Into the Noise

Nicholas Kirk-Canny is an improviser, composer and creative coder with experience in instrumental and digital music. He recently completed a Ph.D. in Creative Music Practice at the University of Edinburgh, which involved the humanisation of electronic music. Currently, he is working as a postdoc at the Computer Music Laboratory at the Open University in Milton Keynes, on the Polifonia Access Pilot, which aims to develop new ways to enhance participation and engagement in music.

Nick’s Instagram

Nick’s Soundcloud

Nick’s PhD

Keith McMillen SoftStep

The Guitar Wing

The Triple Play MIDI pickups

Kurt Rosenwinkel’s website

The Open University Music Lab website

Rob Clouth’s website

This episode was researched, hosted, produced, and edited by Jim Reeve-Baker.

Thanks for listening.

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​ollie turbitt is a scottish-italian musician, sound artist, and audio engineer based in trento, italy. as well as providing guitar and bass duties for a handful of bands, he has pursued a fluctuating solo career in avant-garde exploration. under the pseudonyms oxhead, sforza gramsci, oj turbitt, hermetic gaze and others, his self-released cassettes, usbs and digital albums have aimed to express ideas of cultural memory, psychogeography, false consciousness and mysticism/esotericism through improvisation, sound collage, ambient textures, laptop experimentation and field recordings. ollie also runs dead hound records (which serves as a platform for both his own material and an increasing list of international experimental acts) & works in freelance mixing/mastering.

Ollie’s website

Dead Hound Records bandcamp

Brigid we Built on Rock from Skein

All Things in Common from Omnia Sunt Communia (Synthetic Landscapes for Tape, Computer and Filterbank)

VCV Rack modular synthesis software

1982, Janine by Alisdair Gray

Castel Sant’Angelo Rome website

Kevin Drumm’s Imperial Distortion

Memoirs of Hadrian by Marguerite Yourcenar

This episode was researched, hosted, produced, and edited by Jim Reeve-Baker.

Thanks for listening.

Hosted on Acast. See acast.com/privacy for more information.

Music and sound art listened to and discussed in this episode:

Wasp Cavernous Deep Sound of Southside

Elaine’s Instagram

Eliane Radique ARP 2500 Trilogy of Death

Celer’s website Celer’s Bandcamp

Catarina Barbieri’s website Catarina Barbieri’s Bandcamp

Longplayer by Jem Finer

Joanna Demers’ bibliography

Wasp synthesizer Goldsmiths Electronic Music Studio Prophet 12 SoundHack

O Magnum Mysterium by Morten Lauridsen

Art 27 Scotland Festival of Migration Southside Community Centre

Article 27 of The Declaration of Human Rights

Kalimba Pipa Initiative Refugee Week Autism Take 5

Ros Fraser's website - artist who has worked at Govanhill Baths in Glasgow

Culture Collective by Creative Scotland

Culture Collective 2022/23 ARTISTS IN RESIDENCE ARE: Elaine Cheng, Ghazi Hussain, Laleh Sherkat, Marta Adamowicz, Robert Motyka, Robert Rae, Shatha Altowai

This episode was researched, hosted, produced, and edited by Jim Reeve-Baker.

Thanks for listening.

Hosted on Acast. See acast.com/privacy for more information.

Mathias Arrignon is an artist from Val-de-Marne (France), currently residing in Glasgow and working across Europe. His works merges field recording practices, audio technology, interactive installations and participatory performances to instil forms of interconnectedness with worlds that are often more-than-human.

Mathias’ website

Thunder of Applauses

Oceanomicon Link 1

Oceanomicon Link 2

A Cubic Kilometre of the Entlebuch from To the Hum of the Forest

UAL London College of Communication Sound Art Master’s programme

Sound of the Year Awards

Radio France show concerned with the environment

Francois J Bonnet’s book The Infra-World

Astrida Neimanis’ book Bodies of Water Posthuman Feminist Phenomenology

Arts of Living on a Damaged Planet: Ghosts and Monsters of the Anthropocene

Annea Lockwood’s A Sound Map of the Danube

Rumors from the Sea by Felix Blume

Jana Winderen’s website

Entlebuch Biosphere Wiki

Anthropos Ex artists’ collective

Mark Peter Wright’s website

Clair Rousay’s website

Theodore Cale Schafer’s bandcamp page

Ben Babbitt’s bandcamp page

Disasterpeace aka Rich Vreeland’s website

Expeditions to the Arctic Circle

Faber Futures

This episode was researched, hosted, produced, and edited by Jim Reeve-Baker.

Thanks for listening.

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Lisa Conway-Bühler is a Swiss-Canadian composer, sound artist, songwriter, researcher, recordist, and mixer. Her recordings have been described as "ethereal, minimalist, experimental, unnerving…and downright elegant" (AUX): in her sound worlds, analog synthesizers, drum machines, and electronics often live alongside string arrangements and woodwinds. An artist who continually tries to push herself into the unfamiliar, her multifaceted CV includes original scores and songs for documentaries, short films, and theatre productions, site-specific multi-channel sound and light installations, collaborations with contemporary dancers and performance artists, and an array of renowned creative residencies.

Limestone I from SOUNDMILL Improvisations

Signal Erosion Performance with Helena Hamilton at Sonorities Festival Belfast

Alphorn Tape Loop I from The Isolator

Lisa’s website

The Alphorn

Oliver Schroer’s website

Matt Brubeck’s website

Janet Cardiff’s website

Guelph Jazz Festival

International Institute for Critical Studies in Improvisation

Goldie Mill in Guelph

Cathy van Eck Beyond Air and Electricity

EchoBoy

Belfast Sonic Arts Master’s Programme

Helena Hamilton

Heimatort

This episode was researched, hosted, produced, and edited by Jim Reeve-Baker.

The photograph used for the artwork was taken by Alix Forgeot

Thanks for listening.

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Multidisciplinary artist Özcan Saraç merges the boundaries between art, philosophy and science in his installation and discography work. Through an examination of the fundamental aspects and dynamics of contemporary matters, the artist infuses his artworks with conceptual and complex structures dedicated to existential perspective shiftings. 

Saraç crafts his research framework with a focus on both the tangible elements of the natural and built environment and abstract constructs like political and financial systems or decision-making processes. His exploration delves into the intricate relationships individuals maintain with their encompassing universe, pinpointing information processing and transformation systems as the core of his inquiry. Saraç is committed to incorporating research methodologies from various disciplines alongside creative techniques of expression and innovative publishing tools.

His works have been exhibited in London, Paris, New York, Istanbul, Zurich, Geneva, Basel and Milan. Released six albums internationally under his name on the record labels Evel (Spain), Superpang (Italy), Tokinogake (Japan) and Kaer'Uiks (Germany). Performed internationally at several organizations.

Music listened to and discussed in this episode:

8RRHoeW4jtE

Back to the unstable proposition,

Motion (i)

Özcan’s Bandcamp

Özcan’s Website

Joe Gimore’s website

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Sara Constant is a musician and artist working in various forms of contemporary/experimental music and sound. Trained as a flute player and active as a soloist, improviser, sound artist, and ensemble musician, Sara’s work involves interpretations of composed music, improvisations with instruments and electronics, and sound installation, to explore ideas around listening, resonance, and place. Sara has released music on People Places Records and Age of Leisure, has performed on releases from Centrediscs and Sawyer Editions, and has presented sound installations and solo projects across Canada, Europe, and the United States. Sara is currently based in Tkarón:to/Toronto, working as a flutist, artist, writer (Musicworks), and curator (Music Gallery).

Links:

Music and sound art listened to and discussed in this episode:

Mutable Bodies Number 1: Soft Speaking: https://saraconstant.ca/jellos https://saraconstant.ca/jellos-full-length

Five Times Recycled: https://sawyereditions.bandcamp.com/album/no-grief-without-joy

Surface Tensions: https://saraconstant.ca/surface-tensions

Sara’s website: https://saraconstant.ca

The Music Gallery in Toronto: https://musicgallery.org/

Alvin Lucier’s I am Sitting in a Room: https://www.youtube.com/watch?v=bhtO4DsSazc

Women From Space Festival 2022 edition review: https://www.musicworks.ca/reviews/women-space-festival

Women From Space Website: https://www.womenfromspace.com

This episode was researched, hosted, produced, and edited by Jim Reeve-Baker.

Thanks for listening.

https://www.instagram.com/into_the_noise/

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Links:

Music listened to and discussed in this episode:

https://flufrecs.bandcamp.com/album/aa0006

https://guybirkin.bandcamp.com/album/disorganised-and-unwanted-night

https://guybirkin.bandcamp.com/album/rushed-snares

Guy's website

Guy's PhD

Additional music

https://guybirkin.bandcamp.com/album/liminal-kicks

https://evel.bandcamp.com/album/animation-image-analysis

Broadway One: https://digitalartarchive.siggraph.org/artwork/ernest-edmonds-mark-fell-broadway-one/

Errorsmith Razor Synth: https://www.native-instruments.com/en/products/komplete/synths/razor/errorsmith-on-razor/?srsltid=AfmBOoqXZS6t3WqZhQjnpQOQo-FhMvSmqSCum6QDEtZ0k3V4cgWZVGbd

Ancient Woodlands: https://www.woodlandtrust.org.uk/trees-woods-and-wildlife/habitats/ancient-woodland/

Marie Thompson's Beyond Unwanted Sound: https://www.bloomsbury.com/uk/beyond-unwanted-sound-9781501313301/

The On-Line Encyclopaedia of Integer Sequences: https://oeis.org/

Stephen Wolfram's A New Kind of Science: https://www.wolframscience.com/nks/

Mentioned labels

https://f4lsch.bandcamp.com/

https://farmersmanual.bandcamp.com/

https://generalmagic.bandcamp.com/

https://sm-ll.bandcamp.com/

https://threeop.bandcamp.com/

The photograph used in this episode's artwork was taken by Mike Ford.

This episode was researched, hosted, produced, and edited by Jim Reeve-Baker

Thanks for listening

Into The Noise Instagram

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This episode of Into the Noise I talk to Tom Painter about the relationships between maths and music, the different cities Tom has lived in, using music to evoke abstract spaces, whether the expectations of audiences really matter, and Tom’s use of the sonic fragments left behind after the death of a loved one to explore memory and personal history.

Links to Tom's music heard in the episode:

https://afterseasonrecording.bandcamp.com/album/possibility-foam

https://afterseasonrecording.bandcamp.com/album/twenty-gramme-bird

https://afterseasonrecording.bandcamp.com/album/everywhere-curving

Tom's radio shows on Noods radio can be heard here:

https://noodsradio.com/residents/after-season-radio

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This episode of Into the Noise I'm talking to Jack Walker. We talk about Jack’s preferences for AI, structure, and improvisation; his background in Sheffield; how he balances work, life, and music making; and the good and bad aspects of being embedded within a university music department amongst other things.

Jack's PhD thesis:

https://era.ed.ac.uk/bitstream/handle/1842/39693/Walker2022.pdf?sequence=3&isAllowed=y

More of Jack's music:

https://plusminusensemble.com/education/edinburgh-2020/

More of Jack's writing:

https://aimc2021.iem.at/wp-content/uploads/2021/07/AIMC_2021_Walker.pdf

https://2022.aimusiccreativity.org/assets/program/aimc2022_m1.pdf

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