I'd Buy That For A Dollar

Guest Host Ryan Werner joins us to peel into the layers of Doobie Bros. history. Reshaped by Steely Dan alumni Michael McDonald and Jeff "Skunk" Baxter, the Doobs are in top pop form on this 1978 LP.  

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This week we take a hard right (left? inward?) turn towards new-age music pioneer Steven Halpern. We mellow out in these strange times and also go down the rabbit hole of Steven's DIY distribution and tightrope walk between science and pseudoscience.  

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IBTFAD finally goes full country with Nashville legend and "First Lady of Country Music" Tammy Wynette. We inspect her inspection of the human condition and discuss why the generation following her is wrong in their wholesale dismissal of this classic.

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Co-Host Sean snags up some stripped down dance grooves from his favorite year in funk—1982. The gang "gets loose" with this oft-overlooked jam machine.  

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The crew gushes over this hard left turn by outlaw country pioneer Willie Nelson.  We rewind into the history that led the rebellious Willie into an album of old pop standards. 

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Peter brings us Fairport Convention folkie Ian Matthews' breakaway solo album. We delve into how this proper English lad got the bug for California rays and American twang.

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Extra! Extra! Read all about it! Co-host Sean takes us into the world of boogie funk and unveils the newest album to date that we've featured on the pod: Midnight Star's certified bopper, Headlines, only 34 years old—wow!

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On the last of our episodes recorded in Chicago, guest host Shannon Gross takes us for an enthusiastic spin through Cyndi Lauper's 1983 megahit LP, She's So Unusual. We explore how this unconventional voice and icon for punk fashion was able to infiltrate the pop charts during the decade of extremes.

Illustrator, musician, and music historian Steve Krakow of Plastic Crimewave fame brings us this light rock classic from Bread. We talk unheralded mastermind David Gates and give a fresh ear to mom's favorite breezy California jams.

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Guest Host Scott Schaaf (owner of Pinwheel Records in Chicago) takes us to his Sports section. We dig into this super-selling, near-ubiquitous record that was not passed onto the next generation's collective memory. Scott calls this the "greatest American rock record of the last 40 years," if you want to internet argue about something.   

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