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Time is even more of an abstract construct then we give it credit for,,,,
On this very special episode we're hip deep in even more quirky Can-Con which is in theatres everywhere now. It's time to 'Relax, I'm From The Future'.
Casper (Rhys Darby) is a charming, but embarrassingly underprepared time traveler, now trapped in the past. When he befriends Holly (Gabrielle Graham), a jaded drifter, she helps him exploit his trivial knowledge of the future for a series of quick payouts, oblivious to the consequences they have set in motion. When tracked down by a more competent time traveler, Casper and Holly are forced to figure out what they mean to each other and whether the future they’ve threatened is even worth saving. Will they embrace their fate, or do they have the courage to change it?
Filled to the brim with gonzo charm, 'Relax, I'm From The Future' is a sci-fi comedy that will delight all audiences looking to get their weird on. We had the unique pleasure of sitting down with writer/director Luke Higginson to talk about the origins of the story, casting the likes of Rhys Darby in an indie Canadian film and so very much more.....
When you're a vampire, those moral complications we all face can get a little...complicated.
On this special episode we go back to this last edition of the Toronto International Film Festival to talk about a surprisingly charming film that just might have the best title ever. It's time for 'Humanist Vampire Seeking Consenting Suicidal Person'.
Sasha is a young vampire with a serious problem: she's too sensitive to kill. When her exasperated parents cut off her blood supply, Sasha's life is in jeopardy. Luckily, she meets Paul, a lonely teenager with suicidal tendencies who is willing to give his life to save hers. But their friendly agreement soon becomes a nocturnal quest to fulfill Paul's last wishes before day breaks.
To say that this gem of French-Canadian cinema is one of the smartest and sweetest films that we've seen this year would be a colossal understatement. It's a love letter to horror cinema of the 80's and so very much more and we had the perfect opportunity to sit down with co-writer/director Ariane Louis-Seize and star Félix-Antoine Bénard to talk about the making of the film and so very much more....
Music can be such a positive influence....
It's with a song in our heart that we get ready to talk about this movie which played the Toronto International Film Festival and is now in limited theatrical release as well as available to watch on the Apple+ streaming service.. It's time for 'Flora & Son'.
Single mom Flora (Eve Hewson) is at a loss about what to do with her rebellious teenage son, Max (Orén Kinlan). Encouraged by the police to find Max a hobby, Flora tries to occupy him with a beat-up acoustic guitar. With the help of a washed-up LA musician (Joseph Gordon-Levitt), Flora and Max discover the transformative power of music. From the musical mind of John Carney, "Flora and Son" explores the bond between a mother and son on a journey toward a new harmony.
It's yet another fine entry in the canon from writer/director John Carney but on this interview we get a chance to spend some time with his musical collaborator who John has worked with since 'Sing Street'. Gary Clark used to be in a band and is a composer in his own right as he has developed a great rapport with John over the years and it shows with some of the catchy and truly memorable songs that are in 'Flora & Son'.
We had the unique pleasure of sitting down at TIFF with Gary to talk about how he and John came together, their working relationship and the magic that is the moving image with that right piece of music.
'Flora & Son' is in select theatres and on the Apple+ streaming service now.
There's something special about knowing when someone is on the brink of becoming a big deal....
On this very special episode we are diving head first into some Can-Con that has opened here at the Varsity in Toronto and is expanding across Canada in the coming weeks. It's time to go 'Solo'.
Solo tells the story of Simon, a rising star on the Montreal drag scene. It's love at first sight when he meets Olivier, the new recruit to the bar-show where he performs. While Simon thinks he's in for an electrifying love affair, a toxic and destructive dynamic develops between them. At the same time, Simon's mother Claire, a famous opera singer, returns home to work after a 15-year absence. Fascinated by this woman, whom he hardly knows but idealizes, Simon persists in trying to create a bond with her. Weakened by the failure of these two impossible loves, Simon has no choice but to realize that he deserves better.
You just have to watch Theodore Pellerin's electric performance as Simon to know that he's on the brink of becoming a very big deal as he gives a performance that is hard to look away from.
We had the pleasure of sitting down with Theodore to talk about how he got the job, his working process, committing to the role and so very much more....
'Solo' is in theatres now.
From the publisher's feed
Where we sit down with industry professionals and talk about their latest projects, influences, the state of the industry and all things under the sun...