Evan Redsky grew up on Mississaugi First Nation, on the north shore of Lake Huron, between Sault Ste. Marie and Sudbury — a small community of maybe 500 people, and a history much larger than that. Four generations of his family attended the Cecilia Jeffrey Residential School. His great-grandfather James was the last elder to hold their community's birch bark scrolls before they were dispossessed by the Glenbow Museum. Redsky carries that lineage into everything: the punk fury of Indian Giver, and the quieter, harder work of his solo music — Canadiana-rooted folk that sits closer to Neil Young than Nashville, and closer to truth than either. His 2024 album The Language of Fishermen and the recent single "Red Dress," drawn from losses he witnessed working at a Toronto First Nations youth centre, are artifacts in the fullest sense — stories left behind for the next generation to find.

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Montreal’s Second Body returns with up and coming release Gift Horse, a record born from curiosity, confidence, and the willingness to let songs become something unexpected. In this conversation, songwriter and former drummer Yann explores the leap from the back of the stage to the front, the creative freedom found in surrendering control, and the balancing act of music, family, and everyday life. We dive into songwriting as discovery, the vibrant Montreal music community, and why some of the best songs arrive when you simply keep showing up and listening.

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On this episode of ifitbeyourwill, zzzahara talks about the new album Distant Lands — a record shaped by distance, emotional drift, and the search for connection inside everyday uncertainty. The conversation moves through formative musical memories, relationships, identity, and the comfort of making songs that don’t try to hide their bruises. From discovering emotion through the Selena soundtrack to embracing vulnerability in their songwriting, zzzahara reflects on creating music that feels lived-in, intimate, and deeply human. A thoughtful conversation about longing, memory, and finding clarity inside the noise.

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Cincinnati's Sungaze make the kind of shoegaze where the haze finally lifts. On this episode, married duo Ivory Snow and Ian Hilvert trace the unlikely arc from death-metal speed runs to restraint—the notes you don't play—and the slow build toward a sound with intent. They talk Slowdive and Tame Impala, a homemade guitar gifted for a 26th birthday, and the quiet domestic alchemy of writing as a couple. Their new record, I Am No Longer Afraid of Heights, lands May 22nd, ahead of a June tour through New York and Boston.

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Blending dream-pop haze, indie folk intimacy, and jazz-inflected songwriting, After Ours creates music that feels suspended between memory and late-night confession. On Imaginary Friend, Kayla Janowitz folds soft textures, diaristic lyrics, and understated hooks into songs that linger long after they end. In this conversation, she reflects on learning jazz standards with her brother, navigating perfectionism in studio, and the emotional residue that shapes her writing. What emerges is a thoughtful discussion about nostalgia, identity, and the strange beauty of becoming someone new while still carrying older versions of yourself forward. A great listen for all aspiring musicians.

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A wide-ranging conversation with Michael Feuerstack that traces the arc from Snail House bedroom recordings to a decades-long solo practice shaped by collaboration and quiet persistence. He reflects on how songs emerge—sometimes as fragments, sometimes as loops you can’t shake—and what it means to stay open enough to follow them. Moving through Montréal’s indie community and his own shifting identity as an artist, the episode lands on a simple throughline: make the work, finish it, and put it into the world.

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Marc Ostermeier and Tanya Maus of the cult shoegaze duo Should stop by for their first ever podcast interview to celebrate the deluxe reissue of Feed Like Fishes, out now via Numero Group.

From basement 8-tracks in early 90s Austin to a new generation of fans discovering their music on Instagram — Should's story is one worth hearing. Marc breaks down his obsessive approach to crafting atmospheric sound, Tanya reflects on finding her voice in unexpected places, and both drop a tantalizing hint about new music.

Thirty years later, Should still sounds like nothing else.

Available on Bandcamp. Go give it a listen.

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More than a decade into Common Holly, Brigitte Naggar still writes the way she did as a teenager — quietly, in her bedroom, not quite ready to let anyone hear. On this episode, Chris sits down with the Montreal songwriter to talk about Anything Glass (June 2025) and its companion EP They Will Draw Halos Around Our Heads (February), two records that feel like siblings.

Brigitte talks about going back to the piano for the first time since she was a kid, letting poems turn into songs without forcing them, and her long run with producer Devon Bate (Jean-Michel Blais, Jeremy Dutcher) — a collaborator so unshowy you stay with him for ten years because he just gets it. She's warm on Montreal too: friendships that go back fifteen years, monthly jams with Ada Lea and Cedric Noel, and the quiet reset Common Holly and the rest of the city's scene went through after the pandemic.

Also: why the slow songs landed hardest this time, a Left of the Dial date in Rotterdam, and some loose hints at what comes next — maybe an all-vocal record, maybe something built around cello. Nothing rushed. Whatever feels right.

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The Leaf Library have spent two decades quietly building one of indie music's most singular worlds — and their fourth album, After the Rain, Strange Seeds, might be their finest yet. ifitbeyourwill sits down with Matt, the band's driving force, to trace a journey that began with a Stereolab ad in Reading and wound through DIY networks, John Peel plays, and six years of painstaking work on a record that finally feels like vindication. They talk craft, collaboration, and the particular delusion it takes to finish an album. Stay for the song.

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Bristol's The New Cut have built their grungy, clunky, twangy world from the outside in — and frontman Henry Gerrard wouldn't have it any other way. On this episode, he sits down with ifitbeyourwill to trace the band's DNA: OCD, social anxiety, and the particular relief of finding your people in a room full of outsiders. They dig into the new EP, the strange paradox of performing your most vulnerable self to strangers, and why their live show hits hardest when there's nothing left to prove.

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