Indiewire's Very Good TV Podcast

With the release of "The Catch," Indiewire's TV looks at the current state of Shonda Rhimes's epic ABC empire, and why they keep watching.

With the launch of DAREDEVIL Season 2, Indiewire's TV team breaks down what's proving compelling about the latest rush of superhero shows -- the ones they love, and the ones they wish were better.

It now takes two hands to count the number of single-camera dramedies on TV about people searching for love in Los Angeles. But is that a bad thing?

Indiewire's TV team switched places this weekend, with Ben binge-viewing the latest season of Netflix's Emmy-winning political drama. How did that affect his enjoyment of the series? And will Liz like it as much watching at a slower pace?

Every year, we love watching the Oscars, but how did this year's show, hosted by Chris Rock, play for Indiewire's TV team? And with flagging ratings and an ultra-long runtime, how might the Academy look at improving things for next year?

This week, Indiewire's TV team in theory talks about the new Netflix/Judd Apatow series "Love," but really, what they dig into is the way a serialized narrative affects romance on screen -- often for the better.

HBO's new drama is the Martin Scorsese-directed drama VINYL, which digs into the music scene of the 1970s. Bobby Cannavale is great as the lead -- but did he need to be the lead? Indiewire's TV team digs into this week's big question.

Is it the night it airs? Is it the morning after? Is it after the Super Bowl? Indiewire looks at the current state of late night -- including Stephen Colbert's post-Bowl show and Samantha Bee's brand new FULL FRONTAL -- to discuss.

They rack up ratings and seem to make people happy, so it's time to accept that live musicals are here to stay. But how can both discerning TV critics as well as fans evaluate their qualities? Indiewire's TV team investigates.

One of Indiewire's all-time favorite TV shows is back... But how are Ben and Liz feeling about what it means to have the original creator writing and directing three of the six episodes (especially because the first wasn't great)? And what does it have to do with "Star Wars"?