By Arthur
The podcast currently has 59 episodes available.
Stay In Nothing
melancholic music
London, UK
https://stayinnothing.bandcamp.com/
https://www.instagram.com/stayinnothing/
Interceptor Beyond Podcast
Website: https://www.interceptorbeyond.com
Instagram: https://www.instagram.com/interceptorbeyond
Lukas Wiltschko
Amaranthe
Triumphs, tragedies, rebirths and upheavals… Life is often defined by its moments of revelation. 15 years into a career that has seen them become one of metal’s most ruthlessly individual and uplifting bands, AMARANTHE are about to make their most definitive and revealing move. Three years on from the widely acclaimed Manifest, Sweden’s masters of thunderous, melodic futurism are about to unveil The Catalyst.
Formed in 2008, AMARANTHE walked their own unique path from the start. With a sound that combined the sharpest, cutting edges of melodic metal, electronic rock and razor-sharp pop, their impact was immediate and undeniable. Kicking off with their self-titled debut in 2011, the Swedes blazed a trail through the European metal scene and beyond, swiftly establishing themselves as a dazzling one-off, not least due to the unprecedented triple vocal attack that paired clean tones with exquisite melodic sensibilities and feral growls. Over the next few years, the sextet steadily grew in stature, releasing a series of praised studio records that jabbed persistently at the boundaries of modern metal.
From 2013’s fiery The Nexus and its immaculate follow-up Massive Addictive, through to the experimental bravery of 2016’s Maximalism and 2018’s Helix (which saw the arrival of Dynazty vocalist Nils Molin, replacing the departing Jake E), AMARANTHE have been an unwavering breath of invigorating fresh air, renowned for absurdly catchy and crushing pop-metal anthems and for euphoric, eye-popping live performances all over the globe.
Fast forward to 2023, and change is in the air. Pieced together over the last three years, The Catalyst is a self-evident breakthrough moment, and the most exhilarating and idiosyncratic record AMARANTHE have ever made.
One major contributory factor to this impressive forward stride is the arrival of AMARANTHE’s latest new member. Slotting in neatly alongside Elize Ryd and Nils Molin is the band’s new master of growls, Mikael Sehlin.
Now fully installed as the sixth piece of the AMARANTHE jigsaw – alongside Olof Mörck, Elize Ryd, Nils Molin, bassist Johan Andreasson and drummer Morten Løwe Sørensen – Mikael Sehlin can be heard revelling in his new creative partnerships on The Catalyst.
Due for release early in 2024, The Catalyst fully delivers on the promise of its title. AMARANTHE have always been original thinkers and maverick songwriters, but never with as much power and panache as they demonstrate this time around. Both their finest album to date and a collection of songs that deftly redefine every aspect of the Swedes’ sound, The Catalyst is destined to propel its creators ever higher up the modern metal ladder. For Olof Mörck, it represents the culmination of 15 years of hard work and the breathless pursuit of a wholly original musical vision. Change is inevitable. Victory is assured.
https://www.amaranthe.se/
https://www.nuclearblast.com/pages/amaranthe
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Date: 7 March 2024
Voices: Olof | Arthur
Notes: recorded in the green room; concrete walls, echo removed with ai; before the gig at Gasometer
Cover Photo: Interceptor Beyond
Interceptor Beyond Podcast
Website: https://www.interceptorbeyond.com
Instagram: https://www.instagram.com/interceptorbeyond
Hashtags: #interceptorbeyond #interceptorbeyondpodcast #amaranthe
Infected Rain
INFECTED RAIN experienced their most successful years yet in 2022 and 2023, commencing with the release of their fifth full-length album, Ecdysis. The album garnered prime media acclaim, hundreds of thousands of streams and views, and debuted in the Top 20 on the US Current Hard Music charts - all accented by worldwide performances at major festivals and with the likes of Butcher Babies, Wednesday 13 and more. On February 9, 2024, the band will climb even higher with their multifaceted sixth album, TIME. Described by the multinational band as “an homage to every fleeting second, every heartbeat, and every breath that has led us to this moment,” TIME was once again produced, mixed and mastered by Valentin Voluta, and combines the deft talents of returning members Vidick (guitars, cover artist), Eugene Voluta (drums) and famed frontwoman Lena Scissorhands (vocals), plus introduces new member Alice Lane (bass) to the fold. INFECTED RAIN exercise their trademarks with TIME, tastefully accenting the introspective musical journey with effectively-placed progressive, electronic and even nu-metal features amid ethereal passages. First track “BECAUSE I LET YOU” bursts in with undeniable energy, boasting aggressive lyrics and Lena Scissorhands’ swift, menacing delivery. Previously released first single “DYING LIGHT” marches with subterranean heaviness and rhythmic grooves beneath eerie vocals and keys, and even snaps into an EDM passage, showcasing the dynamic delivery of the band in 2024. “NEVER TO RETURN” flirts with trip-hop elements and far eastern instrumentation before the melodic ode to self-empowerment “LIGHTHOUSE” crashes in to juxtapose soft verses and intense auditory shifts. Album standout and djent driven “VIVARIUM” warns of society’s fickle freedoms as Lena Scissorhands delivers some of the album’s most hair-raising screams amid a haunting, ominous atmosphere, while fast-paced burners like “THE ANSWER IS YOU” and “ENMITY” flash between various EDM, synthwave and even drum and bass brushed transits amid bludgeoning rhythms. Intense “GAME OF BLAME” explores themes of hypocrisy and emotional pain delved out by those we love while boasting one of the album’s most searing breakdowns, while tracks like “PANDEMONIUM” and “UNPREDICTABLE” detail the uncontrollable energy of the future and past, respectively - boasting lofty, angelic verses with hard-hitting guitars and punching drums. Italian/English-language journey “PAURA” closes out the album with a path to self-discovery - beckoning the listener to understand that we limit ourselves with our own fears, and must harness the pain to overcome. TIME ends in a state of calm with ambient finisher “A SECOND OR A THOUSAND YEARS” - drawing the curtains closed on yet another fantastic, experimental expedition by rising stars INFECTED RAIN.
https://www.infectedrain.com
https://label.napalmrecords.com/infectedrain
https://infectedrain.bandcamp.com
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Date: 7 March 2024
Voices: Lena | Arthur
Notes: recorded on a tour bus; before the gig at Gasometer
Cover Photo: Interceptor Beyond
Interceptor Beyond Podcast
Website: https://www.interceptorbeyond.com
Instagram: https://www.instagram.com/interceptorbeyond
Hashtags: #interceptorbeyond #interceptorbeyondpodcast #infectedrain
Brume (pronounced ‘Broom’) are living proof that California is not all sunshine and easy living. The San Francisco-based quartet organically blends doom metal, goth, and indie rock into a sometimes monolithic, sometimes delicate blend of heaviness that resides firmly on the darker side.
After a decade of sultry sounds and hair-raising crescendos, Brume push sonic experimentation and delightful genre-bending even further on their third full-length album “Marten”. The expansion into a four-piece with the addition of Jackie Perez Gratz on cello and vocals has opened a cosmos of new possibilities that the Californians determinedly explore. Weaving soaring melodies over melancholic doom pop generates songs that are equally intimate and haunting yet also massive and crushing.
Brume originally formed as a trio in 2014 when guitarist Jamie McCathie from Bristol, England began making music with bass player and vocalist Susie McMullan from Baton Rouge, Louisiana after discovering a shared passion for both trip-hop and sludge. The addition of Jordan Perkins-Lewis on drums completed the line-up with his rich and experimental style of drumming, and set the stage for the band’s recordings.
The trio quickly gained momentum with their doom metal albums “Rooster” (2017) and “Rabbits” (2019), the former being named “Album of the Year” by The Ripple Effect and the latter earning the top spot on Wonderbox Metal’s “Best of 2019” list. Brume also left their mark onstage, appearing at Desertfest London in 2017 and Desertfest New York and SXSW in 2019, along with many more shows on both sides of the Atlantic.
On third album “Marten”, Brume perfectly balance the melancholic power of the cello with forceful vocals and dueling guitar conversations. The complex mood swings that seamlessly move from sensuous and restrained to soaring and explosive found a perfect producer in Sonny DiPerri (Emma Ruth Rundle, Lord Huron, Portugal The Man). With the right engineer behind the board, the San Franciscans adopted a songwriting approach that emphasised poetry and lyrics rather than starting with a riff. This way of working uncovered a more vulnerable side of the band.
With “Marten”, Brume take a bold step toward their musical future by challenging first themselves and now listeners to move from comfortable spaces toward more challenging, less familiar destinations.
http://brumeband.com
Cover by General LLC
Recording date: March 2, 2024
People present: Jamie | Jordan | Arthur
Notes: recorded on Zoom
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Interceptor Beyond Podcast
Website: https://www.interceptorbeyond.com
Instagram: https://www.instagram.com/interceptorbeyond
Episode: 51
Title: Electric Citizen - Interview with Ross Dolan
Bio: “Frontwoman Laura Dolan is one of the best in the business, and she sounds fantastic on this recording [“Evil”], wailing over heavy organs and a chugging riff. Electric Citizen have the most breakout potential of all the young bands on this list, and with songs this good, they deserve to blow up.” – Consequence of Sound (Source:Bandcamp)
Links: http://electriccitizenband.com/ https://electriccitizenband.bandcamp.com/
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Date: 19 Feb 2024
People present: Ross | Arthur
Notes: recorded on Zoom
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Interceptor Beyond Podcast
Website: https://www.interceptorbeyond.com
Instagram: https://www.instagram.com/interceptorbeyond
Hashtags: #interceptorbeyond #interceptorbeyondpodcast #electriccitizen
Episode: 50
Name: Jonathan Gabler
Bio: artist and label manager, bass player
Date: 29 Jan 2024
People present: Jonathan | Arthur | Julian @julez_haze
Notes: glass wall behind Joni
Cover photo: AYMZ - Soho Stage © Marie Lehmann @mariellemilia
Links: https://break-them.com
https://www.instagram.com/aymzoffizial
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Website: https://www.interceptorbeyond.com
Instagram: https://www.instagram.com/interceptorbeyond
HOWLING GIANT
Intro music: The Funk - Qubesounds
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Coogans Bluff
HEAVY TEMPLE are back from extensively touring across the United States and for the first time also Europe. They are also back from the rehearsal room where the making of new songs became far more of a group effort than on the debut album. And finally back from Animal Farm studio where John Forrestal gave the new album "Garden of Heathens" a rich and warm organic sound that is also crisp and crystalline. Where the debut full-length "Lupi Amoris" charged forward like a roaring mastodon, "Garden of Heathens" comes across more diverse and sophisticated without losing punch or heaviness. And while the powerful vocals of frontwoman High Priestess Nighthawk provide a strong gravitational pull, HEAVY TEMPLE always remain a riff-first kind of band. Even so, the heavy-touring Philadelphia, PA trio have expanded their range to encompass an even wider breadth of rock and metal road stops, from BARONESS to THE BEATLES and BLACK SABBATH to FU MANCHU – with many crossroads in between. Lyrically, Nighthawk wrote her most personal lines so far as the album revolves thematically around things that aren't real – from the American Dream to relationships. No matter how shiny something looks, below the surface lurk anxiety, betrayal, and doubt. HEAVY TEMPLE came into existence on the 2012 winter solstice during a night filled with the pure enjoyment of creating and playing heavy music. Once established, the band started playing live and soon got to tour alongside such notables as RUBY THE HATCHET, ROYAL THUNDER, and CORROSION OF CONFORMITY and they also got to play at notable festivals such as The Maryland Doom Fest and Psycho Las Vegas among many others. Following the two EPs "Heavy Temple” (2014) and "Chassit" (2016) and a number of singles, HEAVY TEMPLE at last took a break from heavy touring to record their first full-length. "Lupi Amoris" (“Wolves of Love”) that was released in 2021 to strong applause from both critics and followers alike. This album opened new doors including more festival appearances, a US tour with THE OBSESSED and their first tour of Europe with friends and labelmates HOWLING GIANT. HEAVY TEMPLE are not just back, they are here to stay. "Garden of Heathens" gives strong testimony that the trio is pushing hard to broaden their spectrum and break through any preconceptions and obstacles in front of them. "Garden of Heathens" sheds new light and a wider perspective on heavy and desert rock, psychedelia, and doom metal. Check this out!
https://linktr.ee/heavytemple
https://www.instagram.com/heavytemple
https://heavytemple.bandcamp.com/music
https://open.spotify.com/artist/2x9vjyUV8Q2Mlx7tqyeofq?si=gZpzTkrbRQ-5tX61sLFjtA
The podcast currently has 59 episodes available.