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Bob Bucko Jr is back to hype a frequently glossed over Joni Mitchell record. The discussion largely centers around this album but we also cherry pick some highlights from her long and influential career.
DJ and record collector Ben Johnson is our guest as we talk percussionist Coke Escovedo on this episode. We tackle everything from Coke's impressive resume to his extensive family connections in the music business.
Illustrator/punk rocker Ben Lyon joins us to discuss New Zealand rock band Split Enz. We play selections from their most popular album, detail its fun and exciting packaging, and look at both their history as well as what followed their breakup.
Co-host Sean's doppelganger Shane Hartman visits us again with an album from genre-blending sensation Eddy Grant. We look at the artist's long and varied career, which turns out to be even more diverse and successful than many may realize.
Co-host Sean takes the reins this week to bring us a mid-career album from American jazz and pop singer Peggy Lee. This curious oddity was a surprise hit and can still turn some heads today.
Chicago-based music journalist James Porter is our guest as we talk pub rock band Rockpile. While we play selections from their sole studio album, we also look at the impressive careers of band members Nick Lowe and Dave Edmunds.
Luke Tandy, owner of Skeleton Dust Records, is our guest as we spin the debut album from new wave icons Missing Persons. We examine their origin story, their popularity in the early days of MTV, and why their initial run was relatively short-lived.
Philadelphia-based DJ Allec Johnson aka Particle Ray joins the crew to reveal the wondrous sounds of jazz organist Charles Earland. This adventurous album truly takes the listener on a sonic Odyssey.
Co-host Peter takes us into the little told tale of late Sixties rock and soul group Smith. We play selections from their debut long play and explore why their run was so short-lived.
Co-host Jeremy introduces us to the distinctive voice of singer-songwriter Dirk Hamilton. We listen to the more folky selections from his debut and learn why this standout major label album eluded most listeners.
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