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This homily was given at Mater Dolorosa Catholic Church, South San Francisco, CA on Sunday, December 11, 2022, the Third Sunday in Advent.
28 November 2022 | First Monday of Advent | Menlo Park, Calif.
At the beginning of this new year of grace and mercy, I share some little ways I’m trying to combat the spirit of busyness and live into the spirit of Advent rest. In our Carmelite segment, Dr. Nina Sophie Heereman of St. Patrick’s Seminary joins the podcast to share her testimonies of St. Thérèse and some practical counsel for hearing and living the will of God. You don’t want to miss this one!
Opening music: “Alma redemptoris mater,” sung by Harpa Dei, 2020. All rights reserved.
21 November 2022 | Presentation of the Blessed Virgin Mary | Menlo Park, Calif.
I’m back from my classmate’s diaconate ordination (the last of our class to be ordained!) with some thoughts on the virtue of “unassuming authority,” as the Rite of Ordination calls it. In this week’s Carmelite conversation, Daniel and I conclude our series on the dark night of the soul with some personal testimonies and closing reflections.
Opening music: “Christus vincit,” arr. Martin Baker, sung by the Choir of King’s College Cambridge, dir. Daniel Hyde, 2021. All rights reserved.
14 November 2022 | XXXIII Monday in Ordinary Time | Menlo Park, Calif.
This week, recording in a brief break between classes, I share what it’s been like to practice saying Mass and hearing confessions, and beginning to prepare for priestly ordination! Daniel Murphy joins us again to share his insights on the dark night and the gift of faith.
Opening music: “Kyrie,” Mass for Voice Voices, composed by William Byrd, sung by the Choir of Christ Church, Oxford, 2010. All rights reserved.
This homily was given at Byzantine Divine Liturgy at Mater Dolorosa Catholic Church, South San Francisco, CA on Sunday, November 13, 2022, the Twenty-third Sunday after Pentecost.
7 November 2022 | XXXII Monday in Ordinary Time | Menlo Park, Calif.
This week, amid the falling leaves that mark the changing of the seasons, we discuss transitions: the “dark nights” of the senses and the spirit, and the active and passive movements, in the theology of St. John of the Cross. In the Dickens segment, Dcn. Matthew, Rachel and Boze continue last week’s discussion of Oliver Twist through the theme of memory.
Opening music: “Gratias agimus tibi,” 4th movement of “Gloria in D major,” composed by Antonio Vivaldi, dir. R. Mlkeyan, sung by the National Chamber Orchestra of Armenia, 2012. All rights reserved.
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