Guest Matt Dorbin drops by with a copy of the second album by power-pop pioneers the Raspberries. Led by Eric Carmen, this Ohio group had a brief brush with mainstream success before becoming a highly influential cult act. We look at not only their influences but who they in turn influenced.  

Taylor Rowley returns with a copy of the debut album by English singer-songwriter Lesley Duncan. Perhaps best known as a backing vocalist for artists as diverse as Dusty Springfield, Elton John, and Pink Floyd, we learn that Lesley's solo albums are hidden gems of the dollar bin.  

Co-host Jeremy takes us into the fascinating musical world of Lene Lovich. We listen to the sophomore release from the Detroit-born, UK-raised singer, whose interest in the arts helped inform a unique visual component to accompany her already interesting musical language.  

DJ Lola Kinks returns to the podcast to dust off the grooves of the debut LP by the Brooklyn, Bronx & Queens Band, aka the B. B. & Q Band. This Italian-American disco outfit was the brainchild of businessman Jacques Fred Petrus, previously discussed on our Change episode. We learn more about his dealings between dance breaks. 

Co-host Peter introduces us to the debut solo album by "Goddess of Slide" Ellen McIlwaine. A phenomenal guitarist deeply rooted in the blues yet willing to explore and embody many styles, McIlwaine was overlooked by the general public but highly revered by fellow musicians, including Jimi Hendrix and Taj Mahal.  

Guest Marissa Mele returns to the podcast with an EP by South African musician Sipho "Hotstix" Mabuse. It contains the song "Burn Out" which was a crossover hit in South Africa and led to international distribution. We learn about how Mabuse reached this point in his musical career and where he went from here.  

Co-host Sean plays us an album by Michael Parks. An actor and musician who was on the brink of stardom in the late 1960s, Parks fell into obscurity until his acting career was revived decades later by a generation of maverick filmmakers. His music, a blend of country, folk, and rock. remains largely unheard—until now.  

Guest Jacob T. Simons introduces us to the "loser rock" of Mott the Hoople. We listen to the album which followed in the wake of their success with All the Young Dudes (both the album and song) which finds the glam rock band coming to grips with the harsh realities of being in a band.  

Co-host Jeremy spins selections from the debut solo album by English singer-songwriter Roy Wood. Best known for his work with bands like the Move, Electric Light Orchestra, and Wizzard, Wood's solo work carries a similar knack for pop hooks and eccentric arrangements, the latter quality amplified by the fact that he's playing everything.  

Co-host Sean brings a sharp left turn for the program: a progressive rock LP by UK band Jade Warrior. This album, their fourth, was itself a stylistic shift by the group toward what might best be described as "world" or "ambient" music, and was influential on the burgeoning New Age genre.