Hurton Audio Podcast

Mark and Peter discuss the Universal Audio UAFX Dream '65 Reverb Amplifier and how it can be considered even better than the thing its emulating. What recording gear hits these goals and what gear falls short. Touching on convenience over authenticity and how meticulous modern recreations are getting.

Mark and Peter discuss Bleachers new self titled album, diving into the different types of production used in it and how it's refreshing to hear music like this in contrast to heavily computer assisted productions. Touching on Jack Antonoff's producing and writing style and how music could do with a bit more honesty and less perfection.

Mark and Peter discuss the Funklordz new album, our favourite songs and their immaculate music videos. Touching on why Chromeo's songs are not only groovy but fun in addition to marvelling at their impressive collection of synthesizers. Are real musicians better than programmed beats and why it's not as simple as it sounds.

Mark and Peter chat to SNUBA, a British indie pop duo based in Hamburg, consisting of singer/songwriter Annie Higham and instrumentalist/producer Asa Clough-Howard. Discussing different approaches for songwriting, inspiration and how to use a DAW as a creative instrument while producing music.

SNUBA Spotify: https://open.spotify.com/artist/3H2cPpRBmXgRaMW1imLVbu?si=9KOvEnQoTaqjr3eccVAwTg

SNUBA Bandcamp: https://snuba.bandcamp.com/album/have-my-head

SNUBA Youtube: https://www.youtube.com/@snubamusic

SNUBA Instagram: https://www.instagram.com/snubamusic/

Mark & Peter's music project Yesterday 95 recently got their new single Ice Box Mastered by Andrew 'Hippy' Baldwin at Metropolis Studio, London. They describe the process and benefits of getting a track mastered by the pro's instead of doing it themselves, diving in to production discussions around self recording, mixing and mastering.

Yesterday 95 - Ice Box: https://open.spotify.com/track/0GaZiKH9vsikNzpe7wbVI4?si=e476e477004d4edf

Metropolis: https://onlinemastering.thisismetropolis.com

Mark and Peter recently saw The 1975 on their Still... At Their Very Best tour. They discuss the vibes and intricacies of the stage show and setlist choices. In addition to what makes the 1975 a great band to listen to live. Since they have built up a repour of in jokes with their fanbase the band treat the performance as more of a stage play whilst simultaneously keeping the gig like atmosphere.

Mark and Peter discuss All Ur Luv by Wavedash, Madeon and Toro Y Moi. This groovy electronic bop creates a conversation around how music production can change how a song feels and what genre it can be classified as. Including conversation on Porter Robinsons Secret Sky Festival and it's incredible roster of electronic artists.

Mark and Peter discuss what makes Justice stand out from other electronic music artists and what makes French house interesting, from the sounds they utilise to the grooves and atmosphere they create. We also predict what we want to hear from Justice's new album Hyperdrama.

Mark and Peter discuss interpolation within chart music specifically Kygo and Ava Max's new single Whatever which is derived from Whenever, Wherever by Shakira. Why is interpolation different from remixing and covers? Is it better or worse than sampling? As a signwriting device why is it effective?

Mark and Peter marvel in Royal Republics 80's soaked comeback single My House. Discussing the tracks composition, production and music video as well as how this song differs to what we expect from a band like Royal Republic.