I'd Buy That For A Dollar

Co-host Jeremy picks this underappreciated gem out of the dusty bin of old podcasts and calls your attention back to the singular talent that is Dinah Washington.  

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We dust off this season 1 classic where the crew visits Steven "Plastic Crimewave" Krakow just before the pandemic. Revisit lighter times with the obscure side of Bread. 

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For our 100th episode and season 2 finale, the crew turn to the artist and album responsible for our theme song—Bobby Bryant's The Jazz Excursion Into Hair. We also reflect on some of our favorite selections from this season. 

For our 100th episode and season 2 finale, the crew turn to the artist and album responsible for our theme song—Bobby Bryant's The Jazz Excursion Into Hair. We also reflect on some of our favorite selections from this season.  

If you like us, please support us at patreon.com/idbuythatpodcast to get exclusive content (episodes on 45s!), or tell a friend about us. Broke and have no friends? Leave us a review, it helps more people find us. Thanks! 

Healthcare worker, DJ, and record collector Mark Weathersby joins us to talk Johnny Mathis, specifically the crooner's soulful 1973 comeback album I'm Coming Home. The IBTFAD crew are forced to take back some dismissive comments they've made about the artist in previous episodes.  

DJ and music supervisor Taylor Rowley returns to the program to highlight yet another thrift store staple—singer-songwriter Carole King. We take a look at Wrap Around Joy, a record that often gets lost in the shadow of the ever-present hanging Tapestry.  

Co-host Jeremy blasts off with Buffy Sainte-Marie's Moonshot. Viewed in its day as a disappointingly mainstream effort from the uncompromising folksinger, the album has fared better with time.  

Guest host Wes Wheat returns to the podcast with a 1980 Smokey Robinson solo outing and helps the team traverse Robinson's miraculous career.  

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Co-host Jeremy tries to coax a tear into your beer as we consider a largely unsung country legend—Ray Price. For the Good Times finds Ray shifting from honky-tonk innovator to Nashville pop star.  

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DJ and musicologist Greg Caz returns to the show to give bassist and vocalist Michael Henderson his due. As we discuss the disparity between Henderson's early avant-garde work with Miles Davis and his later R&B solo records such as Goin' Places, we discover that the two phases have more in common than one might think.