(in)doors

It's not a phase! The Nova Kicks are kicking it up a notch! On this episode, Asher sits down with Luis (Lu) Prado, Enrique Sandoval, Annie Kelly, and Brandon Fierro to learn more about one of the most beloved DIY bands in the Colorado scene and the most talked about band in the (in)doors series. The Nova Kicks classify their style as "a destructive sound wave of distorted grooves and soul", not sticking too closely to any one genre and embracing the chaotic energy they bring into each and every performance. The Nova Kicks kick back, get down and personal, and open up about serious and important topics like living with anxiety, using music as a creative (and healthy) outlet, how COVID has challenged brought new challenges into their lives and what each band member looks forward to most when shows come back (plus all of us constantly interrupting each other because we can't see when someone starts talking). This episode features The Nova Kicks' newest track "The Phase" off their newest EP, "Son of a Stray" (which includes a super secret bonus song at the end)! You can stream "Son of a Stray" on all music platforms.

Photography credit: Jeremy Baxter

Special thank you to Matt Gusmerotti for producing this series.

Flora de la Luna is a collective of four guys, and a goose, that give it all they got, to give you an authentic surfy, punk rock, honest to goodness DIY experience that brings back the dripping nostalgia of moshing in a living room with your friends. The band mates Alex Matis, Everett Daddario, Jake Bondy, Aldo Beltran, (and Gus Gaggle) open up about their struggles from COVID-19's impact: everything from cancelling a tour to Germany to postponing their newest album, to day to day struggles working at [redacted grocery store]. This episode features the exclusive track "Rock & Rolla" that is set to come out on their upcoming release "Every trip must come to an end," sometime soon to a platform near you.

Photography credit to Christine Makowski for the photo on the cover of this episode.

Special thank you to Matt Gusmerotti for producing this series.

Power moves, synthetic ukuleles, and fashion advice, oh my! Meet Seauwen, a seventeen year old who likes writing call out songs about anyone who slightly inconveniences them with lyrics specific enough that they never need to name names: people just know that it is a song about them. Seauwen (pronounced Sew-en), opens up about redefining cool for yourself, where to get the best cat backpacks, missing your friends, and the best (home depot) buckets for school! You can listen to Seauwen's newest single "The Worst Call" on the Wednesday of this episodes release on September 23!

DISCLAIMER: The original audio for this episode was corrupted and can still be heard during the interview. If you are sensitive to high-pitched frequencies, please take case when listening to this episode.

Do the Hutu Hop. Do the Tootsie Roll.

King Crawdad is project comprised of former roommates Miles Mercer, Nick Perich, and more recently Tucker Valentine. In short, they are a rock and roll band from northern Colorado, influenced by classic rock, garage rock, and contemporary indie music. This episode takes place after the initial mass quarantine and King Crawdad open up about what the music industry is like post shut-down, the importance of live performance, supporting local bands, and which live Neil Young album is arguably the best.

[The Sickly Hecks are] like Beethoven, if he wasn't a total f******* nerd."

On this episode Ray, Nick, Zach, and Stevie Heck sit down with Asher and open up about their experience with Social Distancing, going underground, postponing a record, fears from the pandemic, and being placed on hiatus.

The following message is a direct statement from drummer, Stevie [Hartman] Heck:

"We started isolating ourselves in December (back before isolation was cool) in order to write new songs for a full length album. For the most part, this meant not playing shows except for a couple that we had booked before we went underground. When we are regularly playing shows it is hard to divide up our practice time and energy between rehearsing a set list of older songs and writing new material.

We wrote about 12 songs that we were pleased with and planned on recording them between mid-March and early-April. Ray, Nick, and I were very excited to produce and record this album ourselves as we have done some recordings in the past where someone else is recording/producing it and in my opinion, and I think Ray and Nick would agree, it makes the final product feel somewhat alien from us. It's like you are creating this thing and you have ideas of how it sounds and feels in that moment, but you also are hearing some things and have some ideas that are floating around in the ether and are transitory. I think being able to transform those ephemeral moments into tangible parts of a song is an extremely valuable and rewarding piece of the creative process. Sometimes when you have an outside producer or recording engineer working with you, you resign this creative function to them (explicitly or implicitly) and they may pull some things from the ether that are amazing or sometimes not so amazing. Suffice it to say, we wanted complete creative control as a part of our development and transformation as musicians, as friends, and as persons, both in a group and individual sense. But I digress...

Anyways, we were set to record the drum tracks during this week (Spring Break). At first, COVID-19 seemed to be simplifying things and clearing our schedules for us. We were supposed to have a show in Denver, Ray and I were supposed to play our last show with Janet Earth before AJ moved, and Zach (Visconti) and I were supposed to play an EP release show and then go on tour with our other band safekeeper. But everything was canceled. Ray and I were working out a bunch of details for spending a few days at my house to record drums and then more information developed about the coronavirus.

So we made the decision to postpone recording until this was all over.

Special thanks to Matt Gusmerotti for producing this series.

Meet Mary Ellendorff, a Girl (in a Band) who doesn't know how to deal with internal conflicts so she writes about them vaguely, turning painful situations into beautiful songs. On this episode, Mary opens up about her creative process, loss and love, finding acceptance in the DIY community, and truly learning about the importance calling your friends (and washing ya haands).

Special thank you to Matt Gusmerotti for producing this series.

On this episode of (in)doors, Asher sits down with bassist Max Jonas Knaver from the progressive metal band We Are William, based in Fort Collins- Colorado. We Are William has sights set on blending elements of many different styles to create music that is at once inspiring, intriguing, and captivating. COVID-19's affect has shifted their focus from live shows to songwriting and recording new material. We learn how the band has gained confidence in remote work, how technology holds the band together, and exploring DIY mentality in the modern age.

On this episode, Asher sits down with Edgar Lujan and Robert Boehm from the Greeley based Doomer band, SEAM RIPPER. Their nostalgic, yet nihilistic, 80's synth project was cut short due to the pandemic, and SEAM RIPPER has yet to play live. However, they are a large part of our DIY community, and are actively supportive of projects like this podcast and encourage everyone to stay healthy so we can get back to going to live shows. We learn more about Edgar and Robert's musical history, Candy Man, breaking windows at house shows, and SEAM RIPPER's ideal line-up for the future (hint: two of them have their own (in)doors episodes and there is a third on the way;)).

Special thank you to Matt Gusmerotti for producing this series.

YEEHAW! This week we go a little western and sit down with the five-piece western psychedelic band, The Crooked Rugs, composed of Nolan Brumbach, Jayce Haley, Jay LeCavalier, and Rex and Finn Stowers. These cowboys talk about their Spaghetti roots, adaptation and invention, the creative process in the face of a pandemic, and share some ways we can all be supportive of local music. This episode also contains TWO NEW BONUS TRACKS that will be released the Friday of this episode's upload.

This week, Asher talks with Forestry, featuring returning guests Nick Visocky, Larson Ross (aka Forestry's biggest fan), and first time interviewee Jairus Crabb. Yes it's an emo project. Get over it! We share lots of laughs, get serious at times as we learn more deeply on how each member of the band has been impacted by the changing world of COVID, how they have been staying sane (or losing their marbles), what lies in store for the future of each of them and (maybe) a sneak peak at some potential interviews coming soon ;)

Special thanks to Matt Gusmerotti for producing this series.