Some minor audio issues this week - Weldon's mic is too hot! - but it's tempered by a gentle song by The Monkees - "I Wanna Be Free" from 1966. Infact, they did two versions - the first is sweet, simple and stringy with a vocal by Davy Jones, the second is Dylan-bait with Mickey Dolenz singing.  Mod and The Rockers from Virginia did a garage version in '67, and then there's a soulful gender-flipped version by Vivian Reed from '68. Finally, another in our growing list of unlikely artists, we include an elegaic version by Richard Marx! Turn the volume down and enjoy!!

Some minor audio issues this week - Weldon's mic is too hot! - but it's tempered by a gentle song by The Monkees - "I Wanna Be Free" from 1966. Infact, they did two versions - the first is sweet, simple and stringy with a vocal by Davy Jones, the second is Dylan-bait with Mickey Dolenz singing. Mod and The Rockers from Virginia did a garage version in '67, and then there's a soulful gender-flipped version by Vivian Reed from '68. Finally, another in our growing list of unlikely artists, we include an elegaic version by Richard Marx! Turn the volume down and enjoy!!

Some minor audio issues this week - Weldon's mic is too hot! - but it's tempered by a gentle song by The Monkees - "I Wanna Be Free" from 1966. Infact, they did two&nbsp;versions - the first is sweet, simple and stringy with a vocal by Davy Jones, the second is Dylan-bait with Mickey Dolenz&nbsp;singing.&nbsp; Mod and The Rockers from Virginia did a garage version in '67, and then there's a soulful gender-flipped version by Vivian Reed from '68. Finally, another in our growing list of unlikely artists, we include an elegaic version by Richard Marx! Turn the volume down and enjoy!!

I Wanna Be Free

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&amp;B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

Music

Music Commentary

Music History

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

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I Wanna Be Free

I Wanna Be Free

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