BEING an inquiry into the meaning of worldbuilding and the semiotic functions of those fictional maps familiar to us through the likes of The Lord of the Rings (and its many cousins), TTRPGs and video games like Skyrim and NORCO. What do fantasy maps actually do, and what do they mean?

Patreon: https://www.patreon.com/jeddcole 

Twitter: @inside_textpod 

Soundtrack: https://jeddcole.bandcamp.com/ 

Racism in fantasy fiction:

SOURCES AND MAPS: https://insidethetext.files.wordpress.com/2022/08/sources_the-meanings-of-fantasy-maps.pdf

BEING an account of the passing of the Star Wars Expanded Universe into Legends; how canon becomes an abyss at the hands of its undead Author; what happens when said Author is also a corporation; and why canon--and capitalism--must end.

Become a CO-THINKER on my Patreon: https://www.patreon.com/jeddcole

Soundtrack: https://jeddcole.bandcamp.com/album/the-specter-of-endings

MAIN SOURCES:

FULL SOURCES AND CLIPS:

https://insidethetext.files.wordpress.com/2022/02/sources_sacred-jedi-texts.pdf 

BIG NEWS! Now you can support the show by becoming a CO-THINKER for as little as $3! Become a patron here: https://www.patreon.com/jeddcole

All patrons get early access to high-quality, ad-free episodes of the podcast, exclusive bonus episodes, and access to additional writing that I put out (think essays, reading lists, updates, etc.).

Higher tiers give you access to scripts where you can give feedback before recording, a shoutout in every episode, annotated research, and download codes for episode soundtracks.

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“Time is now currency. It is not passed but spent.”

How did we get daylight saving time? How does the answer open up questions about the meaning--and the politics--of our hours, minutes and days? How does the COVID-19 pandemic change our relationship to time? And most importantly, what does any of this have to do with castrated Italian singers? Find out in this episode.

How did we get daylight saving time? How does the answer open up questions about the meaning--and the politics--of our hours, minutes and days? How does the COVID-19 pandemic change our relationship to time? And most importantly, what does any of this have to do with castrated Italian singers?

Find out November 2.

Today’s special episode is in two parts. In the second, I am joined by my friend, literary scholar and co-host of the Horror Vanguard podcast, Jon TheLitCritGuy. (He also makes YouTube videos!) It is SUCH a great interview!

But first, a story to begin exploring the question I’m pondering right now: What does Halloween signify in this time? A time of pandemic. Of nihilism. Of violent state repression. Of darkness and anxiety. Of ghosts of the things we’d rather not think about.

Inside the Text presents, “The Masque of the Red Death,” by Edgar Allan Poe.

MUSIC CREDITS:

In the last couple episodes, we’ve established some of the the ways fiction functions morally as well as how various thinkers have argued it OUGHT to function. But we were left wondering about what the upshot of fiction’s moral functioning is. Why does fiction work on the moral level? 

In this final episode in a series about the moral function of fiction: several notes reflecting on Black Lives Matter protests, Star Wars, evangelicalism, “these unprecedented times,” and the workings of ideology.

Find a full transcript at insidethetext.wordpress.com

REFERENCES & CLIPS:

We established last episode that fiction does seem to have a moral function, along with most other discourses. But what should that moral function be?

In this second episode in a series about the moral function of fiction: the opinions of, like, a bunch of white dudes and an actually good one by Susan Sontag.

References:

- John Gardner, Moral Fiction (1978)

- Aristotle, Poetics

- Terry Eagleton, How to Read a Poem (2007)

- Terry Eagleton, Literary Theory: An Introduction (2008)

- Philip Sidney, An Apology for Poesy (1595)

- Samuel Johnson, The Rambler No. 4 (1750)

- Matthew Arnold, Culture and Anarchy (1869)

- Terry Eagleton, Ideology: An Introduction (1991)

- Peter Lamarque, The Philosophy of Literature (2009)

- Henry James, The Art of Fiction (1884)

- #MAGA, “Donald Trump on ISIS - ‘I'm gonna bomb the SHIT out of 'em!’” https://www.youtube.com/watch?v=OES7kbWZ70Y

- Mary Gordon, “Moral Fiction,” The Atlantic, 2005

- Susan Sontag, “At the Same Time: The Novelist and Moral Reasoning,” At the Same Time: Essays and Speeches (2004)

Music:

- grapes, “I Dunno (Grapes of Wrath Mix), CC BY, http://ccmixter.org/files/jlbrock44/56346

- Kevin Macleod, “J. S. Bach: Sheep May Safely Graze - BWV 208,” CC BY, https://freemusicarchive.org/music/Kevin_MacLeod/Classical_Sampler/Sheep_May_Safely_Graze_-_BWV_208

- Visager, “We Can Do It!” CC BY, https://freemusicarchive.org/music/Visager/Songs_From_An_Unmade_World_2/Visager_-_Songs_From_An_Unmade_World_2_-_09_We_Can_Do_It

We talk about fiction in moral terms all the time, from saying certain movies are inappropriate for kids, to claiming that video games aren't political. But when you think about it, how does fiction function morally if it's just made up? To answer that question, we have to ask a couple others: What is fiction? And what is moral?

In this first episode in a series about the moral function of fiction: Harry Potter, evangelical Christianity, literary theory, and fake news, and other sundry characters.

Get in touch and find a transcript of this episode at insidethetext.wordpress.com.

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References:

- Harry Potter: Witchcraft Repackaged (2001, Jeremiah Films)

- Alun Munslow, "Where Does History Come From?" (March 2002, History Today)

- Terry Eagleton, How to Read a Poem (2007)

- Terry Eagleton, Literary Theory: An Introduction (2008)

- William Gibson, Neuromancer (1984)

- John Fiske, Television Culture, 2010

- 2016 Donald Trump press conference, https://www.youtube.com/watch?v=veZs75jlAlw

- Whitney Phillips, "Putting the Folklore in Fake News," http://culturedigitally.org/2017/01/putting-the-folklore-in-fake-news/

- Abbot & Costello, "Who's On First?" https://www.youtube.com/watch?v=kTcRRaXV-fg

- Leo Tolstoy, What Is Art? (1897)

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Music:

- Intro and outro music by Jedd Cole

- Stefan Kartenberg, Oryk Taiko Rhap, CC BY, http://ccmixter.org/files/JeffSpeed68/57432

- CARL iCON, Quasi una fantasia, CC BY, http://ccmixter.org/files/KarLos/58249

- Kimiko Ishizaka, Aria (BWV 988), https://freemusicarchive.org/music/Kimiko_Ishizaka/The_Open_Goldberg_Variations/KIMIKO_ISHIZAKA_-_Goldberg_Variations_BWV_988_-_01_-_Aria__44k-24b

- Soft and Furious, You're Magic, https://freemusicarchive.org/music/Soft_and_Furious/Bae/Soft_and_Furious_-_Bae_-_01_Youre_Magic

Inside the Text is a podcast about meaning, because if reading is really rewriting, it's up to us to rewrite the world for the better. In this first episode, some musings on how meaning works and what this podcast wants to do. Also Jacques Derrida. Also an eggplant emoji. 

Find out more about the podcast at insidethetext.wordpress.com.