a secret mission against the Russians after Stalingrad. It's tense and excellent until the final, infuriating twist. He is a fan of Kate Winslet's directorial debut, Goodbye June on Netflix. Written by her son Joe Anders, the cast includes Helen Mirren and Timothy Spall. It has great humanity, humour and wisdom, despite its sentimental ending. He watched The Family Plan 2 on Apple TV+ to see why Mark Wahlberg's online movies are so popular. It has some good action and one-liners but the plot is incredibly familiar.

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James Cameron-Wilson reports that 2025 was the best box office year for movies since the pandemic. With the new Avatar still #1, #2 is The Housemaid, a psychological thriller with Sydney Sweeney and Amanda Seyfried which is thoroughly entertaining, as long as you don't think too carefully about the plot. #3 is Marty Supreme, loosely based on a true story. Timothée Chalamet is a supremely-confident hustler turned table tennis player in a movie that, despite being two and a half hours long, flies by, helped by a great supporting cast of non-actors. Not so #6, Anaconda, in which Paul Rudd and Jack Black want to remake the forgettable 1997 monster movie of the same name. It's hard to combine comedy and horror successfully. This film fails. #7 is Song Sung Blue, based on a documentary, with Hugh Jackman as an unsympathetic Neil Diamond interpreter. In a film about second chances, Kate Hudson has never been better.

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After a quick rundown of what's leading the UK box office in the run-up to Christmas, James Cameron-Wilson takes Simon Rose through the films that made the most at the country's cinemas in 2025. A Minecraft Movie topped the chart, followed by Bridget Jones: Mad About The Boy, Wicked For Good, Lilo & Stitch and Jurassic World Rebirth. Very different was James's own top ten. 1: Ocean. 2: Flow. 3: Superman. 4: Christy. 5: Materialists. 6: I Swear. 7: Alpha. 8: The Ballad of Wallis Island. 9: Brides. 10: We Live in Time. James explains why you'd want to catch up with each every one of these.

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James Cameron-Wilson says that box office is down 40% again, even though #1 Zootropolis 2 has become the biggest film of the year worldwide. #18 Ella McCay is from James L. Brooks, who brought us such movies as Broadcast News. It stars Emma Mackey as an aspiring politician, backed by a raft of great actors such as Jamie Lee Curtis and Albert Brooks. Full of terrific dialogue, it reminds James of the great screwball comedies of old. He loved every minute. He was also impressed by Netflix’s Train Dreams, with Joel Edgerton as a logger and railroad worker. This is film as art and does require a degree of patience. He was bewitched by a film which reminded him of Days of Heaven. Also on Netflix is the third Knives Out movie, Dead Man Wake Up. Despite a great cast supporting Daniel Craig, James thought the murder plot was forced and, while there were some great moments, he was ultimately disappointed.

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