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Christian Petzold is widely regarded as one of the most important filmmakers in contemporary world cinema. In this episode of INSIDE THE ARTHOUSE, we explore his latest film, MIROIRS NO. 3.
From his early work to his international breakthrough with Barbara (2012), Petzold has built a remarkable body of films including Phoenix, Transit, Undine, and Afire. His collaborations with Nina Hoss and Paula Beer have helped define modern German cinema and global arthouse filmmaking.
Now, Petzold reunites with Paula Beer for MIROIRS NO. 3, a luminous and deeply human film inspired by Maurice Ravel’s piano suite. The film continues his exploration of identity, memory, and recovery from trauma, told with an impressionistic and emotionally resonant style.
In this conversation, Christian Petzold discusses the making of MIROIRS NO. 3, his creative process, working with Paula Beer, and the themes that have shaped his career.
MIROIRS NO. 3 opened March 20 in New York and Los Angeles and is expanding to theaters nationwide.
INSIDE THE ARTHOUSE is hosted by Greg Laemmle and Raphael Sbarge and features in-depth conversations with filmmakers, actors, and industry voices shaping independent and international cinema.
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A conversation with the Oscar-shortlisted director on history, myth, and the making of PALESTINE 36
What happens when history challenges the story we’ve been told?
In this episode of INSIDE THE ARTHOUSE, we sit down with acclaimed filmmaker Annemarie Jacir to discuss her new film PALESTINE 36, a powerful historical drama that revisits the years leading up to the creation of the State of Israel and offers a perspective rarely explored in narrative cinema.
For decades, the history of Palestine during this period has been shaped as much by cultural myth as by documented fact—popularized through works like Exodus and reinforced through generations of storytelling. But what happens when those narratives are questioned?
As John Ford famously wrote in The Man Who Shot Liberty Valance: “When the legend becomes fact, print the legend.”
PALESTINE 36 pushes in the opposite direction.
In our conversation, Annemarie Jacir reflects on the historical context behind the film, the challenge of telling politically and culturally sensitive stories, and the long journey of bringing PALESTINE 36 to the screen.
Premiering at the 2025 Toronto International Film Festival to a 20-minute standing ovation and shortlisted for the Academy Award for Best International Feature, PALESTINE 36 has already emerged as one of the most talked-about international films of the year.
The film opens in New York City on March 20, expands to Los Angeles on March 27, and continues its North American rollout in the weeks that follow.
This interview was recorded in person at the Royal Theatre.
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SHTTL director Ady Walter and actors Moshe Lobel and Saul Rubinek discuss the film’s powerful portrait of Jewish life in a shtetl just before the Nazi invasion of Eastern Europe.
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CHARLIEBIRD: Tribeca Best Narrative Feature Winner | Libby Ewing Interview
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RENDEZ-VOUS WITH FRENCH CINEMA at Lincoln CenterWhat does a nation’s cinema look like in a single moment?Each year, RENDEZ-VOUS WITH FRENCH CINEMA gathers a new constellation of films — stories shaped by the tensions, desires, politics, and imaginations moving through France right now. For more than three decades, the series has offered American audiences an early glimpse of that evolving landscape — a place where emerging filmmakers stand beside established voices, and where quiet discoveries can become lasting works.Now in its 31st edition, 22 features arrive at Film at Lincoln Center’s Walter Reade Theater, offering not just premieres, but a portrait of French cinema in motion.In this episode, we sit down with Florence Almozini, Vice President of Programming at Film at Lincoln Center, to look beyond the titles themselves. We talk about the rhythms she sees across this year’s selections, the themes surfacing again and again, and the delicate art of shaping a program that reflects both where French cinema is — and where it might be headed.Because festivals are more than showcases. They are acts of curation, of translation, of belief. They are where films begin their journeys across borders.Join us for our conversation with Florence Almozini about RENDEZ-VOUS WITH FRENCH CINEMA begins now — on INSIDE THE ARTHOUSE. Clips from this conversation can be found @INSIDETHEARTHOUSEclips @laemmle @officialRaphaelSbarge @insidetheArthouse @filmlinc @lincolncenter Film at Lincoln Center#RendezvousWithFrenchCinema #RendezVousWithFrenchCinema #FilmAtLincolnCenter #FrenchCinema #FrenchFilm #InternationalCinema #ArthouseCinema #WorldCinema #FilmFestival #FrenchCinema2026 #NewFrenchCinema #FilmProgramming #CinemaCulture #InsideTheArthouseRendezvous With French Cinema 2026, Rendez-Vous With French Cinema 2026, Florence Almozini interview, Film at Lincoln Center, French cinema 2026, future of French film, state of French cinema, new French films 2026, French film festival New York, Walter Reade Theater, international cinema podcast, arthouse film podcast, film festival programming, film programmer interview, French filmmakers 2026, independent film distribution, US film acquisitions, world cinema interview, Inside the Arthouse podcast#InsideTheArthouse #FilmPodcast #ArthouseCinema #IndependentFilm #IndieFilm#FilmmakerInterview #FilmDiscussion #FilmAnalysis #MovieReview #FilmIndustry #FilmBusiness #FilmDistribution #LaemmleTheatres #GregLaemmle #RaphaelSbarge #NewFilmReleases #arthousefilm Video podcast exploring independent film, arthouse cinema, and the film industry. In-depth filmmaker interviews, behind-the-scenes conversations, and film analysis covering new releases, repertory cinema, and classic films. Hosted by Greg Laemmle & Raphael Sbarge in partnership with Laemmle Theatres, Inside the Arthouse focuses on film distribution, the movie business, and the creative process behind independent filmmakingINSIDE THE ARTHOUSE is a YouTube film podcast featuring in-depth filmmaker interviews focused on independent film, arthouse cinema, documentary filmmaking, and the film industry.
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MR. NOBODY AGAINST PUTIN
What do you do when your government goes to war — and you believe it’s wrong?
In this episode of INSIDE THE ARTHOUSE, we explore the extraordinary story behind MR. NOBODY AGAINST PUTIN, the BAFTA-winning and Oscar-nominated documentary that offers a rare inside look at life in Putin’s Russia during the invasion of Ukraine.
At the center of the film is Pavel “Pasha” Talankin, a school videographer in a small Russian town who quietly opposes the war. When he is required to film classroom lessons promoting state propaganda, he faces an impossible moral choice. Instead of walking away, Pasha secretly collaborates with director David Borenstein, transforming state-mandated footage into a powerful act of cinematic resistance.
Part political thriller, part dark satire, and part whistleblower story, the film captures the tension, absurdity, and real danger of dissent under authoritarian rule.
We’re joined by co-directors David Borenstein and Pavel Talankin, along with Executive Producer Robin Hessman, for a candid conversation about filmmaking under surveillance, the ethics of resistance, and the risks of telling the truth.
This episode is part of our Oscar Spotlight Series, featuring in-depth conversations with this year’s Academy Award–nominated Documentary Feature filmmakers.
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COME SEE ME IN THE GOOD LIGHT with director Ryan White
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Oscar-nominated director Geeta Gandbhir joins INSIDE THE ARTHOUSE to discuss her powerful new documentary, THE PERFECT NEIGHBOR.
In this in-depth conversation, Gandbhir explores the real-life story behind the film, the moral complexities at its center, and the responsibility of documentary storytelling in today’s cultural landscape.
Inside the Making of THE PERFECT NEIGHBOR- Oscar Nominee Best Doc Feature
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The phrase “observational documentary” immediately evokes cinéma vérité pioneers like Frederick Wiseman and the Maysles Brothers — filmmakers who defined patient, fly-on-the-wall nonfiction storytelling.
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Oscar Nominated Documentary: THE ALABAMA SOLUTION
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