The IPS DEPROGRAM session from late January 2026 focuses on the deconstruction of what it describes as manufactured historical events and the identification of predictive programming within mainstream cinema. The broadcast analyzes recurring symbolic patterns—such as the color green and the number 37—to argue that modern news events are scripted “psyops” designed to manipulate public perception,,.

Key Topics and Themes

* Engineered Martyrs and the “37” Pattern: The analysis identifies a recurring pattern where “martyrs” of the left, such as Renee Good and Alex Preddy, are both 37 years old and die under circumstances that mirror fictional scripts,,. This includes a Green Beret who blew up a Cybertruck, also aged 37, suggesting a templated approach to these news stories,.

* Predictive Programming in Cinema: Movies like Wicked (Part 1 and 2) and The Madness are framed as “reinforcement content” that prepares the population to accept specific narratives,. For example, the Wizard of Oz character is viewed as a proxy for Donald Trump, while the “Wicked Witch” represents marginalized groups or Antifa rising against a “fraudulent” system,,.

* Symbolism of the Color Green: The broadcast traces the use of the color green—from the Joker’s hair and the “Emerald City” (Seattle) to the band Green Day and the “Green Beret”—as a code for the political left and Antifa-led class warfare,,. This symbolism is seen as a tool for calculated provocation against the right.

* The Media Duopoly and the “World Stage”: IPS posits that both mainstream and alternative media exist as a duopoly that operates within the same fictional universe,. True deprogramming involves moving to an “off-world stage” perspective to recognize that the entire “forest” of media is fake, rather than just individual “trees”,.

* Mind War and Manufactured History: Drawing on the concept of “Mind War” (linked to General Paul Vallely), the session argues that history is being “bent” and scripted decades in advance,. This creates a hyperreality where real life and scripted events are merged so perfectly that the public can no longer distinguish between them,.

Key Quotes

* “This is not cherry picking. This is more like film criticism than anything. We’re looking at the artistry, the craft.”

* “What are they being prepared to believe? Because if they see it on TV, they’ll believe it... They’re already accepting the narratives.”

* “If you’re not pointing out that the whole forest is fake, you’re wasting your time. You have to have the wide view.”

* “The predictive programming content can be looked at as product placement advertisement for future historic events, which will be portrayed on the world stage.”

* “We are nonbelievers... we delineate between the two timelines and refuse to believe the fake stuff.”

Relevant Links

* IPS.monster: The central hub for latest replays, Discord access, and think tank research,.

* timosman.substack: Blog featuring in-depth analysis on the symbolic meaning of the color green and other deconstructions,.

The IPS DEPROGRAM session from late January 2026 focuses on the deconstruction of what it describes as manufactured historical events and the identification of predictive programming within mainstream cinema. The broadcast analyzes recurring symbolic patterns—such as the color green and the number 37—to argue that modern news events are scripted "psyops" designed to manipulate public perception,,.

• Engineered Martyrs and the "37" Pattern: The analysis identifies a recurring pattern where "martyrs" of the left, such as Renee Good and Alex Preddy, are both 37 years old and die under circumstances that mirror fictional scripts,,. This includes a Green Beret who blew up a Cybertruck, also aged 37, suggesting a templated approach to these news stories,.
• Predictive Programming in Cinema: Movies like Wicked (Part 1 and 2) and The Madness are framed as "reinforcement content" that prepares the population to accept specific narratives,. For example, the Wizard of Oz character is viewed as a proxy for Donald Trump, while the "Wicked Witch" represents marginalized groups or Antifa rising against a "fraudulent" system,,.
• Symbolism of the Color Green: The broadcast traces the use of the color green—from the Joker’s hair and the "Emerald City" (Seattle) to the band Green Day and the "Green Beret"—as a code for the political left and Antifa-led class warfare,,. This symbolism is seen as a tool for calculated provocation against the right.
• The Media Duopoly and the "World Stage": IPS posits that both mainstream and alternative media exist as a duopoly that operates within the same fictional universe,. True deprogramming involves moving to an "off-world stage" perspective to recognize that the entire "forest" of media is fake, rather than just individual "trees",.
• Mind War and Manufactured History: Drawing on the concept of "Mind War" (linked to General Paul Vallely), the session argues that history is being "bent" and scripted decades in advance,. This creates a hyperreality where real life and scripted events are merged so perfectly that the public can no longer distinguish between them,.

1. "This is not cherry picking. This is more like film criticism than anything. We're looking at the artistry, the craft."
2. "What are they being prepared to believe? Because if they see it on TV, they'll believe it... They're already accepting the narratives."
3. "If you're not pointing out that the whole forest is fake, you're wasting your time. You have to have the wide view."
4. "The predictive programming content can be looked at as product placement advertisement for future historic events, which will be portrayed on the world stage."
5. "We are nonbelievers... we delineate between the two timelines and refuse to believe the fake stuff."

• IPS.monster: The central hub for latest replays, Discord access, and think tank research,.
• timosman.substack: Blog featuring in-depth analysis on the symbolic meaning of the color green and other deconstructions,.

If you are interested in a deeper look at specific movie breakdowns mentioned, such as The Madness or Mickey 17, would you like me to focus the next part of our conversation on those cinematic parallels?

Key Topics and ThemesKey QuotesRelevant Links

IPS host Tim Ozman analyzing what he describes as media-engineered psychological operations and the use of predictive programming in current events. The speaker argues that contemporary news cycles, specifically the Twin Cities operation and the deaths of individuals like Renee Good and Alex Preddy, are scripted narratives mirrored in films like Wicked and The Madness. He highlights recurring motifs such as the color green, the number 37, and references to identity politics as evidence of calculated propaganda. Central to his thesis is the idea that the mainstream and alternative media form a duopoly that manufactures history to manipulate the public. Ultimately, he encourages an off-world stage perspective, advocating for a "fake until proven real" approach to all televised information.

In this joint session between the Fakeologist and Tim Ozman of the Infinite Plane Society (IPS), the speakers deconstruct the assassination of Martin Luther King Jr. (MLK) as a staged media event and “auto-hoax”. The conversation explores the historical context of MLK Day, the use of “world actors” in political narratives, and the systematic “Great Deconstruction” of global psyops over the last century.

The MLK Assassination as a Staged Event

Tim Ozman argues that the MLK assassination follows a established template for “fake” historical events, similar to those of JFK and RFK. Key points of the analysis include:

* The “Michael King” Theory: Ozman highlights that MLK’s name was officially changed from Michael to Martin Luther in 1957; he contends that while the character “Martin Luther King” may have “died,” the man Michael King did not.

* “Duping Delight”: The speakers review a 1968 60 Minutes interview with the King family, claiming the children’s micro-expressions and lack of visible grief suggest a staged scenario.

* FBI Involvement: The discussion references unclassified files and COINTELPRO, suggesting MLK was a character created or “neutralized” by intelligence agencies to manage the civil rights narrative.

* Numerology and Code: The speakers point to recurring numbers in the assassination story, such as the .30-06 caliber rifle, and the date (April 4th, or 4/4), which they associate with symbolic “death and resurrection” codes.

Contemporary Parallels: Charlie Kirk and Don Lemon

The episode draws extensive parallels between historical events and current media narratives:

* The Charlie Kirk “Squib” Theory: Ozman discusses a theory that Charlie Kirk was recently involved in a staged assassination attempt involving “squibs” (theatrical blood effects). He identifies “predictive programming” in the NFL, where a player named Christian Kirk was involved in a “30-06” scoring pattern.

* Don Lemon and the “KKK Act”: The speakers discuss recent reports of Don Lemon leading a mob into a church, noting the irony of him potentially being charged under the “Ku Klux Klan Act”.

Technological Deception and World Actors

A major theme of the discussion is the use of “actor-driven reality” to control the public’s worldview.

* Hyper-realistic Masks: The speakers argue that technology for creating fake people—including hyper-realistic masks and muscle suits—has existed for decades and is used to repurpose actors into different roles.

* Elon Musk as a Villain: Ozman analyzes “predictive programming” in recent films where billionaire characters based on Elon Musk are used to seed themes of social collapse and election interference.

The Great Deconstruction Project

Tim Ozman introduces his latest initiative, “The Great Deconstruction,” a forum and timeline designed to systematically break down every major psyop of the last 100 years. The goal is to provide an “off-world stage perspective” for people transitioning out of the “Truman Show” of mainstream and alternative media.

Would you like more details on Tim Ozman’s specific breakdown of the “predictive programming” found in recent movies or his analysis of the “King” symbolism in media fakery?

The  speaker details the launch of a deconstruction project on a Discord forum designed to systematically analyze media fakery and psychological operations. The author argues that modern history and current events are carefully manufactured scripts intended to control public perception and merge fake and real timelines. Using the movie Wicked as a case study, they interpret pop culture through a political lens, linking it to predictive programming and contemporary figures like Elon Musk and Donald Trump. The discussion extends to skepticism of scientific institutions, exploring theories about hidden lands and the possibility that society exists within a sophisticated mental cage. Ultimately, the creator aims to help followers separate the truth from the meta-script by identifying "hoax indicators" and pre-planned historical narratives

This synopsis provides an overview of the key concepts discussed in the sources regarding the deconstruction of the "world stage" and the mechanics of media fakery. For deeper dives into these topics, you can access the full archives at IPS.monster.Synopsis of Topics and Themes• The Great Deconstruction Project The speaker is formalizing a "Great Deconstruction" to break down "staged events" that constitute a "contrived curated history". This project involves creating a timeline covering the last 100 years with three perspectives: mainstream, alternative, and a "third perspective" that recognizes twin timelines of real and fake events.• Hyperreality and "Planet Netflix" The sources describe a "hyperreality" where fake events are superimposed onto the timeline of normal life, blending in until they are indistinguishable to the average viewer. This "Planet Netflix" existence occurs when media consumers fail to distinguish between real life and the fictions processed through screens.• Hoax Indicators and the "33" Calling Card Certain patterns, referred to as "hoax indicators" or "tells," are used to identify simulated events. A primary example is the number "33," which the speaker identifies as "hoax code" or a "calling card" appearing in news stories ranging from the stitches on a shooting victim to the bounty on a famous author.• Compartmentalization and Information Control Addressing the skepticism that large groups could keep a secret, the speaker argues that "compartmentalization" and "security clearances" ensure that most participants in a PSYOP are unaware of the full scope. This "hierarchical" structure means that even the "programmers are mostly programmed" and operate only within their specific "compartment".• Predictive and Concurrent Programming The sources claim that entertainment media serves as "product placement for future fake events," a concept known as predictive programming. Notable examples cited include 2001: A Space Odyssey foreshadowing 9/11, and the Fallout television series depicting a "bloody wound on the right side of the head" similar to the later Trump assassination attempt.• Gnosticism and the "Black Mirror" The speaker adopts a Gnostic perspective, suggesting the material world is a "prison" and the "black screen" of modern devices is a "hoodwink" that keeps the masses in "darkness" or ignorance. The media is viewed as a system of "soul control" designed to suppress authentic spiritual awakening and synchronize minds into a "singular worldview".• Detachment from the World Stage The ultimate goal of this analysis is "detachment" from the "world stage," including a rejection of mainstream and alternative media "orthodoxies". By stepping "off world stage," individuals can exit the "time control" of news cycles and stop being "triggered" or "activated" by PSYOPS

Fakeologist, Kurt Cobain, and Tim Ozman 1/12/26
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This transcript features a discussion centered on predictive programming and the belief that major world events are scripted performances orchestrated by a "psyop entertainment complex." The speakers analyze how movies like Team America and Civil War allegedly foreshadow political realities, such as the assassination attempt on Donald Trump and the rise of a "world police" state. They specifically scrutinize figures like Charlie and Erica Kirk, suggesting their public personas and personal tragedies are manufactured narratives designed to manipulate the masses. The dialogue also explores the role of artificial intelligence in creating "fake" viral content and the use of electromagnetic pulse (EMP) threats as a tool for social control. Ultimately, the participants advocate for a high level of media skepticism, viewing mainstream news and celebrity activism as coordinated street theater.

The provided transcript features a media critic analyzing recent current events as coordinated psychological operations or “hoaxes” designed to manipulate public perception. The speaker argues that predictive programming is evident in how actors like Mark Ruffalo and Harrison Ford play characters that mirror Donald Trump or survive fictional assassinations shortly before similar real-world events occur.

A central theme is the symbolism of the color green, which the source links to left-wing activism, the Broadway musical Wicked, and the “Be Good” pin worn at the Golden Globes. Furthermore, the author suggests that Netflix productions often foreshadow staged historical events, such as a recent nightclub fire. The narrative concludes that these events are proactively manufactured by a “meta-script” to create a perfectly divided society. Ultimately, the speaker encourages an objective, deprogrammed perspective that remains skeptical of the emotionally charged, bifurcated political theater presented by both mainstream and alternative media.

Based on the sources provided, here are five significant quotes that illustrate the speaker’s perspective on media deconstruction and “predictive programming”:

* “If you’re an actor and your role is connected to concurrent programming, predictive programming, then everything that you’re doing on the world stage is likely sus, inorganic.” This quote highlights the speaker’s belief that celebrities often act as agents in a larger, strategically managed narrative.

* “Any event with a perfectly bifurcated split down the middle response is likely a hoax because reality isn’t always split so perfectly down party lines.” This is described as a core axiom for identifying engineered events, as the speaker argues that “masterful” manipulation is used to create schisms where no reconciliation is possible.

* “It’s more accurate to say fake events, staged historical events follow Netflix.” The speaker posits that there is a “one-to-one relationship” between fictional propaganda and staged news events, using the entertainment industry to make certain outcomes feel “inevitable”.

* “Our history is written in advance and it’s proactively created.” This reflects the broader theme in the sources that major world events are not organic but are instead “totalitarian in scope” and planned long before they reach the public.

* “Reality is what you can get away with.” The speaker adopts this axiom to explain that the “world stage” is a reality dictated by what the “believers” and “programmed” masses are willing to accept.

These quotes reflect the speaker’s mission of “the great deconstruction,” which aims to analyze media from a skeptical, “off-world stage perspective” rather than reacting emotionally to news cycles.

This podcast episode of Infinite Plane Radio, titled “Infinite Plane Saturn Day Night Live” and broadcast on the evening of January 10, 2026, features a deep dive into recent news events through the lens of media fakery and psychological operations (psyops). The host analyzes current headlines—primarily the shooting of Renee Good by an ICE agent—by looking for “hoax indicators” and concurrent programming, which he defines as the intentional coordination between mainstream entertainment releases and manufactured real-world events.

The discussion emphasizes the “off-world stage” perspective, arguing that both mainstream and alternative “truther” media are two sides of the same establishment, used to triangulate and polarize the public. The host posits that major historic events are scripted years in advance, with movies like Wicked, 28 Years Later, and Greenland 2 serving as tools to condition the masses for upcoming agendas.

Key Topics and Discussion Points

* The Renee Good Shooting: The host analyzes the Minneapolis shooting of Renee Good as a staged event designed to mirror the George Floyd and Ashley Babbitt narratives to provoke emotional, bifurcated responses.

* Hoax Indicators & “33” Code: Multiple references to the number 33 are noted as “hoax code,” specifically the 33 stitches required by the ICE agent and the 33-hour manhunt for a shooter. Other indicators include Spielberg-themed props (a T-Rex and a Great White Shark) appearing at the scene.

* Concurrent Programming in Film:

* 28 Years Later: The Bone Temple: Release dates in mid-January are linked to a recent news story about a grave robber in Pennsylvania who built a “bone temple” in his home.

* Wicked Part 2: For Good: The title is linked to “End ICE For Good” protest slogans and the “martyrdom” of Renee Good.

* Greenland 2: Migration: Released January 9, its tagline about the world ending “five years ago” is compared to the 2020 pandemic era and concurrent talk about the U.S. acquiring Greenland.

* The Kirks and The Tempest: The host discusses the assassination of Charlie Kirk and the rise of Erica Kirk, noting how their real-life actions mirror the plot of the Hulu show The Tempest.

* Disease X and Mind Wars: A discussion on the hypothetical “Disease X” being a mind virus spread through social media (X) to trigger violent, radicalized responses in the public.

* The Philosophy of Auto-Hoaxing: The host explains his methodology of “fake until proven real,” arguing that “calling things fake is stating the obvious” and that one must instead analyze how these fake events are used to merge two timelines into a subjective hyper-reality.

Notable Quotes

* “Generally, I would say fake until proven real, just because we’re dealing with liars.”

* “Whenever there’s a bifurcated response perfectly along party lines, it’s probably a hoax.”

* “The mainstream and the alternative are both part of the establishment. They’re just two sides that have been triangulated against one another.”

* “If you cannot claim to be deprogrammed if you cannot identify the program. If you cannot delineate between the two timelines, you’re programmed.”

* “PSYOPs are not mere hoaxes... these are historic events that are manufactured that are persistent and that remain as fixtures in the consensus worldview.”

* “The space program is about programming the space between your ears.”

To understand this perspective, one might think of the “world stage” as a highly produced theater production where the audience is so engrossed they forget the walls of the theater exist, mistaking the scripted drama on stage for the unpredictable reality of the world outside.

The Fakeologist Show, described as an “IPS joint,” aired this episode on Monday, January 5, 2026, featuring host discussion with Tim Ozman regarding the deconstruction of global events and media narratives. The participants reflected on 2025 as a “psyop rich environment” where they refined their methodology for identifying media fakery and staged events, such as the reported deaths of Charlie Kirk and Rob Reiner, which they categorize as psychological operations rather than organic news. The show serves as a “fake news wood chipper,” utilizing a research group known as the IPS think tank to analyze patterns in the “theater of psywar”—a concept suggesting that major history-making events are prefabricated scripts performed for the public.

Key highlights from the discussion include:

* Technology and AI Integration: Tim Ozman detailed his transition to using Substack for broadcasting and NotebookLM for analyzing documents and creating “transcript synopses” of episodes.

* Analysis of “Predictive Programming”: The hosts analyzed the film Leave the World Behind as a “meta-script” by the Obamas, suggesting it prepares the public for a “lockdown of the internet” and the implementation of digital IDs to treat “mind viruses”.

* Cultural Hoaxes: The show explored the “Frankenstein” subtext surrounding the Rob Reiner story and the “9-11 coded” death of Dick Cheney, arguing these are archetypal storylines meant to serve specific agendas.

* The Future of Control: The discussion touched on the idea that “alien invasion” themes in media are actually preparing humanity for an AI takeover or a “higher intelligence” referee that will eventually manage human affairs.

Featured Quotes:

“Instead of reacting, respond. Instead of being triggered, suspend judgment and then give it time and then decide.” — Tim Ozman

“I think 2025 was one of the most Psyop rich environments we’ve lived through... everything just broke down as we thought it would.” — Tim Ozman

“Alt media is just like an alternative pen. They’ll let you get off the farm and go a little free range, but you still can’t go too far.” — Fakeologist

To understand their perspective, one might think of their approach as being like a theatrical critic watching a play; while the rest of the audience is emotionally swept up in the drama on stage, the hosts are busy pointing out the stagehands in the wings and the script sitting on the director’s table

Links Mentioned in the Show

* ips.monster

* infiniteplanesociety.substack.com

* fakeologist.com

* fakeologist.blog

* shortfake.com/Discord

* shortfake.com/Restream

* fakeologist.com/donate

The show functions like a filter for a muddy river, where the participants attempt to strain out the “silt” of manufactured propaganda to see what underlying structures remain in the water.

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