It's always good to hear The Coasters, and this week we're studying their Goofy Great, "I'm a Hog For You." Written by Leiber/Stoller, loaded with A-pluses, hogsnort sax work, with a one-note guitar solo - this'll make you happier than pig in poopy! The second swine is by The Deejays, a bunch of British piggies who went to Sweden and waxed the track with added Mersey madness in 65. Bug music with great "yeah's" ... and we pick the best one as a side bet! The third porker in the pigpen is by The Groupies, the Bside of "Primitive" - garagers rejoice!! This one is like a Joe Meek / Strangeloves hybrid, and that means it's great. Slop time for Pastronauts!!

It's always good to hear The Coasters, and this week we're studying their Goofy Great, "I'm a Hog For You." Written by Leiber/Stoller, loaded with A-pluses, hogsnort sax work, with a one-note guitar solo - this'll make you happier than pig in poopy! The second swine is by The Deejays, a bunch of British piggies who went to Sweden and waxed the track with added Mersey madness in 65. Bug music with great "yeah's" ... and we pick the best one as a side bet! The third porker in the pigpen is by The Groupies, the Bside of "Primitive" - garagers rejoice!! This one is like a Joe Meek / Strangeloves hybrid, and that means it's great. Slop time for Pastronauts!!

I'm A Hog For You

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&amp;B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

Music

Music Commentary

Music History

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

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I'm A Hog For You

I'm A Hog For You

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