Too much freedom can be a bad thing, but not when it's us giving you several versions of The Rolling Stones' "I'm Free" from 1965! The original is a carefree song that strolls along, with a moment where the tune gets tripped up but quickly recovers. Then we have All-American boys The Lovin' Kind, whose version is organ-soaked, with a chorus really explodes! Next up is an amazing soul interpretation by Wilmer & The Dukes. Just listen to it, it'll knock your socks off! We feel obliged to do The Soup Dragons hit version from 1990 but ain't no way it's getting the BDA ... We cleanse the palate with The Ar-Kaics, a retro version from 2014. No whammy in that one!

Too much freedom can be a bad thing, but not when it's us giving you several versions of The Rolling Stones' "I'm Free" from 1965! The original is a carefree song that strolls along, with a moment where the tune gets tripped up but quickly recovers. Then we have All-American boys The Lovin' Kind, whose version is organ-soaked, with a chorus really explodes! Next up is an amazing soul interpretation by Wilmer & The Dukes. Just listen to it, it'll knock your socks off! We feel obliged to do The Soup Dragons hit version from 1990 but ain't no way it's getting the BDA ... We cleanse the palate with The Ar-Kaics, a retro version from 2014. No whammy in that one!

Too much freedom can be a bad thing, but not when it's us giving you several versions of The Rolling Stones' "I'm Free" from 1965! The original is a carefree song that strolls along, with a moment where the tune gets tripped up but quickly recovers. Then we have All-American boys The Lovin' Kind, whose version is organ-soaked, with a chorus really explodes! Next up is an amazing soul interpretation by Wilmer &amp; The Dukes. Just listen to it, it'll knock your socks off! We feel obliged to do The Soup Dragons hit version from 1990 but ain't no way it's getting the BDA ... We cleanse the palate with The Ar-Kaics, a retro version from 2014. No whammy in that one!

I'm Free

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&amp;B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

Music

Music Commentary

Music History

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

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I'm Free

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