Today’s episode comes from our 2025 Q4 Short Drama Forum,

featuring Yamile Vaena — a bilingual best-selling author from Mexico and a screenwriter whose career spans nearly five decades of storytelling.

In this conversation, Yamile shares how she transitioned from novels to vertical dramas, why the format unlocked new creative and financial opportunities, and what she learned writing for major platforms across China, India, and the U.S.

We talk about identifying ideas that actually work in one-minute episodes, how to design emotional hooks and cliffhangers, and why the global short-drama industry is now expanding beyond romance into thriller, horror, and new genres.

Let’s dive in.

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📘 Want to dive deeper into the storytelling logic behind global short dramas?

Check out my book — Short Drama Writing 101: From Industry Logic to Social Psychology — a 135-page guide for producers, writers, and platform strategists.

👉 https://payhip.com/b/K82oz

🌿 Just starting out or curious about how short dramas work?

Try my online course — f— designed for grassroots creators and newcomers who want to understand short-drama storytelling in a fun, accessible way.

👉 https://payhip.com/b/oMALI

Today’s episode features a conversation from our 2025 Q4 Short Drama Forum, with Carin Smolinski — an actress, producer, and director who has appeared in 26 vertical micro-dramas and is now shaping the next wave of elevated, values-driven vertical storytelling.

In this interview, Carin shares how she moved from entrepreneurship in Japan into acting in 9:16 dramas, what she’s learned across chaotic early sets to today’s professionalized workflows, and why she writes and produces projects that champion diversity, safety, and strong female characters.

We also talk about acting technique in exaggerated formats, emotional hooks, audience connection, the evolution of Western verticals, and where she believes the future of the genre is headed.

Let’s dive in.

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📘 Want to dive deeper into the storytelling logic behind global short dramas?

Check out my book — Short Drama Writing 101: From Industry Logic to Social Psychology — a 135-page guide for producers, writers, and platform strategists.

👉 https://payhip.com/b/K82oz

🌿 Just starting out or curious about how short dramas work?

Try my online course — f— designed for grassroots creators and newcomers who want to understand short-drama storytelling in a fun, accessible way.

👉 https://payhip.com/b/oMALI

Future Playbook: China’s Short Drama Ecosystem and Insights for Global Business

China is not just the largest short drama market—it’s the most advanced one.

If you understand how China’s short drama ecosystem works today, you’ll understand how short dramas will evolve in your own country tomorrow.

👉 Full Edition: https://payhip.com/b/jBRKF

👉 Amazon Light Version: https://www.amazon.com/dp/B0FX5QBY3Y

Today’s episode comes from our 2025 Q4 Short Drama Forum, featuring Celia Xavier — an award-winning vertical writer, producer, actress, and a Top 6 Visionary Award finalist in the ReelShorts Vertical Series Competition.

Celia shares how she transitioned from traditional filmmaking into vertical microdramas, the experience of producing her own 10-episode series, and what she learned about hooks, pacing, and emotional impact through the editing process.

We also talk about audience behavior, character design inspired by real life, and where new genres — like thrillers, action, and horror — can push the boundaries of the vertical format.

Let’s dive in.

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📘 Want to dive deeper into the storytelling logic behind global short dramas?

Check out my book — Short Drama Writing 101: From Industry Logic to Social Psychology — a 135-page guide for producers, writers, and platform strategists.

👉 https://payhip.com/b/K82oz

🌿 Just starting out or curious about how short dramas work?

Try my online course — f— designed for grassroots creators and newcomers who want to understand short-drama storytelling in a fun, accessible way.

👉 https://payhip.com/b/oMALI

Today’s episode features a conversation from our 2025 Q4 Short Drama Forum with Isabel Dréan — a produced vertical-series writer with a #1 show on Vigloo, and the creator of the Vertical Series Masterclass and Vertical Incubator.

In this interview, Isabel talks about what makes vertical stories work—from archetypes and emotional intensity to the “espresso shot” pacing of short dramas. She also shares insights on adapting long-form scripts into mobile-first storytelling, why horror and thrillers are perfect for vertical formats, and how writers can unlearn traditional screenwriting to hit the emotional bullseye.

Let’s dive in.

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📘 Want to dive deeper into the storytelling logic behind global short dramas?

Check out my book — Short Drama Writing 101: From Industry Logic to Social Psychology — a 135-page guide for producers, writers, and platform strategists.

👉 https://payhip.com/b/K82oz

🌿 Just starting out or curious about how short dramas work?

Try my online course — f— designed for grassroots creators and newcomers who want to understand short-drama storytelling in a fun, accessible way.

👉 https://payhip.com/b/oMALI

Today’s episode features a conversation from our 2025 Q4 Short Drama Forum with Bethany Thomson — the Creative Lead at Sea Star Productions, one of the UK’s leading vertical drama studios.

In this interview, Bethany shares how she scouts and works with writers, how Sea Star collaborates with major platforms, and what makes vertical storytelling different from traditional TV and film. She also talks about the growing UK & European market, the tropes that still work, what new genres have breakout potential, and how she evaluates scripts, hooks, and characters for mobile-first audiences.

---

📘 Want to dive deeper into the storytelling logic behind global short dramas?

Check out my book — Short Drama Writing 101: From Industry Logic to Social Psychology — a 135-page guide for producers, writers, and platform strategists.

👉 https://payhip.com/b/K82oz

Future Playbook: China’s Short Drama Ecosystem and Insights for Global Business

China is not just the largest short drama market—it’s the most advanced one.

If you understand how China’s short drama ecosystem works today, you’ll understand how short dramas will evolve in your own country tomorrow.

👉 Amazon Light Version: https://www.amazon.com/dp/B0FX5QBY3Y

👉 Full Edition: https://payhip.com/b/jBRKF

Today’s episode features a conversation from our 2025 Q4 Short Drama Forum with Liyanne Marie — a Casting Director (CDA) and Head of Casting at Onset Octopus, working across film, TV, commercials, theatre, and especially vertical dramas in the UK and internationally.

In this interview, Liyanne shares how casting for vertical dramas differs from traditional screen work, what she looks for in actors in a fast-paced mobile-first format, and why authenticity and emotional clarity matter more than ever.

We also talk about:

· how vertical dramas are reshaping casting pipelines,

· the rapid demand for new talent across global platforms,

· and the skills actors need to succeed in this emerging format.

If you’re a creator, producer, or actor navigating the vertical-drama space, her insights offer a clear, practical look at how the industry is evolving behind the scenes.

Let’s dive in.

---

📘 Want to dive deeper into the storytelling logic behind global short dramas?

Check out my book — Short Drama Writing 101: From Industry Logic to Social Psychology — a 135-page guide for producers, writers, and platform strategists.

👉 https://payhip.com/b/K82oz

🌿 Just starting out or curious about how short dramas work?

Try my online course — f— designed for grassroots creators and newcomers who want to understand short-drama storytelling in a fun, accessible way.

👉 https://payhip.com/b/oMALI

Today’s episode comes from our 2025 Q4 Short Drama Forum,

featuring director Jen Yeuroukis, who works across Los Angeles and Europe in micro-drama and vertical drama production.

In this conversation, Jen shares how she transitioned into vertical directing, what makes short-drama storytelling unique compared with film and TV, and why emotional clarity and structure matter so deeply in a 2–3 minute episode.

We also discuss common script issues she encounters, how she thinks about pacing and emotional arcs, and her insights on portraying female characters without falling into harmful tropes.

Let’s dive in.

---

📘 Want to dive deeper into the storytelling logic behind global short dramas?

Check out my book — Short Drama Writing 101: From Industry Logic to Social Psychology — a 135-page guide for producers, writers, and platform strategists.

👉 https://payhip.com/b/K82oz

🌿 Just starting out or curious about how short dramas work?

Try my online course — f— designed for grassroots creators and newcomers who want to understand short-drama storytelling in a fun, accessible way.

👉 https://payhip.com/b/oMALI

Today’s episode comes from our 2025 Q4 Short Drama Forum, featuring Judah Ray — founder of Butterfly and an ex-MGM development executive who has worked across more than 100 productions.

In this conversation, Judah breaks down how he approaches Westernizing short-drama IP, what makes vertical storytelling fundamentally different from traditional filmmaking, and why formulas, retention mechanics, and data matter more than genre or style.

He also shares insights from shadowing major platform shoots, what he learned directly from Chinese teams, and his candid thoughts on the future of vertical drama in the U.S.

Let’s dive in.

---

📘 Want to dive deeper into the storytelling logic behind global short dramas?

Check out my book — Short Drama Writing 101: From Industry Logic to Social Psychology — a 135-page guide for producers, writers, and platform strategists.

👉 https://payhip.com/b/K82oz

🌿 Just starting out or curious about how short dramas work?

Try my online course — f— designed for grassroots creators and newcomers who want to understand short-drama storytelling in a fun, accessible way.

👉 https://payhip.com/b/oMALI

Today’s episode features a conversation from our 2025 Q4 Short Drama Forum with Cassandra Yang — CEO of RisingJoy, one of the most active global licensing hubs for micro-dramas, now connected with 50+ platforms across 20+ countries.

Cassandra explains what truly defines micro-dramas, why mobile-first storytelling requires emotional hooks over logic, and the biggest misconceptions traditional film/TV professionals still have about the format.

She also breaks down global demand trends, the rise of English and Korean short dramas, and the challenges of adapting Chinese content for international markets — from music rights to cultural context.

Finally, we talk about the next frontier: co-productions, format licensing, and why the global short-drama market is still at “Level 1” compared to China’s five-year lead.

Let’s dive in.

---

📘 Want to dive deeper into the storytelling logic behind global short dramas?

Check out my book — Short Drama Writing 101: From Industry Logic to Social Psychology — a 135-page guide for producers, writers, and platform strategists.

👉 https://payhip.com/b/K82oz

Today’s episode features a conversation from our 2025 Q4 Short Drama Forum with Kristen Brancaccio — a writer-director who has created 16+ vertical dramas across major U.S. platforms, and one of the emerging creative voices shaping the fast-paced directing language of vertical storytelling.

In this interview, Kristen shares how she transitioned from TV pilots and YouTube into vertical formats, why pacing and emotional turns matter every 10–15 seconds, and how she balances genre tropes, production realities, and performance direction to craft addictive mobile-first stories.

She also talks about working across platforms, adapting romance, mafia, and fantasy tropes for Western audiences, and why she believes vertical dramas open new doors for female creators.

Let’s dive in.

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📘 Future Playbook: China’s Short Drama Ecosystem and Insights for Global Business

(35-page Light Version) — Available on Amazon

💰 Future Playbook: China’s Short Drama Ecosystem and Insights for Global Business

(Full Edition) — Available here:

https://payhip.com/b/jBRKF