Lots of titles in The Prisoner seem to refer to death…

You ever heard that song about how God is a girl? Well maybe this is kind of like that, and The Prisoner is saying that Death is actually a girl too. I’m not sure about the veracity of that statement, of course, so when I’m dying I’ll report back with my findings about who or what even the grim reaper is. I’ll be sure to send them your best regards too. It’s The Girl Who Was Death, written by Terence Feely and aired on January 18, 1968.

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I prefer living in disharmony.

The old west is actually a pretty weird place to live if you think about it. Moreso than a lot of times in human history, you could just die at any time. Slice your face shaving? Sepsis. Get shot in the foot? Bleed out. Look at the guy in the saloon the wrong way? Death. Go to the brothel? STD. And your reward for putting up with all of this? Do you get to live in a nice hotel resort? No. You get a whole ton of dirt. Dirt and dust. It’s Living in Harmony, written by David Tomblin and aired on December 29, 1967.

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I wonder what this song this episode is named after really sounds like.

Today in long as heck names that are a little bit meaningless: a name we didn’t actually come up with. I mean, let’s be fair we’ve definitely come up with some long and inconsequential or confusing names. But for once in our lifetimes, the long and useless name was not invented by Decorative Vegetable, it was invented by McGoohan McGoohan. It’s Do Not Forsake Me Oh My Darling, written by Vincent Tillsley and aired on December 22, 1967.

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As the title says, this week we have a Change of Mind in how good The Prisoner is.

I kind of wish we gave titles to these episodes because this one would have definitely been “Misogynist Moment of the Week.” Everyone talks about separating the art from the artist but what do you do when the art IS the artist? What do you do when the misogyny of Patrick McGoohan is also the misogyny of #6? This seems like a philosophical question of the kind of complexity that exceeds the purview of this podcast. It’s A Change of Mind, written by Roger Parkes and aired on December 15, 1967.

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It’s like that movie I never watched, Death at a Funeral.

I was reading the last sentence of this description and I’m pretty sure my brain shorted out. Mainly because it features the same word twice in a row. Can you guess what word it’s going to be before you get there? Will your brain even process it as two different words or do you think you’ll just see it as a single word, realize you didn’t catch the double word,a nd go back to reread it. I guess you’ll find out shortly. It’s It’s Your Funeral, written by Michael Cramoy and aired on December 8, 1967.

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This week on the Prisoner: Number 6 tries his hand at Blacksmithing.

My dad once actually had a penchant to want to get into blacksmithing. He had been watching lots of tv shows about it and thought he might want to try his hand at it. Sadly the HOA here wasn’t about to let my dad install a furnace in his garage. They were probably fine with everything else, but fire is a no go you know? It’s Hammer into Anvil, written by Roger Woddis and aired on December 1, 1967.

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Queen to King negative 6, check-bait.

I actually had a dream about chess last night. And by last night, I mean last night before I edited this, not last night before I recorded this. And that’s pretty weird actually because I had genuinely forgotten that I was going to be editing Checkmate today. I kind of really want to get back into playing chess but I just don’t have the time to play classical, nor the skill to play blitz. It’s Checkmate, written by Gerald Kelsey and aired on November 24, 1967.

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Doot doot Mr. Skeltal.

So the intro for this week is something about wading knee deep, clothed, into the water. It’s something that’s bothered us for ages, but what’s funny is that somehow we totally forgot that we had used it as an intro for this week. Because for Checkmate we were all but 10 seconds away from saying it as the intro again, before one of us went “hang on, didn’t we use this before?” Somehow completely failing to recognize that we had used it literally the week before. Is this what the quarantine has done to our memory? It’s Dance of the Dead, written by  Anthony Skene and aired on November 17, 1967.

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I don’t have very many happy returns right now.

So while I was recording this I was dogsitting, and about halfway through the episode the dog came into the room to stare at me. And it just kind of sat there staring at me with these huge eyes as if I hadn’t taken him for a walk that morning. And then he started squeaking at me, as if he wanted to go again. Long story short he had to wait for us to finish. Sorry dude. It’s Many Happy Returns, written by  Anthony Skene and aired on November 10, 1987.

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Not to be confused with The Colonel.

Look I’m not one to go around willy nilly joining the military. But if a guy in my village was named The General, and everyone was taking orders from him, I’m not gonna say I wouldn’t be tempted to fall in line too. The General is a name with a powerful connotation that it sounds like it would be a huge mistake to cross. So I just wouldn’t. #6 did not heed this advice when I gave it to him. It’s The General, written by  Joshua Adam and aired on November 3, 1987.

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