Ladies night. Gaspar Noe’s Placebo video. The enthusiasm in eccentric filmmaking. Michael’s theory of self-indulgent French movies. Realizations in reverse. Cinematic mechanics in backwards storytelling. French extremism and, as always, brutality. Commentary on homophobia. When you know what’s coming.The last good thing you will ever know. Teaching the audience a humanistic lesson about murder. It’s so very good to have Lucky McKee back. Tension already. The Woman and the family. Where you don’t belong. Rooting for someone you’re afraid of. Finally, a case of justified violence? Forced alignment with uncomfortably terrible characters. Sexually shaming an audience. Bad gets worse, again. After the credits. The Woman’s a sequel?!