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From England to New England. No I didn't move from London to Boston so I could have that catchy tagline, but I'm not going to look a gift horse in the mouth. Heck no, I'm going to ride that horse all the way from Charlestown to Cambridge shouting "Season 2 is coming! Season 2 is coming!"

Revisit 2015, when the most recent Bond film came out on the tails of a series of revelatory spy films - and world events - that argued for 007's irrelevance. This episode: - How the NSA shows up in mainstream entertainment - So many Bond themes - Melissa McCarthy showing the men (mostly Statham) how it’s done - Kingsman’s scathing class critique - Ilya Kuryakin and the demonized other - Bridge of Spies and the reality of spy craft - The wonders of Ilsa Faust - The murky waters of Sicario - A cameo appearance from HERCULES MULLIGAN!

There are very few things in life that are truly once in a lifetime experiences. If you had picked up the New York Times on August 6, 1975 you would have experienced one of them. “Hercule Poirot Is Dead; Famed Belgian Detective.” It would have been the first time you had ever seen the Times honor a fictional person with an obituary, let alone on the front page. It would be the last time you would see it as well. This episode, we consider what factored into the Queen of Crime's decision to kill one of fiction's greatest detectives.

This is the story of Guy Fawkes, but it's also the story of the comic book that forever gave him rosy cheeks and a smile that taunts authority.

You never know what your legacy is going to be. There once was a scholar at Cambridge who dedicated probably 90% of his adult waking hours to scholarship - cataloging dusty old manuscripts, caring for fragile old artifacts, studying creaky old churches. He never married, never had children, never retired. In the other 10% of his time, for kicks, he wrote and recited stories… stories about bachelor scholars went looking for dusty old manuscripts, found fragile old artifacts, and poked around creaky old churches, and oh yeah, these things were all cursed and studying them meant confronting unspeakable horrors. M.R. James is iconic because of what he did in those rare moments he wasn’t giving his heart and soul to academia - those nights and weekends when he smirked and wondered “How can I scare the crap out of my friends?”

How does one map onto our world a fantasy world that rides around on the back of a turtle, where there is no London or England - or, to be more precise, where those places exist, but only in a magicless round world that’s kept in a glass sphere at Unseen University? I went to the HisWorld exhibition at the Salisbury Museum to find out.

What started as the second half of a series on Dunkirk turned into a meditation on Charlottesville, Nazis, statues, and symbols.

It all feels immersive, especially in IMAX. But I’m having a wider screen experience when I watch Dunkirk. I imagine what’s just on the periphery; who else, besides Mr. Dawson, is setting off from England in a little dinghy? Who is up in the air monitoring fuel readings alongside the self-assured RAF Pilot Farrier? Who else, besides the baby-faced private Tommy is ducking the Luftwaffe amidst the dunes of Dunkirk?

An episode dedicated to Michael Bond, and his little bear from Darkest Peru.

To wrap up our three-part series on the turn of the 13th century, we take a look at King John - no longer a petulant prince - and how he transformed England for the best by being the absolute worst.