<p>I talk about the "Dark Ages of Filmmaking" when the gear (and film stock) were so expensive it was only the profession of the privileged, and a hobby of only the rich.</p>

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This episode is sponsored by 
· Anchor: The easiest way to make a podcast.  <a href="https://anchor.fm/app">https://anchor.fm/app</a>

Support this podcast: <a href="https://anchor.fm/silverlightphoto/support" rel="payment">https://anchor.fm/silverlightphoto/support</a>

I talk about the "Dark Ages of Filmmaking" when the gear (and film stock) were so expensive it was only the profession of the privileged, and a hobby of only the rich. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/silverlightphoto/support

<p>I talk about the "Dark Ages of Filmmaking" when the gear (and film stock) were so expensive it was only the profession of the privileged, and a hobby of only the rich.</p>

--- 

This episode is sponsored by 
· Anchor: The easiest way to make a podcast.  <a href="https://anchor.fm/app" rel="noopener noreferrer">https://anchor.fm/app</a>

Support this podcast: <a href="https://anchor.fm/silverlightphoto/support" rel="noopener noreferrer">https://anchor.fm/silverlightphoto/support</a>

Is Filmmaking Still Only For The Rich?

For years, I had searched for the perfect lens-sensor combination; a lens and camera duo that would produce a beautiful image with few adjustments and little post-processing. It would look REAL straight out of camera (SOOC) and be everything I needed and wanted in a camera system. However, as I tested each pair, they all told a different story, and would deliver light to the sensor differently. So, I began tweaking settings, jotting down notes (on index cards) for each lens-sensor combination I tried. I soon realized I needed a database to access all my settings...so then I created my website.

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Is Filmmaking Still Only For The Rich?

Is Filmmaking Still Only For The Rich?