We all know the classic pieces of orchestral music, the Stravinskys, the Beethovens, and the Bachs; music that has stood the test of time and been performed on stages across the world.

But how does a composer, working today, begin to join those ranks and hear their work come to life on stage?

In the Drawing Room, composer Leah Curtis and conductor Jessica Cottis talk about their paths to music and the debut of Leah's new composition, Infinite Possibilities.