In our companion piece to Mike's first rendezvous with Harlem Nights, the fellas head to the City of Angels for a very special pilgrimage in I Eat Movies #8: Dino's First Time - Breathless (1983). Exposing Dino's eye sockets to the stylistic and steamy update to Jean-Luc Godard's original French New Wave classic, the hot-button issue of remakes are covered with Mike going to bat for the 1980s as an example of a decade who excelled at them. Although shaking a leg to the film's soundtrack of rockin' tracks and praising the sexiness of stars Richard Gere and Valérie Kaprisky, will Mike's infatuation for the under-appreciated Quentin Tarantino favorite be enough to sway Dino? Tune in to find out and get stuffed on I Eat Movies #8: Dino's First Time - Breathless (1983)!

Switching gears, co-hosts Mike and Dino gather together to dish on their most recent personal watches in I Eat Movies #7: Seen Report. In addition to discussing the concept of comfort movies and films worthy of constant rewatches; sometimes days in a row, the fellas trade off sharing what they've been cinematically gorging on since our last episode. Free-flowing and more conversational than ever before, Mike and Dino feast upon a smorgasbord of movies from Scorsese epics and Ted Demme's Who's the Man? (1993) to the best and sleaziest installment of the Amityville Horror franchise to 1987's Eat and Run and so much more in between. If you haven't eaten enough damn movies yet, I Eat Movies #7: Seen Report will see to that!

Unsurprisingly still craving more cinema, cohosts Mike and Dino get their fill by spotlighting the under-appreciated Argentinian actress who carved out a career entirely on her terms. In a helping of firsts, I Eat Movies #6: ¡Que Linda! finds the Fantasy Island loving duo tackling their first TV movie and horror effort in The Dead Don't Die (1975). Airing originally as part of NBC's World Premiere Movie, George Hamilton stars in this small screen noir with supernatural turns and voodoo twists where the late, great Linda Cristal makes a most lasting and fiery impression, literally. Next up, the story of a man and his melons is enthusiastically examined in the Charles Bronson starrer Mr. Majestyk (1974). Costarring Cristal in a scene-stealing performance as a migrant worker who can handle herself and tear Bronson's machismoness down at the drop of a hat, Mike makes yet another bold claim that he's certain he's right on while, Dino dishes the skinny on Cristal's truly last film role that most apparently want to pretend never happened. All this and more is covered as we salute the spunky Golden Globe recipient in I Eat Movies #6: ¡Que Linda! - The Dead Don't Die (1975) / Mr. Majestyk (1974)!

Cohosts Mike and Dino profess their love (and hate) for this stinkin' town in I Eat Movies #5: Rotten Apple '87 - The Squeeze (1987) / Street Smart (1987). Recalling their personal relationships with the city that never sleeps before munching on a double dose of Deuce-based features, Mike yells from the rooftops with a bold claim about Michael Keaton before the fellas dissect TV constructed Triceratops', ballooned budgets and Joey Pants, all of which are on display in The Squeeze (1987). Next up, Cannon Films make their first formal (and certainly not last) induction in this installment as Christopher Reeve, not quite gleaming with the innocence of Clark Kent, serves up lies and ends up in the crosshairs of a very real and deadly pimp in Street Smart (1987). Pennies are pinched, Montreal passes for NYC and Morgan Freeman ain't drivin' for nobody! Order up some ribs and wash it down with I Eat Movies #5.... or some Yeah! Chocolate Milk.

In I Eat Movies #4, Dino serves Mike his first ever tasting of a noticeable blindspot from the peak of Eddie Murphy's career. Dishing on Murphy's seismic impact on comedy from a young age helping to single handedly revitalize the ship that was Saturday Night Live without its captain, the fellas dive into the funnyman's super powered takeover of Hollywood with his roles in 48 Hrs., Trading Places, Beverly Hills Cop, The Golden Child and Coming to America that all lead to him bookending the decade with his directorial debut in Harlem Nights. While the aforementioned highs and lows (a detour into family fare and contemporary Razzie nominated messes) are covered in addition to Murphy's resurgence with the Rudy Ray Moore biopic Dolemite Is My Name, the spotlight light is all on the period gangster piece that brought three generations of American comedy institutions together for the first time. Open up wide as I Eat Movies #4: Mike's First Time - Harlem Nights (1989) is ready for consumption!

In celebration of Black History Month, co-hosts Mike and Dino shine the spotlight on one of the many faces that truly make the movies. With I Eat Movies #3: Overlooked Paul Winfield, the fellas honor the man himself whose eloquence and presence left a lasting impact no matter the size of the role. While listeners may know his face but not always his name, we peel back the curtains on two overlooked entries that demonstrate the versatility of the late thespian, first with James Bridges' ambitious mystery-thriller, Mike's Murder starring Debra Winger (Urban Cowboy, Terms of Endearment) followed by the Florida-set crime drama Blue City starring fellow Breakfast Clubbers Judd Nelson and Ally Sheedy.

In I Eat Movies #2: No Podcast So Fierce - Short Eyes (1977) / On the Yard (1978), co-hosts Dino Prosperio and Mike Kenny gush over their shared love for the male prison drama and examine the many offshoots of its own unique subgenre. After celebrating the life and singular work of Miguel Piñero, our cohosts do hard time with director Robert M. Young's harrowing '77 classic where man can't help you, only Jesus. Next up, starring a bevy of passionate performers from the late John Heard (Cutter's Way, Cat People) to Thomas G. Waites (The Warriors, The Thing), snitches get stitches in the adaptation of Malcolm Braly's novel realized by husband and wife collaborators, Raphael and Joan Micklin Silver (Hester Street, Chilly Scenes of Winter). Don't suffer from a failure to communicate and come hungry to an extended stay behind bars in I Eat Movies #2!