This episode: all THREE versions of "I Met Him on a Sunday" by The Shirelles: the 1958 snap 'n' clap original (when they were in high school!!), the '64 re-do, and the '66 Wall of Sound version (with FUZZ!)! But that's not all - 3 boffo renditions by The Orlons (1962), Reparata & the Delrons (1970), and Laura Nyro & Labelle (1971). The only thing we don't talk about is what happened to Lew Conetta!!!!!

This episode: all THREE versions of "I Met Him on a Sunday" by The Shirelles: the 1958 snap 'n' clap original (when they were in high school!!), the '64 re-do, and the '66 Wall of Sound version (with FUZZ!)! But that's not all - 3 boffo renditions by The Orlons (1962), Reparata & the Delrons (1970), and Laura Nyro & Labelle (1971). The only thing we don't talk about is what happened to Lew Conetta!!!!!

This episode: all THREE versions of "I Met Him on a Sunday" by The Shirelles: the 1958 snap 'n' clap original (when they were in high school!!), the '64 re-do, and the '66 Wall of Sound version (with FUZZ!)! But that's not all - 3 boffo renditions by The Orlons (1962), Reparata &amp; the Delrons (1970), and Laura Nyro &amp; Labelle (1971). The only thing we don't talk about is what happened to Lew Conetta!!!!!

I Met Him On A Sunday

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&amp;B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

Music

Music Commentary

Music History

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

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I Met Him On A Sunday

I Met Him On A Sunday

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