An Eye for Iran: The Photographs of Kazem Hakimi is a collection of black-and-white photographs by the eponymous artist, accompanied by an introduction by James Attlee. The book explores Iranian life through Hakimi's lens, focusing on everyday scenes and moments often captured in public spaces such as parks, squares, and markets. While seemingly unassuming, Hakimi's work subtly portrays Iranian culture's nuances, challenging Western perceptions and inviting viewers to consider the complexity of human experiences that transcend political boundaries.

The book is about the experiences of Iranian-American artist Mahmood Karimi Hakak in Iran during the 1990s. They discuss the social and political climate of Iran during that time, focusing on the restrictions placed on individuals, especially women, under a religiously motivated government. The sources further examine Hakak's journey in Iran as he faced challenges and censorship while trying to practice his art and introduce new ideas to a generation of students and fellow artists. Finally, they explore his encounters with individuals who reflect the political and social divide within Iranian society and his feelings about his native country.

The book is an in-depth account of the history and activities of the People’s Mujahedin of Iran (PMOI/MEK), a group dedicated to overthrowing the Islamic Republic of Iran. Through interviews with former and current members, the text documents the group's origins in the Iranian nationalist movement, its subsequent fight against the Shah, its persecution under the Islamic Republic, and its ongoing campaign for a free Iran. The text reveals how the Iranian regime has relentlessly targeted the MEK, from assassinations and imprisonment to massacres and campaigns of disinformation, while highlighting the group's resilience, determination, and unwavering commitment to its ideals.

The provided text is an excerpt from the book “The Incarcerated Modern: Prisons and Public Life in Iran”, by Golnar Nikpour. The book examines the historical evolution of prisons in Iran from the Qajar era through the Islamic Republic. It explores how prisons have shaped Iran's social and political landscape, highlighting their connections to global trends of carcerality, nationalism, and state-building. The text uses historical analysis and archival research to explore a range of carceral practices, including torture, political imprisonment, and the impact of the HIV/AIDS epidemic on prisoners. It investigates the role of international activism, human rights discourse, and the relationship between prison reform and political upheaval in Iran.

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"Counter-Memories in Iranian Cinema" explores the relationship between Iranian cinema and collective memory. The authors examine how Iranian filmmakers have used cinematic techniques to address social, political, and cultural issues, often challenging official narratives and reclaiming marginalized voices. The essays cover various topics, including the impact of the Iranian Revolution, the legacy of state violence, and how Iranian cinema engages with its history and the broader history of cinema.

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Carmen Pérez González's book, Local Portraiture: Through the Lens of the 19th Century Iranian Photographers, examines the distinct photographic styles of Iranian photographers in contrast to those of foreign photographers who documented Iran during the 19th century. González argues that the Iranian photographers' aesthetic choices reflected their unique cultural and artistic sensibilities, highlighting the importance of acknowledging diverse photographic histories beyond Western-centric narratives. The book provides a detailed visual analysis of 19th-century Iranian portrait photography, comparing it to Persian painting and Western portrait photography to demonstrate how cultural practices influenced visual representations. González explores elements such as the direction of writing, the use of text in photographs, the posing of subjects, and the understanding of space, revealing a unique aesthetic approach that contrasted with the dominant Victorian photographic style.

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Staci Gem Scheiwiller's book Liminalities of Gender and Sexuality in Nineteenth-Century Iranian Photography: Desirous Bodies examines how photographs in Qajar, Iran, negotiated and coded gender, sexuality, and desire. The book argues that photography became a strategy for empowerment and domination, serving as a tool for expression and being seen and exploring how it operated within pre-existing social and political relations. The text focuses on the visual culture of Qajar Iran, including the use of images in homes and the production of erotic photography, and how these images reflected and shaped cultural beliefs and social norms. The book also analyses photographs of women in various social contexts, such as the harem, the public sphere, and the Constitutional Revolution. It highlights their ambivalent role as both objects of desire and agents of change.

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This title is part of UC Press's Voices Revived program, commemorating the University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible again using print-on-demand technology. This title was originally published in 1973.

Emily Blout authors this book about media and power in modern Iran. Blout examines the history of mass communication in Iran, focusing on how successive regimes have grappled with the challenges of emerging technologies, such as radio, television, satellite TV and the internet. Blout argues that these technologies have challenged the state's monopoly on communication and its ability to control the flow of information, leading to a constant struggle to balance control and ideological dominance with public opinion and international pressure. She ultimately argues that the "soft war" narrative, which paints the West as a constant cultural threat, is a crucial strategy for the Iranian regime to maintain its power.

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"Mass Protests in Iran - From Resistance to Overthrow" examines the various periods of mass protest in Iran since the 1979 revolution. The author, Masoud Kazemzadeh, analyzes the repressive nature of the Islamic fundamentalist regime, highlighting its totalitarian tendencies, economic mismanagement, and the role of the Islamic Revolutionary Guard Corps (IRGC) in suppressing dissent. Kazemzadeh explores the dynamics of power struggles within the regime's elite factions and the impact of these on the protests, notably those of 2009 and 2017-2018. He focuses on the increasing role of women in the protests and the global support for the movement, particularly the 2022-2023 protests sparked by the death of Mahsa Amini. The author concludes by discussing policy ramifications for democratic countries, highlighting the importance of global solidarity and more robust support for the Iranian people in their quest for freedom and democracy.

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